Kodak Vision 2 Film Neg. Film | 402 Titles
The Killing (2011)
| Cinematography by | Gregory Middleton, Peter Wunstorf, Brian Johnson | Editing by | Elizabeth Kling, Joel T. Pashby, Amy E. Duddleston, Sarah Boyd, Howard Leder, Philip Fowler
Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
American Pastime (2007)
Directed by | Desmond Nakano | Cinematography by | Matthew Williams | Editing by | Mark Yoshikawa
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
24 (2001)
| Cinematography by | Rodney Charters, Jeffrey C. Mygatt, Guy Skinner, Peter Levy | Editing by | David Latham, Scott Powell, Chris G. Willingham, Leon Ortiz-Gil, Casey O. Rohrs, Larry Davenport, Elisa Cohen, David B. Thompson
Cameras | Bell & Howell Eyemo Camera, JVC HD110 Camera, Panavision Cameras, Panavision Panaflex Millennium XL Camera, Sony DSR-PD150 Camera
India: Kingdom of the Tiger (2002)
Directed by | Bruce Neibaur | Cinematography by | Matthew Williams | Editing by | Jean-Marie Drot
Cameras | IMAX MSM 9802 Camera
Lenses | Hasselblad Lenses
Paradise Now (2005)
Directed by | Hany Abu-Assad | Cinematography by | Antoine Héberlé | Editing by | Sander Vos
Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera
Lenses | Cooke Varotal Lenses, Zeiss Ultra Prime Lenses
I Viceré (2007)
Directed by | Roberto Faenza | Cinematography by | Maurizio Calvesi | Editing by | Massimo Fiocchi
Cameras | Moviecam Compact Camera
Body of Lies (2008)
Directed by | Ridley Scott | Cinematography by | Alexander Witt | Editing by | Pietro Scalia
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Shutter Island (2010)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Cameras | ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Team America: World Police (2004)
Directed by | Trey Parker | Cinematography by | Bill Pope | Editing by | Thomas M. Vogt
Cameras | ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Thor (2011)
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Paul Rubell
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses
Spider-Man 3 (2007)
Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski
Lenses | Panavision Primo Anamorphic Lenses
The Curious Case of Benjamin Button (2008)
Directed by | David Fincher | Cinematography by | Claudio Miranda | Editing by | Kirk Baxter, Angus Wall
Lenses | Zeiss DigiPrime Lenses
The Expendables (2010)
Directed by | Sylvester Stallone | Cinematography by | Jeffrey L. Kimball | Editing by | Ken Blackwell, Paul Harb
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Van Helsing (2004)
Directed by | Stephen Sommers | Cinematography by | Allen Daviau | Editing by | Bob Ducsay, Kelly Matsumoto, Jim May
Transformers (2007)
Directed by | Michael Bay | Cinematography by | Mitchell Amundsen | Editing by | Tom Muldoon, Paul Rubell, Glen Scantlebury
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Gamer (2009)
Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Ekkehart Pollack | Editing by | Peter Amundson, Fernando Villena, Doobie White
Cameras | ARRIFLEX 435 Camera, Red One Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Rocky Balboa (2006)
Directed by | Sylvester Stallone | Cinematography by | Clark Mathis | Editing by | Sean Albertson
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses | Zeiss Master Prime Lenses
CSI: Miami (2002)
| Cinematography by | Charles Mills, Ken Glassing, Eagle Egilsson, Darren Genet, Thomas Yatsko, Dermott Downs, Walt Lloyd, Michael D. O'Shea, Michael Barrett, Garett Griffin, Curtis Wehr, Robert M. Stevens, Joe Meade, Cynthia Pusheck, Donald E. Thorin Jr. | Editing by | Mark C. Baldwin, James Wilcox, John Refoua, Joshua Charson, Tom Costantino, Brian Ray, Edward R. Abroms, Jean Crupper, J. Benjamin Chulay, John M. Vitale, Juan Carlos Garza, Scott Lerner, Lawrence Jordan, Kevin Ward, Jim Page, Dana Devorzon, Christopher Cooke, Sara Mineo, Richmond Riedel
Cameras | ARRI ALEXA Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Sony CineAlta F35 Camera
Lenses | Panavision Lenses
Sideways (2004)
Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent
Cameras | Panavision Panaflex Platinum Camera
Volver (2006)
Directed by | Pedro Almodóvar | Cinematography by | José Luis Alcaine | Editing by | José Salcedo
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
