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Technicolor Digital Intermediates : 37Technicolor, Burbank : 1Technicolor, Culver City : 2Technicolor, Hollywood : 347Technicolor, London : 83Technicolor, Los Angeles : 16Technicolor, Mirabel : 2Technicolor, Montreal : 4Technicolor, New York : 70Technicolor, Rome : 12Technicolor, Toronto : 5Technicolor, Vancouver : 12

Technicolor | 826 Titles

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Heathers (1988)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Heathers | ShotOnWhat?

Directed by | Michael Lehmann | Cinematography by | Francis Kenny | Editing by | Norman Hollyn

Starring | Winona Ryder, Christian Slater, Shannen Doherty, Lisanne Falk

Sucker Punch (2011)

Motion Picture | 2D | Color | 2.35:1 | 110 Minutes

Sucker Punch | ShotOnWhat?

Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | William Hoy

Starring | Emily Browning, Vanessa Hudgens, Abbie Cornish, Jena Malone

Cameras | Panavision Cameras

Stand by Me (1986)

Motion Picture | 2D | Color | 89 Minutes

Directed by | Rob Reiner | Cinematography by | Thomas Del Ruth | Editing by | Robert Leighton

Starring | Wil Wheaton, River Phoenix, Corey Feldman, Jerry O'Connell

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

National Treasure: Book of Secrets (2007)

Motion Picture | 2D | Color | 2.35:1 | 124 Minutes

National Treasure: Book of Secrets | ShotOnWhat?

Directed by | Jon Turteltaub | Cinematography by | Amir Mokri, John Schwartzman | Editing by | William Goldenberg, David Rennie

Starring | Nicolas Cage, Diane Kruger, Justin Bartha, Jon Voight

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

The American President (1995)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Rob Reiner | Cinematography by | John Seale | Editing by | Robert Leighton

Starring | Michael Douglas, Annette Bening, Martin Sheen, Michael J. Fox

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Let Me In (2010)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Let Me In | ShotOnWhat?

Directed by | Matt Reeves | Cinematography by | Greig Fraser | Editing by | Stan Salfas

Starring | Kodi Smit-McPhee, Chloë Grace Moretz, Richard Jenkins, Cara Buono

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

The Natural (1984)

Motion Picture | 2D | Color | 1.85:1 | 138 Minutes

Directed by | Barry Levinson | Cinematography by | Caleb Deschanel | Editing by | Stu Linder, Christopher Holmes

Starring | Robert Redford, Robert Duvall, Glenn Close, Kim Basinger

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

The Green Mile (1999)

Motion Picture | 2D | Color | 1.85:1 | 189 Minutes

Directed by | Frank Darabont | Cinematography by | David Tattersall | Editing by | Richard Francis-Bruce

Starring | Tom Hanks, Michael Clarke Duncan, David Morse, Bonnie Hunt

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Frazier Lenses, Panavision Primo Classic Spherical Lenses

Seabiscuit (2003)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 140 Minutes

Directed by | Gary Ross | Cinematography by | John Schwartzman | Editing by | William Goldenberg

Starring | Tobey Maguire, Jeff Bridges, Elizabeth Banks, Chris Cooper

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses | Panavision Primo Primes Spherical Lenses

A Cinderella Story (2004)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Mark Rosman | Cinematography by | Anthony B. Richmond | Editing by | Cara Silverman

Starring | Hilary Duff, Chad Michael Murray, Jennifer Coolidge, Dan Byrd

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses | Panavision Lenses

Nine (2009)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 118 Minutes

Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Claire Simpson, Wyatt Smith

Starring | Daniel Day-Lewis, Marion Cotillard, Penélope Cruz, Sandro Dori

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Get Smart (2008)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Get Smart | ShotOnWhat?

Directed by | Peter Segal | Cinematography by | Dean Semler | Editing by | Richard Pearson

Starring | Steve Carell, Anne Hathaway, Alan Arkin, Dwayne Johnson

Cameras | Panavision Genesis Camera, Panavision Panastar Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

ParaNorman (2012)

Motion Picture | 3D | Color | 2.39:1 | 92 Minutes

Directed by | Chris Butler, Sam Fell | Cinematography by | Tristan Oliver | Editing by | Christopher Murrie

Starring | Kodi Smit-McPhee, Anna Kendrick, Christopher Mintz-Plasse, Tucker Albrizzi

Cameras | Canon EOS-5D Mark II Camera

Lenses | Canon Tilt-Shift Lenses, Cooke Varotal Lenses

A Bronx Tale (1993)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Robert De Niro | Cinematography by | Reynaldo Villalobos | Editing by | Robert Q. Lovett, David Ray

Starring | Robert De Niro, Chazz Palminteri, Lillo Brancato, Francis Capra

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Amadeus (1984)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 160 Minutes

Directed by | Milos Forman | Cinematography by | Miroslav Ondrícek | Editing by | Michael Chandler, T.M. Christopher, Nena Danevic

Starring | F. Murray Abraham, Tom Hulce, Elizabeth Berridge, Roy Dotrice

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Reader (2008)

Motion Picture | 2D | 2K Project | Color | 124 Minutes

Directed by | Stephen Daldry | Cinematography by | Roger Deakins, Chris Menges | Editing by | Claire Simpson

Starring | Kate Winslet, Ralph Fiennes, Bruno Ganz, Jeanette Hain

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

The NeverEnding Story (1984)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Wolfgang Petersen | Cinematography by | Jost Vacano | Editing by | Jane Seitz

Starring | Noah Hathaway, Barret Oliver, Tami Stronach, Gerald McRaney

Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 III Camera, VistaVision Cameras

Lenses | Technovision Lenses

Akeelah and the Bee (2006)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Akeelah and the Bee | ShotOnWhat?

Directed by | Doug Atchison | Cinematography by | M. David Mullen | Editing by | Glenn Farr

Starring | Angela Bassett, Laurence Fishburne, Keke Palmer, Curtis Armstrong

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Sony HDW-F900 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Slant Focus Lenses

U2 3D (2007)

Motion Picture | 3D | HD Project | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 85 Minutes

Directed by | Catherine Owens, Mark Pellington | Cinematography by | Peter Anderson, Tom Krueger | Editing by | Olivier Wicki

Starring | Bono, Adam Clayton, The Edge, Larry Mullen Jr.

Cameras | Sony HDW-F900 Camera

Lenses | Angenieux Lenses, Fujinon Lenses, Zeiss ZE Prime Lenses

The Cemetery Club (1993)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Bill Duke | Cinematography by | Steven Poster | Editing by | John Carter

Starring | Ellen Burstyn, Olympia Dukakis, Diane Ladd, Danny Aiello

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

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