Technicolor | 826 Titles
Narc (2002)
Directed by | Joe Carnahan | Cinematography by | Alex Nepomniaschy | Editing by | John Gilroy
Lenses | Zeiss Super Speed Lenses
Conan the Barbarian (1982)
Directed by | John Milius | Cinematography by | Duke Callaghan | Editing by | Carroll Timothy O'Meara
Cameras | ARRIFLEX 35 BL Camera
Lenses | Todd-AO Lenses
Youth in Revolt (2009)
Directed by | Miguel Arteta | Cinematography by | Chuy Chávez | Editing by | Andy Keir, Pamela Martin
Cameras | Phantom HD Camera, Sony CineAlta F35 Camera
A Far Off Place (1993)
Directed by | Mikael Salomon | Cinematography by | Juan Ruiz Anchía | Editing by | Ray Lovejoy
Cameras | Panavision Panaflex Camera
Lenses | Panavision Primo Anamorphic Lenses
Tiny Furniture (2010)
Directed by | Lena Dunham | Cinematography by | Jody Lee Lipes | Editing by | Lance Edmands
Cameras | Canon EOS-7D Camera
Margin Call (2011)
Michael Clayton (2007)
The Chronicles of Narnia: Prince Caspian (2008)
Directed by | Andrew Adamson | Cinematography by | Karl Walter Lindenlaub | Editing by | Josh Campbell, Sim Evan-Jones
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses | Zeiss Master Prime Lenses
Ben-Hur (1959)
Directed by | William Wyler | Cinematography by | Robert Surtees | Editing by | John D. Dunning, Ralph E. Winters, Margaret Booth
Cameras | MGM Camera 65 Camera
The Breakfast Club (1985)
Directed by | John Hughes | Cinematography by | Thomas Del Ruth | Editing by | Dede Allen
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
Friday the 13th (2009)
Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Ken Blackwell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses
Fast Times at Ridgemont High (1982)
Directed by | Amy Heckerling | Cinematography by | Matthew F. Leonetti | Editing by | Eric Jenkins
Cameras | Ultracam 35 Camera
Black Rain (1989)
Directed by | Ridley Scott | Cinematography by | Jan de Bont | Editing by | Tom Rolf
Cameras | Beaulieu Cameras, Panavision Cameras
Lenses | Panavision Lenses
Crimson Tide (1995)
Directed by | Tony Scott | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon
Cameras | Panavision Panaflex Gold II Camera
Burn After Reading (2008)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Emmanuel Lubezki | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera
The Hitchhiker’s Guide to the Galaxy (2005)
Directed by | Garth Jennings | Cinematography by | Igor Jadue-Lillo | Editing by | Niven Howie
Cameras | Panavision Cameras
Lenses | Panavision Lenses
London Boulevard (2010)
Directed by | William Monahan | Cinematography by | Chris Menges | Editing by | Dody Dorn, Robb Sullivan
The King and I (1956)
Directed by | Walter Lang | Cinematography by | Leon Shamroy | Editing by | Robert L. Simpson
Lenses | Bausch & Lomb Lenses
Anything Else (2003)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Cameras | Panavision Panaflex Millennium Camera
The Big Lebowski (1998)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera












































































