Technicolor | 826 Titles
Narc (2002)
 Directed by | Joe Carnahan | Cinematography by | Alex Nepomniaschy | Editing by | John Gilroy  
 
  Lenses | Zeiss Super Speed Lenses 
Conan the Barbarian (1982)
 Directed by | John Milius | Cinematography by | Duke Callaghan | Editing by | Carroll Timothy O'Meara 
 
  Cameras | ARRIFLEX 35 BL Camera 
  Lenses | Todd-AO Lenses 
Youth in Revolt (2009)
 Directed by | Miguel Arteta | Cinematography by | Chuy Chávez | Editing by | Andy Keir, Pamela Martin 
 
  Cameras | Phantom HD Camera, Sony CineAlta F35 Camera 
A Far Off Place (1993)
 Directed by | Mikael Salomon | Cinematography by | Juan Ruiz Anchía | Editing by | Ray Lovejoy 
 
  Cameras | Panavision Panaflex Camera 
  Lenses | Panavision Primo Anamorphic Lenses 
Tiny Furniture (2010)
 Directed by | Lena Dunham | Cinematography by | Jody Lee Lipes | Editing by | Lance Edmands 
 
  Cameras | Canon EOS-7D Camera 
Margin Call (2011)
Michael Clayton (2007)
The Chronicles of Narnia: Prince Caspian (2008)
 Directed by | Andrew Adamson | Cinematography by | Karl Walter Lindenlaub | Editing by | Josh Campbell, Sim Evan-Jones 
 
  Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera 
  Lenses | Zeiss Master Prime Lenses 
  Ben-Hur   (1959)  
 
    Directed by | William Wyler | Cinematography by | Robert Surtees | Editing by | John D. Dunning, Ralph E. Winters, Margaret Booth 
 
  Cameras | MGM Camera 65 Camera 
 The Breakfast Club (1985)
 Directed by | John Hughes | Cinematography by | Thomas Del Ruth | Editing by | Dede Allen 
 
  Cameras | Panavision Panaflex Series Cameras 
  Lenses | Panavision Lenses 
Friday the 13th (2009)
 Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Ken Blackwell 
 
  Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera 
  Lenses | Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses 
Fast Times at Ridgemont High (1982)
 Directed by | Amy Heckerling | Cinematography by | Matthew F. Leonetti | Editing by | Eric Jenkins 
 
  Cameras | Ultracam 35 Camera 
Black Rain (1989)
 Directed by | Ridley Scott | Cinematography by | Jan de Bont | Editing by | Tom Rolf 
 
  Cameras | Beaulieu Cameras, Panavision Cameras 
  Lenses | Panavision Lenses 
Crimson Tide (1995)
 Directed by | Tony Scott | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon 
 
  Cameras | Panavision Panaflex Gold II Camera 
 Burn After Reading (2008)
 Directed by | Ethan Coen, Joel Coen | Cinematography by | Emmanuel Lubezki | Editing by | Ethan Coen, Joel Coen 
 
  Cameras | ARRICAM Lite (LT) Camera 
 The Hitchhiker’s Guide to the Galaxy (2005)
 Directed by | Garth Jennings | Cinematography by | Igor Jadue-Lillo | Editing by | Niven Howie 
 
  Cameras | Panavision Cameras 
  Lenses | Panavision Lenses 
London Boulevard (2010)
 Directed by | William Monahan | Cinematography by | Chris Menges | Editing by | Dody Dorn, Robb Sullivan  
 
 The King and I (1956)
 Directed by | Walter Lang | Cinematography by | Leon Shamroy | Editing by | Robert L. Simpson 
 
  Lenses | Bausch & Lomb Lenses 
Anything Else (2003)
 Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter 
 
  Cameras | Panavision Panaflex Millennium Camera 
 The Big Lebowski (1998)
 Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke 
 
  Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera 
 
  
 




































































