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ARRI Cameras | 2118 Titles

ARRI Cameras 2.79/5 14 Votes

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The Fast Life (2003)

Direct to Video | 2D | Color | 1.85:1 | 57 Minutes

Directed by | Douglas Elford-Argent | Cinematography by | William M. Miller | Editing by | Kishore Verma

Starring | Frantz G. Saint Louis Jr., Jamie Hector, Jimmy Gary Jr., Matthew Aaron

Cameras | ARRIFLEX 16SR3 Advanced Camera

Lenses | ARRI / Zeiss Lenses

Nine (2009)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 118 Minutes

Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Claire Simpson, Wyatt Smith

Starring | Daniel Day-Lewis, Marion Cotillard, Penélope Cruz, Sandro Dori

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Max Payne (2008)

Motion Picture | 2D | Color | 100 Minutes

Directed by | John Moore | Cinematography by | Jonathan Sela | Editing by | Dan Zimmerman

Starring | Mark Wahlberg, Mila Kunis, Beau Bridges, Ludacris

Cameras | ARRIFLEX 435 Camera, Phantom HD Camera

Lenses | Cooke S4 Lenses

Adam Resurrected (2008)

Motion Picture | 2D | Color, Black and White | 2.35:1 | 106 Minutes

Adam Resurrected | ShotOnWhat?

Directed by | Paul Schrader | Cinematography by | Sebastian Edschmid | Editing by | Sandy Saffeels

Starring | Jeff Goldblum, Willem Dafoe, Cristian Motiu, Derek Jacobi

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Zeiss Ultra Prime Lenses

The Naked Man (1998)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 98 Minutes

Directed by | J. Todd Anderson | Cinematography by | Jeff Barklage | Editing by | Tricia Cooke, Mark Cretcher

Starring | Michael Rapaport, Michael Jeter, John Carroll Lynch, Arija Bareikis

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera

Eastern Promises (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 100 Minutes

Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders

Starring | Naomi Watts, Viggo Mortensen, Armin Mueller-Stahl, Josef Altin

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

The Bourne Legacy (2012)

Motion Picture | 2D | Color | 2.35:1 | 135 Minutes

The Bourne Legacy | ShotOnWhat?

Directed by | Tony Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy

Starring | Jeremy Renner, Rachel Weisz, Edward Norton, Scott Glenn

Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

Hearat Shulayim (2011)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Joseph Cedar | Cinematography by | Yaron Scharf | Editing by | Einat Glaser-Zarhin

Starring | Shlomo Bar-Aba, Lior Ashkenazi, Aliza Rosen, Alma Zack

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera

Lenses | Canon Lenses, Cine Magic Cinewand Lenses, Zeiss Ultra Prime Lenses

Lung joi gong woo (1998)

Motion Picture | 2D | Color | 1.85:1 | 112 Minutes

Directed by | Jing Wong | Cinematography by | Siu-Keung Cheng | Editing by | Marco Mak

Starring | Andy Lau, Gigi Leung, Suki Kwan, Mark Cheng

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux Lenses, Cooke Lenses

The Keep (1983)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Michael Mann | Cinematography by | Alex Thomson | Editing by | Dov Hoenig, Tony Palmer

Starring | Scott Glenn, Ian McKellen, Alberta Watson, Jürgen Prochnow

Cameras | ARRIFLEX 35 BL3 Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

OSS 117: Lost in Rio (2009)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Michel Hazanavicius | Cinematography by | Guillaume Schiffman | Editing by | Reynald Bertrand

Starring | Jean Dujardin, Louise Monot, Rüdiger Vogler, Alex Lutz

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

The Reader (2008)

Motion Picture | 2D | 2K Project | Color | 124 Minutes

Directed by | Stephen Daldry | Cinematography by | Roger Deakins, Chris Menges | Editing by | Claire Simpson

Starring | Kate Winslet, Ralph Fiennes, Bruno Ganz, Jeanette Hain

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

Notes on a Scandal (2006)

Motion Picture | 2D | Color | 1.85:1 | 92 Minutes

Directed by | Richard Eyre | Cinematography by | Chris Menges | Editing by | John Bloom, Antonia Van Drimmelen

Starring | Cate Blanchett, Judi Dench, Andrew Simpson, Tom Georgeson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses

After Midnight (1989)

Motion Picture | 2D | Color | 90 Minutes

Directed by | Jim Wheat, Ken Wheat | Cinematography by | Phedon Papamichael | Editing by | Cari Coughlin, Phillip Linson, Quinnie Martin Jr.

Starring | Jillian McWhirter, Pamela Adlon, Ramy Zada, Judie Aronson

Cameras | ARRIFLEX Camera

Mr. Popper’s Penguins (2011)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Mr. Popper’s Penguins | ShotOnWhat?

Directed by | Mark Waters | Cinematography by | Florian Ballhaus | Editing by | Bruce Green

Starring | Jim Carrey, Carla Gugino, Angela Lansbury, Ophelia Lovibond

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The NeverEnding Story (1984)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Wolfgang Petersen | Cinematography by | Jost Vacano | Editing by | Jane Seitz

Starring | Noah Hathaway, Barret Oliver, Tami Stronach, Gerald McRaney

Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 III Camera, VistaVision Cameras

Lenses | Technovision Lenses

Little Children (2006)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 136 Minutes

Directed by | Todd Field | Cinematography by | Antonio Calvache | Editing by | Leo Trombetta

Starring | Kate Winslet, Jennifer Connelly, Patrick Wilson, Jackie Earle Haley

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Intouchables (2011)

Motion Picture | 2D | Color | 1.85:1 | 112 Minutes

The Intouchables | ShotOnWhat?

Directed by | Olivier Nakache, Éric Toledano | Cinematography by | Mathieu Vadepied | Editing by | Dorian Rigal-Ansous

Starring | François Cluzet, Omar Sy, Anne Le Ny, Audrey Fleurot

Cameras | Aaton Penelope Camera, ARRI ALEXA Camera, ARRIFLEX 435 Camera

Lenses | Panavision Primo Anamorphic Lenses

Narc (2002)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Joe Carnahan | Cinematography by | Alex Nepomniaschy | Editing by | John Gilroy

Starring | Ray Liotta, Jason Patric, Chi McBride, Dan Leis

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera, Moviecam Compact Camera

Lenses | Zeiss Super Speed Lenses

Only Clouds Move the Stars (1998)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Torun Lian | Cinematography by | Svein Krøvel | Editing by | Trygve Hagen

Starring | Thea Sofie Rusten, Jan Tore Kristoffersen, Anneke von der Lippe, Anders T. Andersen

Cameras | ARRIFLEX 535 Camera

Lenses | Hawk C-Series Lenses

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