ARRI Cameras | 2118 Titles
Conan the Barbarian (1982)
Directed by | John Milius | Cinematography by | Duke Callaghan | Editing by | Carroll Timothy O'Meara
Cameras | ARRIFLEX 35 BL Camera
Lenses | Todd-AO Lenses
Star Trek (2009)
Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Stranger Than Fiction (2006)
War Horse (2011)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Margin Call (2011)
The Chronicles of Narnia: Prince Caspian (2008)
Directed by | Andrew Adamson | Cinematography by | Karl Walter Lindenlaub | Editing by | Josh Campbell, Sim Evan-Jones
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses | Zeiss Master Prime Lenses
Friday the 13th (2009)
Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Ken Blackwell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses
Elephant (2003)
Directed by | Gus Van Sant | Cinematography by | Harris Savides | Editing by | Gus Van Sant
Lenses | Zeiss Super Speed Lenses
Cat’s Play (1974)
Directed by | Károly Makk | Cinematography by | János Tóth | Editing by | Additional Editor, György Sívó
Cameras | ARRIFLEX Camera
Cemetery Junction (2010)
Directed by | Ricky Gervais, Stephen Merchant | Cinematography by | Remi Adefarasin | Editing by | Valerio Bonelli
Shadow of the Vampire (2000)
Directed by | E. Elias Merhige | Cinematography by | Lou Bogue | Editing by | Chris Wyatt
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Super Speed Lenses
St George’s Day (2012)
Directed by | Frank Harper | Cinematography by | Mike Southon | Editing by | Nick McCahearty
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Artworks (2003)
Directed by | Jim Amatulli | Cinematography by | Jeff Barklage | Editing by | Howard Heard
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
Lenses | Cooke Lenses
Divorce Invitation (2012)
Directed by | S.V. Krishna Reddy | Cinematography by | Brad Rushing | Editing by | Blu Murray, Gary Roach
Cameras | ARRI ALEXA Camera
Burn After Reading (2008)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Emmanuel Lubezki | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera
Agent Crush (2008)
Directed by | Sean Robinson | Cinematography by | Peter Field | Editing by | David Freemantle
Cameras | ARRIFLEX 435 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Place Beyond the Pines (2012)
Directed by | Derek Cianfrance | Cinematography by | Sean Bobbitt | Editing by | Jim Helton, Ron Patane
London Boulevard (2010)
Directed by | William Monahan | Cinematography by | Chris Menges | Editing by | Dody Dorn, Robb Sullivan
Black Joy (1977)
Directed by | Anthony Simmons | Cinematography by | Phil Meheux | Editing by | Thom Noble
Cameras | ARRIFLEX 35 BL Camera
The Big Lebowski (1998)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera
