ARRI Cameras | 2118 Titles
Fort Apache the Bronx (1981)
Directed by | Daniel Petrie | Cinematography by | John Alcott | Editing by | Rita Roland
Cameras | ARRI Cameras
Emmett’s Mark (2002)
Directed by | Keith Snyder | Cinematography by | Lawrence Sher | Editing by | Caroline Ross
Cameras | Aaton 35 I Camera, ARRIFLEX 535 B Camera
Con Air (1997)
Directed by | Simon West | Cinematography by | David Tattersall | Editing by | Chris Lebenzon, Steve Mirkovich, Glen Scantlebury
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Baby: Secret of the Lost Legend (1985)
Directed by | Bill Norton | Cinematography by | John Alcott | Editing by | David Bretherton, Howard E. Smith
Cameras | ARRI Cameras
Third Star (2010)
Directed by | Hattie Dalton | Cinematography by | Carlos Catalán | Editing by | Peter Christelis
Cameras | ARRI Cameras
Dracula’s Widow (1988)
Directed by | Christopher Coppola | Cinematography by | Giuseppe Maccari | Editing by | Tom Siiter, William M. Steinberg
Cameras | ARRI Cameras
El Detective Cojines (2011)
Directed by | Radamés Sánchez | Cinematography by | Carlos García Arce | Editing by | Carlos Camuñas, Carlos García Arce
Cameras | ARRI Cameras
Return (2011)
Directed by | Liza Johnson | Cinematography by | Anne Etheridge | Editing by | Paul Zucker
Cameras | ARRIFLEX 416 Camera
Lenses | Cooke S4 Lenses
Sanam (2000)
Directed by | Rafi Pitts | Cinematography by | Farhad Saba | Editing by | Hassan Hassandoost
Cameras | ARRI Cameras
Road Rage (2000)
Directed by | Sidney J. Furie | Cinematography by | Curtis Petersen | Editing by | Saul Pincus
Cameras | ARRI Cameras
Antiviral (2012)
Directed by | Brandon Cronenberg | Cinematography by | Karim Hussain | Editing by | Matthew Hannam
Cameras | ARRI ALEXA Camera
Babylon A.D. (2008)
Directed by | Mathieu Kassovitz | Cinematography by | Thierry Arbogast | Editing by | Benjamin Weill
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, ARRIFLEX 535 B Camera
Lenses | Panavision Primo Anamorphic Lenses
4 Months, 3 Weeks and 2 Days (2007)
Directed by | Cristian Mungiu | Cinematography by | Oleg Mutu | Editing by | Dana Bunescu
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Ultra Prime Lenses
Midnight in Paris (2011)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke 5/i Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses
Polyester (1981)
Directed by | John Waters | Cinematography by | Dave Insley | Editing by | Charles Roggero
Cameras | ARRI Cameras
Terminator Salvation (2009)
Directed by | McG | Cinematography by | Shane Hurlbut | Editing by | Conrad Buff IV
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Hangin’ Out (1983)
Directed by | Wolfgang Büld | Cinematography by | Heinz Hölscher | Editing by | Peter Fratzscher
Cameras | ARRIFLEX Camera
Zelary (2003)
Vuosaari (2012)
Directed by | Aku Louhimies | Cinematography by | Tuomo Hutri | Editing by | Benjamin Mercer
Cameras | ARRI ALEXA Camera, ARRI Cameras
Hugo (2011)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Camera
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
