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The Theory of Everything (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | James Marsh | Cinematography by | Benoît Delhomme | Editing by | Jinx Godfrey

Starring | Eddie Redmayne, Felicity Jones, Tom Prior, Sophie Perry

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRIFLEX 16SR3 Camera

Lenses | Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

The Imitation Game (2014)

Motion Picture | 2D | Black & White, Color | 114 Minutes

Directed by | Morten Tyldum | Cinematography by | Oscar Faura | Editing by | William Goldenberg

Starring | Benedict Cumberbatch, Keira Knightley, Matthew Goode, Allen Leech

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

Snowpiercer (2013)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 126 Minutes

Directed by | Joon-ho Bong | Cinematography by | Kyung-pyo Hong | Editing by | Steve M. Choe, Changju Kim

Starring | Chris Evans, Jamie Bell, Tilda Swinton, Ed Harris

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Selma (2014)

Motion Picture | 2D | Color | 2.39:1 | 128 Minutes

Directed by | Ava DuVernay | Cinematography by | Bradford Young | Editing by | Spencer Averick

Starring | David Oyelowo, Carmen Ejogo, Tim Roth, Lorraine Toussaint

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Hawk V-Plus Lenses, Hawk V-Series Lenses

Rosewater (2014)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Jon Stewart | Cinematography by | Bobby Bukowski | Editing by | Jay Rabinowitz

Starring | Gael García Bernal, Kim Bodnia, Dimitri Leonidas, Haluk Bilginer

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Chocolat (2000)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Lasse Hallström | Cinematography by | Roger Pratt | Editing by | Andrew Mondshein

Starring | Juliette Binoche, Judi Dench, Alfred Molina, Carrie-Anne Moss

Ping Pong Summer (2014)

Motion Picture | 2D | Color | 92 Minutes

Directed by | Michael Tully | Cinematography by | Wyatt Garfield | Editing by | Marc Vives

Starring | Marcello Conte, Judah Friedlander, Amy Sedaris, Lea Thompson

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Ultra 16 Lenses

Unbroken (2014)

Motion Picture | 2D | Color | 2.39:1 | 137 Minutes

Directed by | Angelina Jolie | Cinematography by | Roger Deakins | Editing by | William Goldenberg, Tim Squyres

Starring | Jack O'Connell, Miyavi, Domhnall Gleeson, Garrett Hedlund

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses | Zeiss Master Prime Lenses

The Two Faces of January (2014)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Hossein Amini | Cinematography by | Marcel Zyskind | Editing by | Nicolas Chaudeurge, Jon Harris

Starring | Viggo Mortensen, Kirsten Dunst, Oscar Isaac, Daisy Bevan

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Hawk C-Series Lenses

Casse-tête chinois (2013)

Motion Picture | 2D | Color | 1.85:1 | 117 Minutes

Directed by | Cédric Klapisch | Cinematography by | Natasha Braier | Editing by | Anne-Sophie Bion

Starring | Romain Duris, Audrey Tautou, Cécile de France, Kelly Reilly

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke 5/i Lenses, Cooke S4 Lenses

Nymphomaniac: Vol. I (2013)

Motion Picture | 2D | Black & White, Color | 1.85:1, 2.39:1 | 117 Minutes

Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard

Starring | Charlotte Gainsbourg, Stellan Skarsgård, Stacy Martin, Shia LaBeouf

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Lenses

Faust (2011)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 140 Minutes

Directed by | Aleksandr Sokurov | Cinematography by | Bruno Delbonnel | Editing by | Jörg Hauschild

Starring | Johannes Zeiler, Anton Adasinsky, Isolda Dychauk, Georg Friedrich

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Nous York (2012)

Motion Picture | 2D | Color | 98 Minutes

Directed by | Hervé Mimran, Géraldine Nakache | Cinematography by | Stéphane Le Parc | Editing by | Benjamin Weill

Starring | Leïla Bekhti, Géraldine Nakache, Manu Payet, Nader Boussandel

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

The Bletchley Circle (2012)

Television Series | 2D | Color | 45 Minutes

| Cinematography by | John Pardue, Jake Polonsky, Adam Suschitzky | Editing by | Stephen O'Connell, St. John O'Rorke, David Rees

Starring | Rachael Stirling, Julie Graham, Sophie Rundle, Anna Maxwell Martin

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Luther (2010)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Julian Court, Giulio Biccari, John Conroy, John Pardue, Tim Fleming, Stephan Pehrsson | Editing by | Katie Weiland, Tania Reddin, Jamie Trevill, Victoria Boydell, Sam Williams, Elen Pierce Lewis, Joel Skinner

Starring | Idris Elba, Dermot Crowley, Michael Smiley, Warren Brown

Cameras | ARRIFLEX D-21 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Upstairs Downstairs (2010)

Television Series | 2D | Color | 1.78:1 (16x9) |

| Cinematography by | Adam Suschitzky, John Conroy, Peter Greenhalgh, Ian Moss | Editing by | Úna Ní Dhonghaíle, Paul Brown, Crispin Green, Isobel Stephenson, Caroline Limmer

Starring | Keeley Hawes, Ed Stoppard, Adrian Scarborough, Neil Jackson

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses

The Monuments Men (2014)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione

Starring | George Clooney, Matt Damon, Bill Murray, Cate Blanchett

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens

Vampire Academy (2014)

Motion Picture | 2D | Color | 104 Minutes

Directed by | Mark Waters | Cinematography by | Tony Pierce-Roberts | Editing by | Chris Gill

Starring | Zoey Deutch, Lucy Fry, Danila Kozlovsky, Gabriel Byrne

Cameras | ARRI ALEXA Camera

Going Postal (2010)

Miniseries | 2D | Black & White, Color | 1.78:1 (16x9) | 185 Minutes

| Cinematography by | Gavin Finney | Editing by | Alex Mackie

Starring | Steve Pemberton, Tamsin Greig, Madhav Sharma, Jimmy Yuill

Cameras | ARRIFLEX D-21 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Her (2013)

Motion Picture | 2D | Color | 1.85:1 | 126 Minutes

Directed by | Spike Jonze | Cinematography by | Hoyte Van Hoytema | Editing by | Jeff Buchanan, Eric Zumbrunnen

Starring | Joaquin Phoenix, Amy Adams, Scarlett Johansson, Rooney Mara

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, Canon EOS-C300 Camera

Lenses | Canon Lenses, Cooke Lenses, Zeiss Lenses

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