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Assassin’s Creed (2016)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 115 Minutes

Directed by | Justin Kurzel | Cinematography by | Adam Arkapaw | Editing by | Christopher Tellefsen

Starring | Michael Fassbender, Marion Cotillard, Jeremy Irons, Brendan Gleeson

Cameras | ARRI ALEXA 65 Camera

Hördur – Zwischen den Welten (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 80 Minutes

Directed by | Ekrem Ergün | Cinematography by | Eric Ferranti | Editing by | Sabine Brose

Starring | Almila Bagriacik, Hilmi Sözer, Felicitas Woll, Noë Chalkidis

Cameras | ARRI ALEXA M Camera

Lenses | Cooke S4 Lenses

Paterson (2016)

Motion Picture | 2D | Color | 118 Minutes

Directed by | Jim Jarmusch | Cinematography by | Frederick Elmes | Editing by | Affonso Gonçalves

Starring | Adam Driver, Golshifteh Farahani, Nellie, Rizwan Manji

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera

Allegiant (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 120 Minutes

Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Stuart Levy

Starring | Shailene Woodley, Theo James, Jeff Daniels, Naomi Watts

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Limitless (2015)

Television Series | 2D | Color | 1.78:1 (16x9) | 42 Minutes

| Cinematography by | Jimmy Lindsey, Robert Gantz, Larry Reibman, Derick V. Underschultz, Jonathan Sela | Editing by | Christopher S. Capp, Jonathan Angus, Mark Manos, Daniel Gabbe

Starring | Jake McDorman, Jennifer Carpenter, Hill Harper, Mary Elizabeth Mastrantonio

Creed (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 133 Minutes

Directed by | Ryan Coogler | Cinematography by | Maryse Alberti | Editing by | Claudia Castello, Michael P. Shawver

Starring | Michael B. Jordan, Sylvester Stallone, Tessa Thompson, Phylicia Rashad

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Cooke Zoom Lenses

Carol (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 118 Minutes

Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | Affonso Gonçalves

Starring | Cate Blanchett, Rooney Mara, Sarah Paulson, Kyle Chandler

Cameras | ARRIFLEX 416 Camera

Lenses | Angenieux HR Zoom Lenses, Cooke S4/i Lenses, Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Son of a Gun (2014)

Motion Picture | 2D | 2K Project | Color | 108 Minutes

Directed by | Julius Avery | Cinematography by | Nigel Bluck | Editing by | Jack Hutchings

Starring | Ewan McGregor, Brenton Thwaites, Alicia Vikander, Brendan Kerkvliet

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision B Series Anamorphic Lenses, Panavision Lenses

Meadowland (2015)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Reed Morano | Cinematography by | Reed Morano | Editing by | Madeleine Gavin

Starring | Olivia Wilde, Luke Wilson, Giovanni Ribisi, Elisabeth Moss

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera

Lenses | Angenieux HR Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses

The Intern (2015)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Nancy Meyers | Cinematography by | Stephen Goldblatt | Editing by | Robert Leighton

Starring | Robert De Niro, Anne Hathaway, Rene Russo, Anders Holm

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Call Me King (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 118 Minutes

Directed by | R.L. Scott | Cinematography by | R.L. Scott

Starring | Amin Joseph, Bai Ling, Chris Mulkey, Bill Cobbs

Cameras | ARRI ALEXA Camera, Sony PMW-F55 Camera

Lenses | Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens

Southpaw (2015)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | John Refoua

Starring | Jake Gyllenhaal, Rachel McAdams, Oona Laurence, Forest Whitaker

Cameras | ARRI ALEXA XT Plus Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Dirty Pretty Things (2002)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Stephen Frears | Cinematography by | Chris Menges | Editing by | Mick Audsley

Starring | Chiwetel Ejiofor, Audrey Tautou, Sophie Okonedo, Sergi López

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Oranges and Sunshine (2010)

Motion Picture | 2D | 2K Project | Color | 2.40:1 | 105 Minutes

Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper

Starring | Emily Watson, Aisling Loftus, Stuart Wolfenden, Lorraine Ashbourne

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Lenses

The Hateful Eight (2015)

Motion Picture | 2D | Color | 2.76:1 | 168 Minutes

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin

Starring | Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins

Cameras | ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

Spectre (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 148 Minutes

The Cobbler (2014)

Motion Picture | 2D | Color | 99 Minutes

Directed by | Tom McCarthy | Cinematography by | W. Mott Hupfel III | Editing by | Tom McArdle

Starring | Adam Sandler, Melonie Diaz, Steve Buscemi, Method Man

Cameras | ARRI ALEXA Plus Camera

Shame (2011)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker

Starring | Michael Fassbender, Carey Mulligan, James Badge Dale, Lucy Walters

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke S4 Lenses

The Phone Call (2013)

Short Film | 2D | Color | 22 Minutes

Directed by | Mat Kirkby | Cinematography by | Ole Bratt Birkeland | Editing by | Lizzy Graham

Starring | Sally Hawkins, Jim Broadbent, Edward Hogg, Prunella Scales

Paddington (2014)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Paul King | Cinematography by | Erik Wilson | Editing by | Mark Everson

Starring | Hugh Bonneville, Sally Hawkins, Julie Walters, Jim Broadbent

Cameras | ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera

Lenses | Cooke S4 Lenses

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