ARRI Rental | 103 Titles
W.E. (2011)
Directed by | Madonna | Cinematography by | Hagen Bogdanski | Editing by | Danny Tull
Lenses | Zeiss Ultra Prime Lenses
44 Inch Chest (2009)
Directed by | Malcolm Venville | Cinematography by | Daniel Landin | Editing by | Rick Russell
Cameras | ARRICAM Lite (LT) Camera
When Did You Last See Your Father? (2007)
Directed by | Anand Tucker | Cinematography by | Howard Atherton | Editing by | Trevor Waite
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
Lenses | Hawk V-Series Lenses
The Eagle (2011)
Directed by | Kevin Macdonald | Cinematography by | Anthony Dod Mantle | Editing by | Justine Wright
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Elizabeth (1998)
Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
In Bruges (2008)
My Week with Marilyn (2011)
Directed by | Simon Curtis | Cinematography by | Ben Smithard | Editing by | Adam Recht
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
Never Let Me Go (2010)
Directed by | Mark Romanek | Cinematography by | Adam Kimmel | Editing by | Barney Pilling
Lenses | ARRI / Zeiss Master Anamorphic Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses
Something’s Gotta Give (2003)
Directed by | Nancy Meyers | Cinematography by | Michael Ballhaus | Editing by | Joe Hutshing
Cameras | ARRICAM Studio (ST) Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Daylight (1996)
Directed by | Rob Cohen | Cinematography by | David Eggby | Editing by | Peter Amundson
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
About a Boy (2002)
Directed by | Chris Weitz, Paul Weitz | Cinematography by | Remi Adefarasin | Editing by | Nick Moore
Cameras | ARRIFLEX 35mm Cameras
Lenses | ARRI Lenses
Chicago (2002) 
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Martin Walsh
Lenses | Cooke S4 Lenses
Extremely Loud & Incredibly Close (2011)
Directed by | Stephen Daldry | Cinematography by | Chris Menges | Editing by | Claire Simpson
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
Killing Bono (2011)
Directed by | Nick Hamm | Cinematography by | Kieran McGuigan | Editing by | Billy Sneddon
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
360 (2011)
Directed by | Fernando Meirelles | Cinematography by | Adriano Goldman | Editing by | Daniel Rezende
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses
A Rat’s Tale (1997)
Directed by | Michael F. Huse | Cinematography by | Piotr Lenar | Editing by | Timothy McLeish
Lenses | Panavision C Anamorphic Flare Lenses, Panavision C Anamorphic Portrait Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Cold Mountain (2003)
Passion in the Desert (1997)
The Special Relationship (2010)
Directed by | Richard Loncraine | Cinematography by | Barry Ackroyd | Editing by | Melanie Oliver
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Easy Virtue (2008)
Directed by | Stephan Elliott | Cinematography by | Martin Kenzie | Editing by | Sue Blainey
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
