Camera Negative Orientation » Vertical Camera Film Orientation

Vertical Camera Film Orientation | 1024 Titles

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A Merry War (1997)

Motion Picture | 2D | Color | 1.85:1 | 101 Minutes

Directed by | Robert Bierman | Cinematography by | Giles Nuttgens | Editing by | Bill Wright

Starring | Richard E. Grant, Helena Bonham Carter, Julian Wadham, Jim Carter

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The 13th Warrior (1999)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | John McTiernan, Michael Crichton | Cinematography by | Peter Menzies Jr. | Editing by | John Wright

Starring | Antonio Banderas, Diane Venora, Dennis Storhøi, Vladimir Kulich

Cameras | Panavision Cameras

Lenses | Panavision Lenses

I’m Reed Fish (2006)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 93 Minutes

Directed by | Zackary Adler | Cinematography by | Doug Chamberlain | Editing by | Yuka Ruell

Starring | Jay Baruchel, Alexis Bledel, Victor Rasuk, Schuyler Fisk

Cameras | Panavision Panaflex Millennium Camera

Straw Dogs (2011)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Rod Lurie | Cinematography by | Alik Sakharov | Editing by | Sarah Boyd

Starring | James Marsden, Kate Bosworth, Alexander Skarsgård, James Woods

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

61* (2001)

Television Movie | 2D | Color | 1.85:1 | 129 Minutes

Directed by | Billy Crystal | Cinematography by | Haskell Wexler | Editing by | Michael Jablow

Starring | Barry Pepper, Thomas Jane, Anthony Michael Hall, Richard Masur

Cameras | ARRIFLEX 435 ES Camera

Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Hawk 150-450 mm T2.8 Lens

The General’s Daughter (1999)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

The General’s Daughter | ShotOnWhat?

Directed by | Simon West | Cinematography by | Peter Menzies Jr. | Editing by | Glen Scantlebury

Starring | John Travolta, Madeleine Stowe, James Cromwell, Timothy Hutton

Cameras | Pan-Arri III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

Death Valley Superstar (2008)

Documentary | 2D | Color | 27 Minutes

Directed by | Michael Yaroshevsky | Cinematography by | Glauco Bermudez, Michael Yaroshevsky | Editing by | Michael Yaroshevsky

Starring | Sheldon Bernhard, Elizabeth Frechette, Ezra Frechette, Harrison Starr

Cameras | ARRIFLEX 35 BL Camera

Lenses | Cooke Speed Panchro (S1) 50mm f2.0 Lens, Cooke Speed Panchro Lenses, Zeiss Lenses

Gainsbourg: A Heroic Life (2010)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 135 Minutes

Directed by | Joann Sfar | Cinematography by | Guillaume Schiffman | Editing by | Maryline Monthieux

Starring | Eric Elmosnino, Lucy Gordon, Laetitia Casta, Doug Jones

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Cooke S4 Lenses

Superbad (2007)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

Superbad | ShotOnWhat?

Directed by | Greg Mottola | Cinematography by | Russ T. Alsobrook | Editing by | William Kerr

Starring | Michael Cera, Jonah Hill, Christopher Mintz-Plasse, Bill Hader

Cameras | Phantom HD Camera

Friday Night (2002)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Friday Night | ShotOnWhat?

Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Nelly Quettier

Starring | Valérie Lemercier, Vincent Lindon, Hélène de Saint-Père, Hélène Fillières

Cameras | Aaton 35-III Camera, Aaton A-Minima Camera

Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Ultra Prime Lenses

All the Real Girls (2003)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Zene Baker, Steven Gonzales

Starring | Zooey Deschanel, Paul Schneider, Patricia Clarkson, Shea Whigham

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Moviecam SuperAmerica Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Identity (2003)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Identity | ShotOnWhat?

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | David Brenner

Starring | John Cusack, Ray Liotta, Amanda Peet, John Hawkes

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Moonlight Mile (2002)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Brad Silberling | Cinematography by | Phedon Papamichael | Editing by | Lisa Zeno Churgin

Starring | Jake Gyllenhaal, Dustin Hoffman, Susan Sarandon, Alexia Landeau

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses

Vicky Cristina Barcelona (2008)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Woody Allen | Cinematography by | Javier Aguirresarobe | Editing by | Alisa Lepselter

Starring | Rebecca Hall, Scarlett Johansson, Javier Bardem, Christopher Evan Welch

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Master Prime Lenses

8 Mile (2002)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Curtis Hanson | Cinematography by | Rodrigo Prieto | Editing by | Craig Kitson, Jay Rabinowitz

Starring | Eminem, Brittany Murphy, Kim Basinger, Mekhi Phifer

Cameras | Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Zeiss Ultra Prime Lenses

The Good Shepherd (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 167 Minutes

Directed by | Robert De Niro | Cinematography by | Robert Richardson | Editing by | Tariq Anwar

Starring | Matt Damon, Angelina Jolie, Robert De Niro, Alec Baldwin

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Days of Thunder (1990)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 107 Minutes

Directed by | Tony Scott | Cinematography by | Ward Russell | Editing by | Robert C. Jones, Chris Lebenzon, Bert Lovitt, Michael Tronick, Stuart Waks, Billy Weber

Starring | Tom Cruise, Nicole Kidman, Robert Duvall, Randy Quaid

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Army of One (1993)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Vic Armstrong | Cinematography by | Daniel L. Turrett | Editing by | Paul Morton

Starring | Dolph Lundgren, George Segal, Kristian Alfonso, Geoffrey Lewis

Cameras | Todd-AO CineSpace 70 Camera

Les infidèles (2012)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | Emmanuelle Bercot, Fred Cavayé, Alexandre Courtès, Jean Dujardin, Michel Hazanavicius, Jan Kounen, Eric Lartigau, Gilles Lellouche | Cinematography by | Guillaume Schiffman | Editing by | Anny Danché, Julien Leloup

Starring | Jean Dujardin, Gilles Lellouche, Géraldine Nakache, Priscilla de Laforcade

Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

L.A. Confidential (1997)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Curtis Hanson | Cinematography by | Dante Spinotti | Editing by | Peter Honess

Starring | Kevin Spacey, Russell Crowe, Guy Pearce, Kim Basinger

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

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