Vertical Camera Film Orientation | 1024 Titles
Jing wu ying xiong (1994)
Directed by | Gordon Chan | Cinematography by | Derek Wan | Editing by | Ki-Hop Chan, Chak-Man Cheng
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
American Beauty (1999) 
Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Tariq Anwar, Christopher Greenbury
Cameras | Panavision Panaflex Platinum Camera
Les émotifs anonymes (2010)
Directed by | Jean-Pierre Améris | Cinematography by | Gérard Simon | Editing by | Philippe Bourgueil
Cameras | Moviecam Compact MK2 Camera
Crouching Tiger, Hidden Dragon (2000)
Directed by | Ang Lee | Cinematography by | Peter Pau | Editing by | Tim Squyres
Cameras | ARRIFLEX 435 ES Camera
Lenses | Zeiss Lenses
Once Upon a Time in China III (1992)
Directed by | Hark Tsui | Cinematography by | Andrew Lau Wai-Keung | Editing by | Angie Lam, Marco Mak
The Fan (1996)
Directed by | Tony Scott | Cinematography by | Dariusz Wolski | Editing by | Claire Simpson, Christian Wagner
Violent Cop (2000)
Directed by | Wai-Man Cheng | Cinematography by | Yuen Man Fung | Editing by | Angie Lam
Cameras | ARRIFLEX 535 B Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
3 Ninjas Kick Back (1994)
Directed by | Charles T. Kanganis | Cinematography by | Christopher Faloona | Editing by | Jeffrey Reiner, David Rennie
Cameras | ARRI Cameras
Playing by Heart (1998)
Directed by | Willard Carroll | Cinematography by | Vilmos Zsigmond | Editing by | Pietro Scalia
Cameras | Panavision Panaflex Platinum Camera
The Score (2001)
Coco Before Chanel (2009)
Directed by | Anne Fontaine | Cinematography by | Christophe Beaucarne | Editing by | Luc Barnier
Cameras | Panavision Panaflex Millennium XL Camera
A History of Violence (2005)
Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Shawshank Redemption (1994)
Directed by | Frank Darabont | Cinematography by | Roger Deakins | Editing by | Richard Francis-Bruce
Cameras | ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera
Lenses | ARRI / Zeiss Lenses
The Loss of a Teardrop Diamond (2008)
Directed by | Jodie Markell | Cinematography by | Giles Nuttgens | Editing by | Susan E. Morse, Jeremy Workman
Cameras | Panavision Panaflex Platinum Camera
Dead Presidents (1995)
Directed by | Albert Hughes, Allen Hughes | Cinematography by | Lisa Rinzler | Editing by | Dan Lebental
Cameras | Panavision Panaflex Gold II Camera
30 Days of Night (2007)
Directed by | David Slade | Cinematography by | Jo Willems | Editing by | Art Jones
Cameras | Panavision Panaflex Millennium XL Camera
33 Days (2012)
Directed by | Jamal Shoorje | Cinematography by | Turaj Mansuri | Editing by | Hassan Ayoubi
Cameras | ARRIFLEX Camera
Lenses | ARRI / Zeiss Lenses
Machine Gun Preacher (2011)
Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens
The Beaver (2011)
El Mariachi (1992)
Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | ARRIFLEX 16S Camera
