Camera Negative Orientation » Vertical Camera Film Orientation

Vertical Camera Film Orientation  |  1010 Titles

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The Apparition   (2012)

  |    |  Color  |    |  82 Minutes

Dorian Gray   (2009)

  |    |    |    |  112 Minutes

Mo’ Better Blues   (1990)

  |    |    |    |  130 Minutes

Sekai no chûshin de, ai o sakebu   (2004)

  |    |  Color  |    |  138 Minutes

Salmon Fishing in the Yemen   (2011)

  |    |  Color  |    |  107 Minutes

Jane Eyre   (2011)

  |    |    |    |  120 Minutes

Fantastic Four: Rise of the Silver Surfer   (2007)

  |    |  Color  |    |  92 Minutes

The Tailor of Panama   (2001)

  |    |    |    |  109 Minutes

Ghost Rider   (2007)

  |    |  Color  |    |  114 Minutes
Directed by | Mark Steven Johnson | Cinematography by | Russell Boyd | Editing by | Richard Francis-Bruce
Cameras |

Forgetting Sarah Marshall   (2008)

  |    |  Color  |  , ,   |  111 Minutes
Directed by | Nicholas Stoller | Cinematography by | Russ T. Alsobrook | Editing by | William Kerr
Cameras |

Lara Croft Tomb Raider: The Cradle of Life   (2003)

  |    |  Color  |    |  117 Minutes

The Beat That My Heart Skipped   (2005)

  |    |  Color  |    |  108 Minutes
Directed by | Jacques Audiard | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling
Lenses |

Fred Claus   (2007)

  |    |  Color  |    |  116 Minutes

Amarufi: Megami no hôshû   (2009)

  |    |    |    |  125 Minutes

Waiting for Guffman   (1996)

  |    |  Color  |    |  84 Minutes

The Great Debaters   (2007)

  |    |    |    |  126 Minutes

The Beverly Hillbillies   (1993)

  |    |    |  92 Minutes
Directed by | Penelope Spheeris | Cinematography by | Robert Brinkmann | Editing by | Ross Albert

The Core   (2003)

  |    |  Color  |    |  135 Minutes

83 Hours ‘Til Dawn   (1990)

  |    |    |    |  90 Minutes
Directed by | Donald Wrye | Cinematography by | Gideon Porath | Editing by | Curtis Freilich
Cameras |

Against the Ropes   (2004)

  |    |    |    |  111 Minutes
Directed by | Charles S. Dutton | Cinematography by | Jack N. Green | Editing by | Eric L. Beason
Cameras |

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