Vertical Camera Film Orientation | 1024 Titles
Biutiful (2010)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione
Lenses | Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
The Weather Man (2005)
A Lot Like Love (2005)
Directed by | Nigel Cole | Cinematography by | John de Borman | Editing by | Susan Littenberg
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Peter Pan (2003)
Directed by | P.J. Hogan | Cinematography by | Donald McAlpine | Editing by | Garth Craven, Michael Kahn
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Cheong wong (2000)
Directed by | Chi-Leung Law | Cinematography by | Kwok-Man Keung | Editing by | Chi-Leung Kwong
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Micmacs à tire-larigot (2009)
A Rumor of Angels (2000)
Directed by | Peter O'Fallon | Cinematography by | Roy H. Wagner | Editing by | Louise Rubacky
Cameras | Moviecam Compact Camera
Lenses | Hawk C-Series Lenses
360 (2011)
Directed by | Fernando Meirelles | Cinematography by | Adriano Goldman | Editing by | Daniel Rezende
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses
A Rat’s Tale (1997)
Directed by | Michael F. Huse | Cinematography by | Piotr Lenar | Editing by | Timothy McLeish
Lenses | Panavision C Anamorphic Flare Lenses, Panavision C Anamorphic Portrait Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Apocalypse and the Beauty Queen (2005)
Directed by | Thomas Smugala | Cinematography by | Jeff Barklage | Editing by | Daniel Hirsh, Michael Matassa, Jack Snyder
Cameras | ARRIFLEX 35 III Camera, Moviecam 3N Camera
Lenses | Angenieux HP Zoom Lenses, Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke Speed Panchro (S1) 32mm f2.0 Lens, Cooke Speed Panchro (S1) 40mm f2.0 Lens, Cooke Speed Panchro (S1) 50mm f2.0 Lens, Cooke Speed Panchro (S1) 75mm f2.0 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens, Cooke Zoom Lenses
Mousehunt (1997)
JCVD (2008)
Directed by | Mabrouk El Mechri | Cinematography by | Pierre-Yves Bastard | Editing by | Kako Kelber
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Lenses
The Rookie (1990)
Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera
Lenses | Panavision Super Speed Lenses
Box of Moon Light (1996)
Directed by | Tom DiCillo | Cinematography by | Paul Ryan | Editing by | Camilla Toniolo
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
Phoenix (1998)
Directed by | Danny Cannon | Cinematography by | James L. Carter | Editing by | Zach Staenberg
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Tripping Forward (2009)
Directed by | Marcus Nash | Cinematography by | Patrick Michael Dolan | Editing by | Eric Gustafson, Mark Hosack, Joel Viertel
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Divine Secrets of the Ya-Ya Sisterhood (2002)
Directed by | Callie Khouri | Cinematography by | John Bailey | Editing by | Andrew Marcus
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
A Civil Action (1998)
Directed by | Steven Zaillian | Cinematography by | Conrad L. Hall | Editing by | Wayne Wahrman
Cameras | Panavision Panaflex Platinum Camera
The Hard Way (1991)
Directed by | John Badham | Cinematography by | Donald McAlpine, Robert Primes | Editing by | Tony Lombardo, Frank Morriss
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Alamo (2004)
Directed by | John Lee Hancock | Cinematography by | Dean Semler | Editing by | Eric L. Beason
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
