Vertical Camera Film Orientation | 1010 Titles
The Texas Chainsaw Massacre (2003)
Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Glen Scantlebury
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Mother! (2017)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera
The Last Dance (2020)
| Cinematography by | Thomas McCallum | Editing by | Chad Beck, Devin Concannon, Abhay Sofsky, Ben Sozanski
Cameras | Aaton XTR Camera
An American Family (1973)
| Editing by | Pat Cook, Eleanor Hamerow, David Hanser, Ken Werner
Cameras | Éclair NPR Camera
Lenses | Angenieux Lenses
Back to the Future (1985)
Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt
Watchmen (2009)
Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | William Hoy
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Apocalypse Now (1979)
Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch
Lenses | Technovision Lenses, Todd-AO Lenses
Barry Lyndon (1975)
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Tony Lawson
Cameras | ARRIFLEX 35 BL Camera, Mitchell BNC Camera
Lenses | Canon K35 Prime Lenses, Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cinema Products Cine-Pro 24-480 mm T9 Zoom Lens, Cooke Varotal 20-100mm T3.1 Zoom Lens
The Lighthouse (2019)
Directed by | Robert Eggers | Cinematography by | Jarin Blaschke | Editing by | Louise Ford
Lenses | Bausch & Lomb Lenses
Batman (1989)
Directed by | Tim Burton | Cinematography by | Roger Pratt | Editing by | Ray Lovejoy
Cameras | Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera
Lenses | Panavision SL35-M 35 mm T1.9 Lens
A Good Reason (2018)
Directed by | August Holt Markwardt | Cinematography by | David J. Schweitzer | Editing by | August Holt Markwardt
Cameras | Aaton Penelope Camera
Lenses | Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens
Bruce Almighty (2003)
Directed by | Tom Shadyac | Cinematography by | Dean Semler | Editing by | Scott Hill
Lenses | Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Ava (2017)
Directed by | Léa Mysius | Cinematography by | Paul Guilhaume | Editing by | Pierre Deschamps
Cameras | ARRICAM Lite (LT) Camera
Lenses | Hawk V-Lite Lenses
Pirates of the Caribbean: At World’s End (2007)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Hail, Caesar! (2016)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
Live Free or Die Hard (2007)
Directed by | Len Wiseman | Cinematography by | Simon Duggan | Editing by | Nicolas De Toth
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Munich (2005)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Mad Men (2007)
| Cinematography by | Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen | Editing by | Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Rafferty
Al Medina (2015)
Directed by | Omar Shargawi | Cinematography by | Aske Foss | Editing by | Morten Højbjerg, Thomas Papapetros, Omar Shargawi
Cameras | ARRI ALEXA Plus Camera, Beaulieu Cameras
Lenses | Canon K35 100 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 55 mm T1.4 Lens, Canon K35 85 mm T1.3 Lens
Boyhood (2014)
Directed by | Richard Linklater | Cinematography by | Lee Daniel, Shane F. Kelly | Editing by | Sandra Adair
