Vertical Camera Film Orientation | 1024 Titles
No Time to Die (2021)
Directed by | Cary Joji Fukunaga | Cinematography by | Linus Sandgren | Editing by | Tom Cross, Elliot Graham
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses
Star Wars: Episode I – The Phantom Menace (1999)
Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, Paul Martin Smith
Lenses | Hawk C-Series Lenses
Star Wars: Episode IV – A New Hope (1977)
Directed by | George Lucas | Cinematography by | Gilbert Taylor | Editing by | Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas
Cameras | ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200
Star Wars: Episode V – The Empire Strikes Back (1980)
Directed by | Irvin Kershner | Cinematography by | Peter Suschitzky | Editing by | T.M. Christopher, Paul Hirsch, George Lucas, Marcia Lucas
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex-X Camera, Panavision Silent Reflex PSR Camera, Panavision Super PSR R-200
Star Wars: The Force Awakens (2015)
Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Star Wars: Episode VIII – The Last Jedi (2017)
Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Reds (1981)
Directed by | Warren Beatty | Cinematography by | Vittorio Storaro | Editing by | Dede Allen, Craig McKay
Cameras | Technovision Cameras
Lenses | Technovision Lenses
Lost River (2014)
Directed by | Ryan Gosling | Cinematography by | Benoît Debie | Editing by | Nico Leunen, Valdís Óskarsdóttir
Lenses | Cooke 5/i Lenses, Zeiss Ultra Prime Lenses
Buffy the Vampire Slayer (1997)
| Cinematography by | Michael Gershman, Raymond Stella, Kenneth Zunder, Michael D. O'Shea, Donald M. Morgan | Editing by | Regis Kimble, Peter Basinski, Skip Macdonald, Nancy Forner, Marilyn McMahon Adams, Kimberly Ray, Tammis Chandler, Joshua Charson, Louise Innes, Lisa Lassek, Geoffrey Rowland, Michael Kewley, Skip Schoolnik, Golda Savage, Michael Stern
Lenses | Panavision Lenses
Mid90s (2018)
Directed by | Jonah Hill | Cinematography by | Christopher Blauvelt | Editing by | Nick Houy
Cameras | ARRIFLEX 416 Camera
Lenses | Zeiss Super Speed Lenses
Cleopatra (1963)
Directed by | Joseph L. Mankiewicz | Cinematography by | Leon Shamroy, Jack Hildyard | Editing by | Dorothy Spencer, Elmo Williams
Cameras | Todd-AO 65mm Camera
Lenses | Todd-AO Lenses
The Grapes of Wrath (1940)
Directed by | John Ford | Cinematography by | Gregg Toland | Editing by | Robert L. Simpson
Cameras | Mitchell Cameras
The Lighthouse (2019)
Directed by | Robert Eggers | Cinematography by | Jarin Blaschke | Editing by | Louise Ford
Lenses | Bausch & Lomb Lenses, Pathé Lenses
Giant (1956)
Directed by | George Stevens | Cinematography by | William C. Mellor | Editing by | William Hornbeck, Robert Lawrence
Cameras | Mitchell BNC Camera
The Birth of a Nation (1915)
Directed by | D.W. Griffith | Cinematography by | G.W. Bitzer | Editing by | D.W. Griffith, Joseph Henabery, James Smith, Rose Smith, Raoul Walsh
Cameras | Pathé Cameras
Apocalypse Now (1979)
Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch
Lenses | Technovision Lenses, Todd-AO Lenses
All About Eve (1950) 
Directed by | Joseph L. Mankiewicz | Cinematography by | Milton R. Krasner | Editing by | Barbara McLean
Barry Lyndon (1975)
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Tony Lawson
Cameras | ARRIFLEX 35 BL Camera, Mitchell BNC Camera
Lenses | Canon K35 Prime Lenses, Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cinema Products Cine-Pro 24-480 mm T9 Zoom Lens, Cooke Varotal 20-100mm T3.1 Zoom Lens
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | John Gilbert
Lenses | Zeiss Ultra Prime Lenses
A River Runs Through It (1992)
Directed by | Robert Redford | Cinematography by | Philippe Rousselot | Editing by | Robert Estrin, Lynzee Klingman
Cameras | Panavision Cameras
Lenses | Panavision Lenses
