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Rhythm & Hues Studios | 28 Titles

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Slender Man (2018)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 93 Minutes

Directed by | Sylvain White | Cinematography by | Luca Del Puppo | Editing by | Jake York

Starring | Joey King, Julia Goldani Telles, Jaz Sinclair

Cameras | Sony PMW-F55 Camera, Sony α7S II Camera

Lenses | Hawk Hawk65 Series Lenses, Hawk V-Lite Lenses

The Lord of the Rings: The Fellowship of the Ring (2001)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 178 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | John Gilbert

Starring | Elijah Wood, Ian McKellen, Orlando Bloom

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Ultra Prime Lenses

RRR (2022)

Movie | 2D | 4K Project | Black & White, Color | 1.85:1, 1.90:1, 2.39:1 | 187 Minutes

Directed by | S.S. Rajamouli | Cinematography by | KK Senthil Kumar | Editing by | A. Sreekar Prasad

Starring | N.T. Rama Rao Jr., Ram Charan, Ajay Devgn

Cameras | ARRI ALEXA LF Camera

Lenses | ARRI Signature Prime Lenses

Big Miracle (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Ken Kwapis | Cinematography by | John Bailey | Editing by | Cara Silverman

Starring | Drew Barrymore, John Krasinski, John Pingayak

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C360 350 mm T4.0 Lens, Panavision Primo Anamorphic Lenses

The Lord of the Rings: The Return of the King (2003)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 201 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk

Starring | Elijah Wood, Viggo Mortensen, Ian McKellen, Orlando Bloom

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

End of Days (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 122 Minutes

Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Jeff Gullo, Steven Kemper

Starring | Arnold Schwarzenegger, Gabriel Byrne, Robin Tunney, Kevin Pollak

Cameras | Panavision Cameras

Lenses | Panavision Lenses

How the Grinch Stole Christmas (2000)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | Ron Howard | Cinematography by | Donald Peterman | Editing by | Daniel P. Hanley, Mike Hill

Starring | Jim Carrey, Taylor Momsen, Kelley, Jeffrey Tambor

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

Seventh Son (2014)

Motion Picture | 3D | Color | 2.39:1 | 102 Minutes

Directed by | Sergei Bodrov | Cinematography by | Newton Thomas Sigel | Editing by | Michael Kahn, Jim Page, Paul Rubell

Starring | Ben Barnes, Julianne Moore, Jeff Bridges, Alicia Vikander

Cameras | ARRI ALEXA Camera

300: Rise of an Empire (2014)

Motion Picture | 3D | Color | 102 Minutes

Directed by | Noam Murro | Cinematography by | Simon Duggan | Editing by | David Brenner, Wyatt Smith

Starring | Sullivan Stapleton, Eva Green, Lena Headey, Hans Matheson

Cameras | Red Epic Camera

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

Grown Ups 2 (2013)

Motion Picture | 2D | Color | 1.85:1 | 101 Minutes

Grown Ups 2 | ShotOnWhat?

Directed by | Dennis Dugan | Cinematography by | Theo van de Sande | Editing by | Tom Costain

Starring | Adam Sandler, Kevin James, Chris Rock, David Spade

Cameras | Red Epic Camera

Lenses | Panavision Primo Primes Spherical Lenses

Percy Jackson: Sea of Monsters (2013)

Motion Picture | 2D | Color | 106 Minutes

Directed by | Thor Freudenthal | Cinematography by | Shelly Johnson | Editing by | Mark Goldblatt

Starring | Logan Lerman, Alexandra Daddario, Brandon T. Jackson, Nathan Fillion

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Into the Storm (2014)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears

Starring | Richard Armitage, Sarah Wayne Callies, Matt Walsh, Max Deacon

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

The Hunger Games: Catching Fire (2013)

Motion Picture | 2D | Color | 1.44:1, 2.39:1 | 146 Minutes

Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell

Starring | Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Philip Seymour Hoffman

Cameras | ARRIFLEX 435 Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Life of Pi (2012)

Motion Picture | 3D | Color | 1.85:1 | 127 Minutes

Directed by | Ang Lee | Cinematography by | Claudio Miranda | Editing by | Tim Squyres

Starring | Suraj Sharma, Irrfan Khan, Adil Hussain, Tabu

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

R.I.P.D. (2013)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

R.I.P.D. | ShotOnWhat?

Directed by | Robert Schwentke | Cinematography by | Alwin H. Küchler | Editing by | Mark Helfrich

Starring | Ryan Reynolds, Jeff Bridges, Mary-Louise Parker, Kevin Bacon

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Master Prime Lenses

Moneyball (2011)

Motion Picture | 2D | Color | 1.85:1 | 133 Minutes

Directed by | Bennett Miller | Cinematography by | Wally Pfister | Editing by | Christopher Tellefsen

Starring | Brad Pitt, Robin Wright, Jonah Hill, Philip Seymour Hoffman

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Green Mile (1999)

Motion Picture | 2D | Color | 1.85:1 | 189 Minutes

Directed by | Frank Darabont | Cinematography by | David Tattersall | Editing by | Richard Francis-Bruce

Starring | Tom Hanks, Michael Clarke Duncan, David Morse, Bonnie Hunt

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Frazier Lenses, Panavision Primo Classic Spherical Lenses

I Now Pronounce You Chuck & Larry (2007)

Motion Picture | 2D | Color | 1.85:1 | 115 Minutes

I Now Pronounce You Chuck & Larry | ShotOnWhat?

Directed by | Dennis Dugan | Cinematography by | Dean Semler | Editing by | Jeff Gourson

Starring | Adam Sandler, Kevin James, Jessica Biel, Dan Aykroyd

Cameras | Panavision Genesis Camera

Harry Potter and the Sorcerer’s Stone (2001)

Motion Picture | 2D | Color | 2.39:1 | 152 Minutes

Directed by | Chris Columbus | Cinematography by | John Seale | Editing by | Richard Francis-Bruce

Starring | Daniel Radcliffe, Rupert Grint, Richard Harris, Maggie Smith

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

Night at the Museum: Battle of the Smithsonian (2009)

Motion Picture | 2D | Color, Black and White | 2.35:1 | 105 Minutes

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Directed by | Shawn Levy | Cinematography by | John Schwartzman | Editing by | Dean Zimmerman, Don Zimmerman

Starring | Ben Stiller, Owen Wilson, Amy Adams, Hank Azaria

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses | Panavision Primo Anamorphic Lenses

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