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Columbia Pictures | 29 Titles

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1941 (1979)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 118 Minutes

Directed by | Steven Spielberg | Cinematography by | William A. Fraker | Editing by | Michael Kahn

Starring | John Belushi, Dan Aykroyd, Treat Williams

Cameras | Panavision Panaflex Series Cameras

Lenses | Panavision C Series Anamorphic Lenses

Close Encounters of the Third Kind (1977)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 138 Minutes

Directed by | Steven Spielberg | Cinematography by | Vilmos Zsigmond | Editing by | Michael Kahn

Starring | Richard Dreyfuss, François Truffaut, Teri Garr, Melinda Dillon

Cameras | Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Camera, Panavision Super PSR R-200

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision Lenses

The Deep (1977)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 123 Minutes

Directed by | Peter Yates | Cinematography by | Christopher Challis | Editing by | David Berlatsky

Starring | Jacqueline Bisset, Nick Nolte, Dick Anthony Williams, Robert Shaw

Cameras | ARRIFLEX 35 IIC Camera

Lenses | Panavision Lenses

Get on the Bus (1996)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 120 Minutes

Directed by | Spike Lee | Cinematography by | Elliot Davis | Editing by | Leander T. Sales

Starring | Ossie Davis, Charles S. Dutton, Andre Braugher, Richard Belzer

Cameras | Aaton XTR Camera, Krasnogorsk-3 Camera

Once Upon a Time… in Hollywood (2019)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1, 2.39:1 | 161 Minutes

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin

Starring | Leonardo DiCaprio, Brad Pitt, Margot Robbie

Cameras | Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Awful Truth (1937)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 90 Minutes

Directed by | Leo McCarey | Cinematography by | Joseph Walker | Editing by | Al Clark

Starring | Irene Dunne, Cary Grant, Ralph Bellamy

Mr. Deeds Goes to Town (1936)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 115 Minutes

Directed by | Frank Capra | Cinematography by | Joseph Walker | Editing by | Gene Havlick

Starring | Gary Cooper, Jean Arthur, George Bancroft

Cameras | Mitchell Standard Camera

Only the Brave (2017)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 134 Minutes

Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Billy Fox

Starring | Josh Brolin, Miles Teller, Jeff Bridges

Cameras | Sony CineAlta F65 Camera

Lenses | Fujinon Premier Lenses, Zeiss Master Prime Lenses

Casino Royale (1967)

Motion Picture | 2D | Film Project | Black & White, Color | 2.35:1 | 131 Minutes

Directed by | Val Guest, Ken Hughes, John Huston, Joseph McGrath, Robert Parrish, Richard Talmadge | Cinematography by | Jack Hildyard | Editing by | Bill Lenny

Starring | David Niven, Peter Sellers, Ursula Andress, Orson Welles

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Casino Royale (2006)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 144 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird

Starring | Daniel Craig, Eva Green, Judi Dench, Jeffrey Wright

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Lenses, Cooke S4/i Lenses

Skyfall (2012)

Motion Picture | 2D | Color | 1.90:1, 2.39:1 | 143 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Stuart Baird

Starring | Daniel Craig, Javier Bardem, Naomie Harris, Judi Dench

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Quantum of Solace (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse, Richard Pearson

Starring | Daniel Craig, Olga Kurylenko, Mathieu Amalric, Judi Dench

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Spectre (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 148 Minutes

Flatliners (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Niels Arden Oplev | Cinematography by | Eric Kress | Editing by | Tom Elkins

Starring | Elliot Page, Diego Luna, Nina Dobrev

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision Lenses

Roman J. Israel, Esq. (2017)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 122 Minutes

Directed by | Dan Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy

Starring | Denzel Washington, Colin Farrell, Carmen Ejogo

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Zeiss ARRI Macro Lenses

Talladega Nights: The Ballad of Ricky Bobby (2006)

Motion Picture | 2D | 2K Project | Color | 108 Minutes

Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Brent White

Starring | Will Ferrell, John C. Reilly, Sacha Baron Cohen, Gary Cole

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Spider-Man: Across the Spider-Verse (2023)

Motion Picture | 2D | 2K Project | Color | 2.39:1, 2.55:1 | 140 Minutes

Directed by | Joaquim Dos Santos, Kemp Powers, Justin K. Thompson | Editing by | Mike Andrews

Starring | Shameik Moore, Hailee Steinfeld, Brian Tyree Henry

Spider-Man (2002)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 121 Minutes

Directed by | Sam Raimi | Cinematography by | Don Burgess | Editing by | Arthur Coburn, Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Willem Dafoe, James Franco

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Spider-Man 2 (2004)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 127 Minutes

Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Alfred Molina, James Franco

Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses | Panavision Hylén System Lens, Panavision Primo Anamorphic Lenses

Spider-Man: Homecoming (2017)

Motion Picture | 2D | 2.8K Project | Color | 1.33:1 (4x3), 2.39:1 | 133 Minutes

Directed by | Jon Watts | Cinematography by | Salvatore Totino | Editing by | Debbie Berman, Dan Lebental

Starring | Tom Holland, Michael Keaton, Robert Downey Jr.

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses | Angenieux Lenses, Cooke S4/i Lenses

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