Sony Dynamic Digital Sound (SDDS) | 1011 Titles
Mad Max: Fury Road (2015)
Directed by | George Miller | Cinematography by | John Seale | Editing by | Margaret Sixel
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
The Phantom of the Opera (2004)
Ray (2004)
Happy Feet (2006)
Directed by | George Miller, Warren Coleman, Judy Morris | Cinematography by | David Peers | Editing by | Christian Gazal, Margaret Sixel
The Ring (2002)
Harry Potter and the Order of the Phoenix (2007)
Directed by | David Yates | Cinematography by | Slawomir Idziak | Editing by | Mark Day
Cameras | ARRI Cameras
Faster (2010)
Directed by | George Tillman Jr. | Cinematography by | Michael Grady | Editing by | Dirk Westervelt
Lenses | Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
The Duchess (2008)
Scooby-Doo (2002)
Directed by | Raja Gosnell | Cinematography by | David Eggby | Editing by | Kent Beyda
Cameras | Panavision Cameras
Hollywood Homicide (2003)
Directed by | Ron Shelton | Cinematography by | Barry Peterson | Editing by | Paul Seydor
Cameras | Panavision Panaflex Camera
Invictus (2009)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
This Is It (2009)
Directed by | Kenny Ortega | Cinematography by | Sandrine Orabona, Tim Patterson | Editing by | Don Brochu, Brandon Key, Tim Patterson, Kevin Stitt
Cameras | Red One Camera
The Forbidden Kingdom (2008)
Directed by | Rob Minkoff | Cinematography by | Peter Pau | Editing by | Eric Strand
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Haywire (2011)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh
Cameras | Red One MX Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses
Moneyball (2011)
Directed by | Bennett Miller | Cinematography by | Wally Pfister | Editing by | Christopher Tellefsen
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Nothing to Lose (1997)
Directed by | Steve Oedekerk | Cinematography by | Donald E. Thorin | Editing by | Malcolm Campbell
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Corruptor (1999)
Directed by | James Foley | Cinematography by | Juan Ruiz Anchía | Editing by | Howard E. Smith
Cameras | Aaton 35-III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
The Five-Year Engagement (2012)
Directed by | Nicholas Stoller | Cinematography by | Javier Aguirresarobe | Editing by | William Kerr, Peck Prior
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Margot at the Wedding (2007)
Directed by | Noah Baumbach | Cinematography by | Harris Savides | Editing by | Carol Littleton
Cameras | ARRICAM Lite (LT) Camera
Lenses | Bausch & Lomb Super Baltar Lenses
Journey to the Center of the Earth (2008)
Directed by | Eric Brevig | Cinematography by | Chuck Shuman | Editing by | Steven Rosenblum, Paul Martin Smith, Dirk Westervelt
