Dolby Digital | 2307 Titles
Crazy, Stupid, Love. (2011)
Directed by | Glenn Ficarra, John Requa | Cinematography by | Andrew Dunn | Editing by | Lee Haxall
Cameras | Panavision Panaflex Platinum Camera
Unfaithful (2002)
Directed by | Adrian Lyne | Cinematography by | Peter Biziou | Editing by | Anne V. Coates
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses
Role Models (2008)
Directed by | David Wain | Cinematography by | Russ T. Alsobrook | Editing by | Eric Kissack
Cameras | Panavision Cameras
10,000 BC (2008)
Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | Alexander Berner
Cameras | ARRI Cameras, Moviecam Cameras
Lenses | Angenieux Lenses, Zeiss Lenses
Titanic (1997) 
Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | Conrad Buff IV, James Cameron, Richard A. Harris
Ghosts of Girlfriends Past (2009)
Directed by | Mark Waters | Cinematography by | Daryn Okada | Editing by | Bruce Green
Lenses | Panavision Primo Anamorphic Lenses
Shark Night 3D (2011)
Directed by | David R. Ellis | Cinematography by | Gary Capo | Editing by | Dennis Virkler
Cameras | Sony CineAlta F35 Camera
Lenses | Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Poseidon (2006)
Directed by | Wolfgang Petersen | Cinematography by | John Seale | Editing by | Peter Honess
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Jin ling shi san chai (2011)
Directed by | Yimou Zhang | Cinematography by | Xiaoding Zhao | Editing by | Peicong Meng
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
The Eagle (2011)
Directed by | Kevin Macdonald | Cinematography by | Anthony Dod Mantle | Editing by | Justine Wright
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
One for the Money (2012)
Directed by | Julie Anne Robinson | Cinematography by | Jim Whitaker | Editing by | Lisa Zeno Churgin
Gattaca (1997)
Directed by | Andrew Niccol | Cinematography by | Slawomir Idziak | Editing by | Lisa Zeno Churgin
Cameras | ARRIFLEX Camera, Moviecam Cameras
Basic (2003)
Directed by | John McTiernan | Cinematography by | Steve Mason | Editing by | George Folsey Jr.
Cameras | Panavision Panaflex Camera
The Assassination of Jesse James by the Coward Robert Ford (2007)
Directed by | Andrew Dominik | Cinematography by | Roger Deakins | Editing by | Curtiss Clayton, Dylan Tichenor
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
15 Till Midnight (2010)
Directed by | Wolfgang Meyer | Cinematography by | Daniel Lipski | Editing by | Michael Gilmore
Cameras | Red One Camera
Lenses | Cooke S4 Lenses
180º (2010)
Directed by | Fernando Kalife | Cinematography by | Eduardo Flores Torres | Editing by | Joel T. Pashby, Hughes Winborne
Cameras | ARRICAM Lite (LT) Camera
The Campaign (2012)
Directed by | Jay Roach | Cinematography by | Jim Denault | Editing by | Craig Alpert, Jon Poll
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses
Big Mommas: Like Father, Like Son (2011)
Directed by | John Whitesell | Cinematography by | Anthony B. Richmond | Editing by | Priscilla Nedd-Friendly
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Cop Out (2010)
Neighboring Sounds (2012)
Directed by | Kleber Mendonça Filho | Cinematography by | Pedro Sotero, Fabricio Tadeu | Editing by | João Maria, Kleber Mendonça Filho
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses
