Outdoor | 562 Titles
Alpha/Bravo (2011)
Directed by | Timothy David Mitchell | Cinematography by | Timothy David Mitchell | Editing by | Timothy David Mitchell
Cameras | Sony DCR-SR60 Camera
Äkta människor (2012)
| Cinematography by | Trolle Davidson, Linus Rosenqvist, Frida Wendel, Andres Rignell | Editing by | Björn Kessler, Rickard Krantz, Kicki Niemi, Gustav Wachtmeister, Sofia Lindgren, Max Arehn
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
As Brasileiras (2012)
| Editing by | Leticia Giffoni, Eduardo Hartung, Danilo Lemos, Diana Vasconcellos
Cameras | Red Epic Camera
Vegas (2012)
| Cinematography by | Joseph E. Gallagher, Kramer Morgenthau | Editing by | Mark Manos, Jan Northrop, Fred Peterson
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
Elf-Man (2012)
Directed by | Ethan Wiley | Cinematography by | John Grove II | Editing by | Russell Denove
Cameras | Sony Cameras
Lenses | Red Digital Cinema Lenses
Elysium (2013)
Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Lee Smith
Cameras | Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses | Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Officer Down (2013)
Directed by | Richard Bakewell | Cinematography by | Chun Ming Huang
Cameras | Sony PMW-F3 Camera
Lenses | Cooke Speed Panchro Lenses
Blood River (2009)
Directed by | Adam Mason | Cinematography by | Stuart Brereton | Editing by | Adam Mason
Cameras | Sony HDW-F900 Camera
Into the Storm (2014)
Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera
Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses
And They’re Off (2011)
Directed by | Rob Schiller | Cinematography by | Ulf Soderqvist | Editing by | Stephen R. Myers
Cameras | Canon Cameras
Liquid Bridge (2003)
Directed by | Phillip Avalon | Cinematography by | Roger Buckingham | Editing by | David Stiven
Lenses | Cooke Lenses, Zeiss Lenses
Reveròn (2011)
Directed by | Diego Rísquez | Cinematography by | Cezary Jaworski | Editing by | Leonardo Henríquez
Cameras | Red One Camera
Norbit (2007)
Directed by | Brian Robbins | Cinematography by | Clark Mathis | Editing by | Ned Bastille
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Oz the Great and Powerful (2013)
Directed by | Sam Raimi | Cinematography by | Peter Deming | Editing by | Bob Murawski
Cameras | Red Epic Camera
G.I. Joe: Retaliation (2013)
Directed by | Jon M. Chu | Cinematography by | Stephen F. Windon | Editing by | Roger Barton, Jim May
The Feed (2010)
Directed by | Steve Gibson | Cinematography by | Seth Drick, Steve Gibson, Sam Nelsen | Editing by | Steve Gibson, Ben Watts
Cameras | Panavision Cameras
The Impossible (2012)
Directed by | J.A. Bayona | Cinematography by | Oscar Faura | Editing by | Elena Ruiz, Bernat Vilaplana
Lenses | Zeiss Master Prime Lenses
RoboCop (1987)
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano, Sol Negrin | Editing by | Frank J. Urioste
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
The Hobbit: The Desolation of Smaug (2013)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen
Cameras | GoPro HD Hero3 Camera, Red Epic Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Les Misérables (2012)
Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Chris Dickens, Melanie Oliver
