Land | 228 Titles
Minority Report (2002)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Lenses | Panavision Lenses
Maître du monde (2011)
Directed by | Enrico Alexander Giordano | Cinematography by | Daniel Brouwer | Editing by | Enrico Alexander Giordano
Starring | Boris Beynet
Cameras | Panasonic AG-HVX200 Camera
Lenses | Canon FD 135 mm f2.5 SC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens
Jaws (1975)
Directed by | Steven Spielberg | Cinematography by | Bill Butler | Editing by | Verna Fields
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera
The Deep (1977)
Directed by | Peter Yates | Cinematography by | Christopher Challis | Editing by | David Berlatsky
Cameras | ARRIFLEX 35 IIC Camera
Lenses | Panavision Lenses
Zen Fist (2024)
Directed by | Taiyo Kanto | Cinematography by | Taiyo Kanto | Editing by | Taiyo Kanto
Cameras | Blackmagic URSA Mini Pro Camera
Lost Gold of WW2 (2019)
| Cinematography by | Simon Wagen, Steve Purcell | Editing by | Kevin Browne, Alpesh Patel, Whitney Dunn, Steven Santos, Paul McAleavey, Dennis Schoffstall, Troy Rackley, Antony Berrios
Gaming Wall St (2022)
Directed by | Tobias Deml | Cinematography by | Tobias Deml, Olga Vazquez | Editing by | Rich Hyatt, Brian Kallies, Tom Patterson, Rachael Wax Taber, David Tillman
Cameras | Blackmagic Pocket Cinema 4K Camera
The Abyss (1989)
Directed by | James Cameron | Cinematography by | Mikael Salomon | Editing by | Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith
Chasing Amy (1997)
Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Scott Mosier, Kevin Smith
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Zeiss Super Speed Lenses
The Little Church That Could (2022)
Directed by | James Newhook | Cinematography by | James Newhook, Ben Power | Editing by | James Newhook
Cameras | Blackmagic URSA Camera
The Crown (2016)
| Cinematography by | Adriano Goldman, Stuart Howell, Ole Bratt Birkeland, Frank Lamm, Fabian Wagner | Editing by | Yan Miles, Pia Di Ciaula, Úna Ní Dhonghaíle, Stuart Gazzard, Kristina Hetherington, Celia Haining, Tim Porter, Simon Brasse, Paulo Pandolpho, Frances Parker, Luke Dunkley, Mark Eckersley, Chris Barwell, Ben Lester, Alex Mackie, Adam Bosman, Daniel Greenway, Peggy Koretzky, Mark Davis, Richard Graham, Morten Højbjerg
Cameras | Sony CineAlta VENICE Camera, Sony PMW-F55 Camera
Lenses | Cooke Panchro/i Classic 135mm T2.8 Lens, Cooke Panchro/i Classic 21mm T2.2 Lens, Cooke Panchro/i Classic 27mm T2.2 Lens, Cooke Panchro/i Classic 65mm T2.4 Lens, Zeiss Super Speed Lenses
2030 (2024)
Directed by | Tim Eickhoff | Cinematography by | Tim Grau | Editing by | Tim Eickhoff, Tim Grau
Cameras | ARRI ALEXA Plus Camera
Lenses | Red Pro Zoom 18-85 mm T2.9 Lens
Gift from Above (2021)
Directed by | James Newhook | Cinematography by | Nick Duncan | Editing by | James Newhook
Cameras | Blackmagic Production 4K Camera
Lady at Number 16 (2022)
Directed by | James Newhook | Cinematography by | Nick Duncan, Harshdeep Singh | Editing by | James Newhook
Cameras | Blackmagic URSA Camera
Star Wars: Episode II – Attack of the Clones (2002)
Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, George Lucas
Cameras | Sony HDW-F900 Camera
Lenses | Panavision Primo Anamorphic Lenses
Star Wars: Episode IV – A New Hope (1977)
Directed by | George Lucas | Cinematography by | Gilbert Taylor | Editing by | Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas
Cameras | ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200
Prashna (2020)
Directed by | Santosh Ram | Cinematography by | Arjun Balakrishnan | Editing by | Pravin Anarase
Cameras | Sony PXW-FS7 Camera