Land | 137 Titles
Lawrence of Arabia (1962)
Country | UK
Type | Motion Picture
Running Time | 216 Minutes
Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Anne V. Coates
Cameras | Super Panavision-70 Camera
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Chitty Chitty Bang Bang (1968)
Country | UK, USA
Type | Motion Picture
Running Time | 144 Minutes
Directed by | Ken Hughes | Cinematography by | Christopher Challis | Editing by | John Shirley
Cameras | Super Panavision-70 Camera
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Black Panther (2018)
Country | USA
Type | Motion Picture
Running Time | 134 Minutes
Capture Resolution | 1024x540 - (1.90:1) Capture Resolution, 4448 x 1856 - (2.39:1) Capture Resolution
Directed by | Ryan Coogler | Cinematography by | Rachel Morrison | Editing by | Debbie Berman, Michael P. Shawver
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera
Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens
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E.T. the Extra-Terrestrial (1982)
Country | USA
Type | Motion Picture
Running Time | 115 Minutes
Directed by | Steven Spielberg | Cinematography by | Allen Daviau | Editing by | Carol Littleton
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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End of Days (1999)
Country | USA
Type | Motion Picture
Running Time | 122 Minutes
Aspect Ratio | 2.39:1
Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Jeff Gullo, Steven Kemper
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Netherwood (2011)
Country | New Zealand
Type | Motion Picture
Running Time | 90 Minutes
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Cristobal Araus Lobos | Editing by | Cristobal Araus Lobos
Cameras | Canon EOS-7D Camera
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Friday the 13th Part VIII: Jason Takes Manhattan (1989)
Country | USA, Canada
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 1.85:1
Directed by | Rob Hedden | Cinematography by | Bryan England | Editing by | Steve Mirkovich, Ted Pryor
Cameras | Panavision Panaflex Camera
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Set Fire to the Stars (2014)
Country | UK
Type | Motion Picture
Running Time | 97 Minutes
Aspect Ratio | 2.39:1
Directed by | Andy Goddard | Cinematography by | Chris Seager | Editing by | Mike Jones
Cameras | ARRI ALEXA Series Cameras
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Rattlesnake (2019)
Country | USA
Type | Motion Picture
Aspect Ratio | 2.40:1
Capture Resolution | 4480x1920 - (2.33:1) Capture Resolution
Directed by | Zak Hilditch | Editing by | Merlin Eden
Cameras | Sony CineAlta VENICE Camera
Lenses | Kowa Cine Prominar Spherical Lenses
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Buffy the Vampire Slayer (1997)
Country | USA
Type | Television Series
Running Time | 44 Minutes
Aspect Ratio | 1.33:1 (4x3), 1.78:1 (16x9)
| Cinematography by | Michael Gershman, Raymond Stella, Kenneth Zunder, Michael D. O'Shea, Donald M. Morgan | Editing by | Regis Kimble, Peter Basinski, Skip Macdonald, Nancy Forner, Marilyn McMahon Adams, Kimberly Ray, Tammis Chandler, Joshua Charson, Louise Innes, Lisa Lassek, Geoffrey Rowland, Michael Kewley, Skip Schoolnik, Golda Savage, Michael Stern
Lenses | Panavision Lenses
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High Plains Drifter (1973)
Country | USA
Type | Motion Picture
Running Time | 105 Minutes
Aspect Ratio | 2.35 : 1
Directed by | Clint Eastwood | Cinematography by | Bruce Surtees | Editing by | Ferris Webster
Cameras | Panavision Cameras
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Allt sem fer upp (2018)
Country | Iceland
Type | Motion Picture
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Starring | Katrín Björg Hjálmarsdóttir, Sigurjón Jónsson, Magnus E. Halldorsson, Kristín Ísold Jóhannesdóttir
Directed by | Kristján Jónsson | Cinematography by | Kristján Jónsson | Editing by | Kristján Jónsson
Lenses | Zeiss Lenses
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Better Call Saul (2015)
Country | USA
Type | Television Series
Running Time | 46 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Arthur Albert, Marshall Adams | Editing by | Skip Macdonald, Kelley Dixon, Chris McCaleb, Curtis Thurber, Christopher M. Meagher, Joey Reinisch
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo 45-120mm T2.8 Lens
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Treasures of the Copper Scroll (2007)
Country | USA
Type | Direct to Video, Documentary
Running Time | 50 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Jim Long | Cinematography by | Yossi Cohen, Carol M. Long, Jim Long | Editing by | Jim Long
Cameras | Sony Cameras, Sony HDW-F900 Camera
Lenses | Fujinon Lenses, Sony Lenses
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Symphony in Blue (2017)
Country | USA
Type | Motion Picture
Running Time | 70 Minutes
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Samuel Marko | Cinematography by | Davis Moore | Editing by | Samuel Marko
Cameras | Panasonic AG-HVX200 Camera
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Roshtalivik (2016)
Country | USA
Type | Motion Picture
Running Time | 72 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Nicholas J. Moore | Cinematography by | Nicholas J. Moore | Editing by | Nicholas J. Moore
Cameras | Canon EOS Rebel T3i camera, Canon EOS-7D Camera
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Fantastic Beasts and Where to Find Them (2016)
Country | UK, USA
Type | Motion Picture
Running Time | 132 Minutes
Aspect Ratio | 2.39:1
Directed by | David Yates | Cinematography by | Philippe Rousselot | Editing by | Mark Day
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
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Morris from America (2016)
Country | Germany, USA
Type | Motion Picture
Running Time | 91 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Chad Hartigan | Cinematography by | Sean McElwee | Editing by | Anne Fabini
Cameras | ARRI ALEXA Camera, Red Epic Camera
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Family Force 5: Cray Button (2012)
Country | USA
Type | Direct to Video
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1280x720 - (1.78:1) Capture Resolution
Directed by | Isaac Deitz
Cameras | Fastec Imaging TS3Cine Camera
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Mulan Jameela feat. Mike Mohede: Tiada Kata (2016)
Country | Indonesia
Type | Direct to Video
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1280x720 - (1.78:1) Capture Resolution
Cameras | Fastec Imaging TS3Cine Camera
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