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Land | 228 Titles

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Sar (2016)

Short Film | 2D | 2K Project, HD Project, UHD Project | Color | 1.78:1 (16x9) | 38 Minutes

Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov

Starring | Stanislava Beretova, Rajbir Singh Dhillon, Timur Enaliev

Cameras | Canon EOS-5D Mark II Camera, GoPro HD Hero Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens

Land of Bad (2024)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | William Eubank | Cinematography by | Agustin Claramunt | Editing by | Todd E. Miller

Starring | Russell Crowe, Milo Ventimiglia, Liam Hemsworth

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Panavision Primo 70 Lenses

Northern Lights (2016)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9) | 54 Minutes

Directed by | Nicholas Connor | Cinematography by | Marco Fanton | Editing by | Nicholas Connor, Amy Pfeil

Starring | Gemma Paige North, Rhys Cadman, Katherine Quinn

Cameras | Blackmagic Cinema Camera

Lenses | Canon Lenses, Nikon - Nikkor Lenses, Rokinon Lenses, Samyang Lenses

Leap: Rise of the Beast (2011)

Direct to Video | 2D | HD Project | Color | 2.39:1 | 75 Minutes

Directed by | Chris Tempel | Cinematography by | Chris Tempel | Editing by | Chris Tempel

Starring | Benjamin Baker, Alexander J. Bonds, Matt Clark

Cameras | Canon EOS Rebel T2i Camera

Lenses | Canon EF-S 18-55mm f4 Lens

Spider-Man (2002)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 121 Minutes

Directed by | Sam Raimi | Cinematography by | Don Burgess | Editing by | Arthur Coburn, Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Willem Dafoe, James Franco

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Manila in the Claws of Light (1975)

Motion Picture | 2D | Film Project | Black & White, Color | 1.33:1 (4x3), 1.85:1 | 125 Minutes

Directed by | Lino Brocka | Cinematography by | Mike De Leon, Clodualdo Del Mundo Jr. | Editing by | Ike Jarlego Jr., Edgardo Jarlego

Starring | Hilda Koronel, Bembol Roco, Lou Salvador Jr.

Cameras | ARRIFLEX 35 IIB Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Angenieux Lenses, ARRI Lenses

Sløborn (2020)

Television Series | 2D | 3.4K Project | Color | 2.39:1 | 48 Minutes

| Cinematography by | Christian Alvart, Christian Huck | Editing by | Marc Hofmeister, William James, Zoë Dahmen, Robert Sterna

Starring | Emily Kusche, Aaron Hilmer, Adrian Grünewald

Cameras | ARRI ALEXA Mini Camera

Lenses | Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Vintage ´74, Hawk Vantage One Lenses

Neeras (2021)

Direct to Video, Short Film | 2D | 4K Project, UHD Project | Color | 2.39:1 | 10 Minutes

Directed by | Achyut Prashast Singh | Cinematography by | Achyut Prashast Singh | Editing by | Achyut Prashast Singh

Starring | Achyut Prashast Singh

Reto Sangriento (2016)

Television Movie | 2D | 4K Project | Color | 1.78:1 (16x9) | 90 Minutes

Directed by | Ricky Gonzalez | Cinematography by | Ricky Gonzalez

Starring | Macarena Montoya, Eleazar Gamez, Patty Corres

Cameras | Blackmagic Cinema Camera

Lenses | Rokinon XEEN 16mm T2.6 Lens, Rokinon XEEN 24mm T1.5 Lens, Rokinon XEEN 35mm T1.5 Lens, Rokinon XEEN 50mm T1.5 Lens, Rokinon XEEN 85mm T1.5 Lens

The Man in Room 6 (2022)

Motion Picture | 2D | 6K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 152 Minutes

Directed by | Trevor Juenger | Cinematography by | Dylan Schnitker, Joe Tello, Rexx Villotti | Editing by | Abbey Heise, Trevor Juenger

Starring | Jackie Kelly, Bill Oberst Jr., David Wassilak

Cameras | GoPro (Woodman Labs) Cameras, GoPro HERO4 Black, Panasonic Lumix DMC-GH5 Camera, Sony α7S II Camera

Lenses | Rokinon Lenses, SLR Magic Lenses

Persona (1966)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 83 Minutes

Directed by | Ingmar Bergman | Cinematography by | Sven Nykvist | Editing by | Ulla Ryghe

Starring | Bibi Andersson, Liv Ullmann, Margaretha Krook

Cameras | Mitchell BNC Camera

East of Hope Street (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 88 Minutes

Directed by | Nate Thomas | Cinematography by | Mark Woods | Editing by | Robert Davenport II

Starring | Judy Herrera, Tim Russ, Roxanne Coyne, Magda Rivera

The Veil (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling

Starring | Jessica Alba, Thomas Jane, Lily Rabe

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens

Black Panther (2018)

Motion Picture | 3D | 3.4K Project | Color | 1.90:1, 2.39:1 | 134 Minutes

Directed by | Ryan Coogler | Cinematography by | Rachel Morrison | Editing by | Debbie Berman, Michael P. Shawver

Starring | Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Return of the Thumb (2018)

Motion Picture | 2D | 2K Project | Color | 2.35:1 |

Cooper’s Treasure (2017)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Zach Driscoll, Phil Lott, Doug Dearth, Jeff Moriarty, Scott Gardner | Editing by | Mario Roman, Alexander Sanchez, Niccolo Roveda, Justin Inda, Diego J. Garza, Caton Clark, Paul McAleavey, Sally Jasso, Frank Keraudren, Kirk Kirkland, Tanner Roth

Starring | Darrell Miklos, Roger Miklos, Manuel Rodriguez, Charles Gregory Schwartz

Cameras | Canon EOS-C300 Camera, Red Epic Dragon Camera, Sony α7S II Camera

Lenses | Canon CINE-SERVO 17-120mm T2.95 Lens, Canon EF Series Lenses, Nikon - Nikkor Lenses

Columbus (2017)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Kogonada | Cinematography by | Elisha Christian | Editing by | Kogonada

Starring | John Cho, Haley Lu Richardson, Parker Posey

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke S4 Lenses

Behold the Lamb (2011)

Motion Picture | 2D | HD Project | Color | 2.35:1 | 85 Minutes

Directed by | John McIlduff | Cinematography by | Steeven Petitteville | Editing by | Nick Emerson

Starring | Aoife Duffin, Nigel O'Neill, Shaun Paul McGrath

Cameras | ARRIFLEX 16mm Cameras

Lenses | Cooke Spherical Lenses, Cooke Varotal Lenses, Cooke Zoom Lenses, Leica R Series Lenses, Technovision Lenses

The Thistle in the Kiss (2023)

Motion Picture | 2D | HD Project | Black & White, Color | 1.78:1 (16x9) | 80 Minutes

Directed by | Craig Andrew Robertson | Cinematography by | Calum Menzies | Editing by | C.J. Lazaretti

Starring | Leonora Cooke, Sarah Coyne, Craig Andrew Robertson

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Canon Lenses, Nikon - Nikkor Lenses

Spooky Squad: Bigfoot’s Big Feat (2015)

TV Special | 2D | 4K Project | Color | 1.78:1 (16x9) |

Directed by | Nick Murphy, Paul Ritchey | Cinematography by | Gino Varisano

Starring | Corey Holland, Jacquie Baker, Dominic Moschitti

Cameras | Red Epic Dragon Camera

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