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Cotton Wool (2017)

Short Film | 2D | 4K Project | Color | 2.39:1 | 38 Minutes

Directed by | Nicholas Connor | Cinematography by | Alan C. McLaughlin | Editing by | Nicholas Connor, Amy Pfeil

Starring | Leanne Best, Crissy Rock, Kate Rutter

Cameras | ARRIFLEX 435 ES Camera, Red Epic Dragon Camera

Lenses | Cooke Speed Panchro (S1) 108mm f2.0 Lens, Cooke Speed Panchro (S2) 18mm f2.0 Lens, Cooke Speed Panchro (S2) 25mm f2.2 Lens, Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens

Terminator 2: Judgment Day (1991)

Motion Picture | 2D | Film Project | Color | 137 Minutes

Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Starring | Arnold Schwarzenegger, Linda Hamilton, Edward Furlong, Robert Patrick

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses

Gretel & Hansel (2020)

Motion Picture | 2D | 4K Project | Color | 87 Minutes

Directed by | Oz Perkins | Cinematography by | Galo Olivares | Editing by | Josh Ethier, Julia Wong

Starring | Sophia Lillis, Samuel Leakey, Alice Krige, Jessica De Gouw

Cameras | ARRI ALEXA Mini Camera

Chopper (2000)

Motion Picture | 2D | Film Project | Color | 94 Minutes

Directed by | Andrew Dominik | Cinematography by | Geoffrey Hall, Kevin Hayward | Editing by | Ken Sallows

Starring | Eric Bana, Simon Lyndon, Vince Colosimo

Smuggling Hendrix (2018)

Motion Picture | 2D | 2.8K Project | Color | 2.39:1 | 92 Minutes

Directed by | Marios Piperides | Cinematography by | Christian Huck | Editing by | Stylianos Constantinou

Starring | Adam Bousdoukos, Fatih Al, Vicky Papadopoulou, Özgür Karadeniz

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Plus Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses

Noctambulous (2011)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 79 Minutes

Directed by | Kelvin C. Bias | Cinematography by | Robson Garcia Jr. | Editing by | Ann Foo

Starring | Kelvin C. Bias, Megan Corry, Erin Sullivan, William Linton

Cameras | Canon EOS-7D Camera, Panasonic AG-HVX200 Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon L Series Lenses

Ravenstein (2020)

Motion Picture | 2D | Color |

Directed by | Eveshka Ghost

Starring | James McClusky, Nik Kaneti-Dimmer, Chris Wilson, Martyn Eade

Cameras | Sony α7 Camera

Lenses | Samyang Lenses

Parasite (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 132 Minutes

Directed by | Bong Joon Ho | Cinematography by | Kyung-pyo Hong | Editing by | Jinmo Yang

Starring | Kang-ho Song, Sun-kyun Lee, Yeo-jeong Jo, Woo-sik Choi

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses, Hasselblad Lenses

Miami Vice (1984)

Television Series | 2D | SD Project | Color | 48 Minutes

Directed by | John Nicolella, Richard Compton, Leon Ichaso, Vern Gillum, Don Johnson, Jim Johnston, David Jackson, Colin Bucksey, Virgil W. Vogel, Paul Michael Glaser, Rob Cohen, Jan Eliasberg, Aaron Lipstadt, James Quinn, Georg Stanford Brown, Lee H. Katzin, David Anspaugh, Abel Ferrara, Michael O'Herlihy, Mario DiLeo, Gabrielle Beaumont, Paul Krasny, George Mendeluk, Michelle Manning, Russ Mayberry, Alan Myerson, Thomas Carter, Richard A. Colla, Stan Lathan, Alan J. Levi, John Llewellyn Moxey, Bobby Roth, David Soul, Harry Mastrogeorge, Edward James Olmos, Tim Zinnemann, Daniel Attias, Craig Bolotin, Christopher Crowe, Dick Miller, Fred Walton, Ate de Jong, Tony Wharmby, Bill Duke, Donald L. Gold, Randy Roberts, Chip Chalmers, James A. Contner, Eugene Corr, Michael B. Hoggan, Robert Iscove | Cinematography by | Oliver Wood, Tom Priestley Jr., Duke Callaghan, James A. Contner, Michael McGowan, Robert E. Collins, William Cronjager, Victor Hammer | Editing by | Robert A. Daniels, Michael D. Ornstein, Michael B. Hoggan, Kevin Krasny, Douglas Ibold, Dick Williams, Casey O. Rohrs, Robert L. Sinise, Steve Shultz, Jack Horger, Eric A. Sears, Barry B. Leirer, Gene Foster, Buford F. Hayes, David Rosenbloom, David Solomon, Joel Goodman, Dov Hoenig, Sidney Wolinsky, Lawrence J. Gleason, Richard Leeman

Starring | Don Johnson, Philip Michael Thomas, Saundra Santiago

Cameras | Panavision Panaflex Series Cameras

Johnny (2021)

Direct to Video | 2D | HD Project | Color | 2.35:1 | 107 Minutes

Directed by | John Charles Gerald | Cinematography by | John Charles Gerald

Starring | Bruce Bellinger, John Charles Gerald, Nick Gerald

Cameras | ARRI ALEXA Camera, Blackmagic URSA Camera

Lenses | Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Lenses, Zeiss Compact Prime Lenses

Promised: A True Story (2021)

Direct to Video | 2D | HD Project | Color | 2.0:1 | 118 Minutes

Directed by | Yitzchok Zev Weisz | Cinematography by | Duvid Steinberg | Editing by | Duvid Steinberg, Yitzchok Zev Weisz

Cameras | Canon Cameras

Lenses | Canon EF Series Lenses

The Yaku and the Undefeated (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 86 Minutes

Directed by | Vaughn Christion | Cinematography by | Vaughn Christion | Editing by | Vaughn Christion

Starring | Struggle E. Stylez, Sofia Salgado, Wesley Renard, Robyn Elise

Cameras | Blackmagic Design Cameras

Lenses | Samyang Lenses, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens

Prairie Wind (2018)

Short Film | 2D | 16K Project | Color | 2.76:1 | 4 Minutes

Directed by | Martin Lisius | Cinematography by | Martin Lisius

Cameras | Canon Cameras

Monstrosity (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 62 Minutes

Directed by | Josef Lichtenberger | Cinematography by | Josef Lichtenberger

Starring | Mathias Baldauf, Andreas Baumgartner, Stefan Baumgartner, Thomas Friedl

Cameras | Panasonic Lumix DMC-GH4 Camera

Lenses | Sigma 18-35mm f1.8 DC HSM Lens

Liberty (2018)

Miniseries | 2D | HD Project | Color | 2.0:1 | 58 Minutes

| Cinematography by | Aske Foss | Editing by | Kristofer Nordin, Jacob Thuesen

Starring | Connie Nielsen, Carsten Bjørnlund, Sofie Gråbøl, Charlie Karumi

Cameras | ARRI ALEXA Mini Camera

Lenses | Cineovision Lenses, Optica Elite 35 Anamorphic 50-160 mm T4.9 Lens

Tiempo de lluvia (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 89 Minutes

Directed by | Itandehui Jansen | Cinematography by | Iwao Kawasaki | Editing by | Macarena Sierra

Starring | Harold Torres, Noé Hernández, Ángeles Cruz, Baltimore Beltran

Cameras | Digital Bolex D16

Lenses | Zeiss Lenses

Horsehead (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 89 Minutes

Directed by | Romain Basset | Cinematography by | Vincent Vieillard-Baron | Editing by | Sébastien de Sainte Croix, Frédéric Pons

Starring | Lilly-Fleur Pointeaux, Catriona MacColl, Murray Head, Gala Besson

Cameras | Red One MX Camera

Al Medina (2015)

Movie | 2K Project | Color | 90 Minutes

Al Medina | ShotOnWhat?

Directed by | Omar Shargawi | Cinematography by | Aske Foss | Editing by | Morten Højbjerg, Thomas Papapetros, Omar Shargawi

Starring | Sara Hjort Ditlevsen, Ashraf Farah, Omar Shargawi

Cameras | ARRI ALEXA Plus Camera, Beaulieu Cameras

Lenses | Canon K35 100 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 55 mm T1.4 Lens, Canon K35 85 mm T1.3 Lens

Face/Off (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 138 Minutes

Directed by | John Woo | Cinematography by | Oliver Wood | Editing by | Steven Kemper, Christian Wagner

Starring | John Travolta, Nicolas Cage, Joan Allen, Alessandro Nivola

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Friendship’s Field (1995)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 83 Minutes

Directed by | Bruce Neibaur | Cinematography by | Matthew Williams

Starring | Kate Maberly, Jonathan Hernandez, Randall King, Carolyn Hurlburt

Cameras | ARRIFLEX 35 BL4s Camera

Lenses | Zeiss Standard Speed Prime Lenses

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