3D | 266 Titles
Hugo (2011)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Camera
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
Transformers: Dark of the Moon (2011)
Directed by | Michael Bay | Cinematography by | Amir Mokri | Editing by | Roger Barton, William Goldenberg, Joel Negron
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
ParaNorman (2012)
Directed by | Chris Butler, Sam Fell | Cinematography by | Tristan Oliver | Editing by | Christopher Murrie
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon Tilt-Shift Lenses, Cooke Varotal Lenses
Pina (2011)
Directed by | Wim Wenders | Cinematography by | Hélène Louvart, Jörg Widmer | Editing by | Toni Froschhammer
Lenses | Zeiss DigiPrime Lenses
Journey 2: The Mysterious Island (2012)
Directed by | Brad Peyton | Cinematography by | David Tattersall | Editing by | David Rennie
Cameras | Phantom HD Camera, Red Digital Cinema Cameras, Red One Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera
U2 3D (2007)
Directed by | Catherine Owens, Mark Pellington | Cinematography by | Peter Anderson, Tom Krueger | Editing by | Olivier Wicki
Cameras | Sony HDW-F900 Camera
Nova Zembla (2011)
Directed by | Reinout Oerlemans | Cinematography by | Lennert Hillege | Editing by | Michiel Reichwein
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Zeiss Ultra Prime Lenses
Hannah Montana & Miley Cyrus: Best of Both Worlds Concert (2008)
Directed by | Bruce Hendricks | Cinematography by | Mitchell Amundsen, Reed Smoot, Rodney Taylor | Editing by | Michael Tronick
Cameras | Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Step Up 3D (2010)
Directed by | Jon M. Chu | Cinematography by | Ken Seng | Editing by | Andrew Marcus
Cameras | Sony CineAlta F23 Camera
The Last Reef 3D (2012)
Directed by | Luke Cresswell, Steve McNicholas | Cinematography by | D.J. Roller | Editing by | Luke Cresswell, Steve McNicholas
Spy Kids: All the Time in the World in 4D (2011)
Directed by | Robert Rodriguez | Cinematography by | Jimmy Lindsey, Robert Rodriguez | Editing by | Dan Zimmerman
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses
Abraham Lincoln: Vampire Hunter (2012)
Fright Night (2011)
Directed by | Craig Gillespie | Cinematography by | Javier Aguirresarobe | Editing by | Tatiana S. Riegel
Cameras | Red One MX Camera
Lenses | Zeiss Master Prime Lenses
Step Up Revolution (2012)
Directed by | Scott Speer | Cinematography by | Karsten Gopinath | Editing by | Matt Friedman, Avi Youabian
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Alice in Wonderland (2010)
Directed by | Tim Burton | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon
Cameras | Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Lenses | Panavision Primo Anamorphic Lenses
The Adventures of Tintin (2011)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Cameras
Resident Evil: Afterlife (2010)
Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Niven Howie
Cameras | Phantom HD Gold Camera, Sony CineAlta F35 Camera
G-Force (2009)
Directed by | Hoyt Yeatman | Cinematography by | Bojan Bazelli | Editing by | Mark Goldblatt, Jason Hellmann
Yogi Bear (2010)
Titanic (1997)
Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | Conrad Buff IV, James Cameron, Richard A. Harris