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United States | 1624 Titles

United States 3.00/5 1 Vote

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She Wore a Yellow Ribbon (1949)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 104 Minutes

Directed by | John Ford | Cinematography by | Winton C. Hoch | Editing by | Jack Murray

Starring | John Wayne, Joanne Dru, John Agar

Cameras | Mitchell BNC Camera

Flamin’ Hot (2023)

Movie | 2D | 4K Project | Color | 2.39:1 | 99 Minutes

Directed by | Eva Longoria | Cinematography by | Federico Cantini | Editing by | Kayla Emter, Liza D. Espinas

Starring | Jesse Garcia, Annie Gonzalez, Emilio Rivera

Cameras | Sony CineAlta VENICE Camera

Lenses | Canon K35 Prime Lenses, Cooke Xtal Express Lenses, Laowa Lenses, Panavision Panaspeed Series Lenses, Panavision Primo Anamorphic Lenses

Phantom of the Opera (1943)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 92 Minutes

Directed by | Arthur Lubin | Cinematography by | W. Howard Greene, Hal Mohr | Editing by | Russell F. Schoengarth

Starring | Nelson Eddy, Susanna Foster, Claude Rains

I Don’t Feel at Home in This World Anymore (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Macon Blair | Cinematography by | Larkin Seiple | Editing by | Tomas Vengris

Starring | Melanie Lynskey, Chris Doubek, Marilyn Faith Hickey

Cameras | ARRI ALEXA Mini Camera

Lenses | Bausch & Lomb Super Baltar Lenses, Zeiss Super Speed Lenses

With Byrd at the South Pole (1930)

Motion Picture | 2D | Film Project | Black & White | 82 Minutes

Cinematography by | Joseph T. Rucker, Willard Van der VeerEditing by | Emanuel Cohen

Starring | Richard E. Byrd, Clair D. Alexander, Bernt Balchen

Cameras | Akeley 35mm Ciné Camera

White Shadows in the South Seas (1928)

Motion Picture | 2D | Black & White | 1.20:1 | 88 Minutes

Directed by | W.S. Van Dyke, Robert J. Flaherty | Cinematography by | Clyde De Vinna, George Gordon Nogle, Bob Roberts | Editing by | Ben Lewis

Starring | Monte Blue, Raquel Torres, Robert Anderson

Cameras | Mitchell Standard Camera

The Great Waltz (1938)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 104 Minutes

Directed by | Julien Duvivier, Victor Fleming, Josef von Sternberg | Cinematography by | Joseph Ruttenberg | Editing by | Tom Held

Starring | Luise Rainer, Fernand Gravey, Miliza Korjus

Cameras | Mitchell Standard Camera

Love, Simon (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Greg Berlanti | Cinematography by | John Guleserian | Editing by | Harry Jierjian

Starring | Nick Robinson, Jennifer Garner, Josh Duhamel

Cameras | ARRI ALEXA XT Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses

The Other Side of the Wind (2018)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.66:1, 1.85:1 | 122 Minutes

Directed by | Orson Welles | Cinematography by | Gary Graver | Editing by | Bob Murawski, Orson Welles

Starring | John Huston, Oja Kodar, Peter Bogdanovich

Cameras | Éclair NPR Camera

It (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 135 Minutes

Directed by | Andy Muschietti | Cinematography by | Chung-hoon Chung | Editing by | Jason Ballantine

Starring | Bill Skarsgård, Jaeden Martell, Finn Wolfhard

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Coco (2017)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 105 Minutes

Directed by | Lee Unkrich, Adrian Molina | Editing by | Steve Bloom, Lee Unkrich

Starring | Anthony Gonzalez, Gael García Bernal, Benjamin Bratt

Suburbicon (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 105 Minutes

Directed by | George Clooney | Cinematography by | Robert Elswit | Editing by | Stephen Mirrione

Starring | Matt Damon, Julianne Moore, Oscar Isaac

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Totem (2017)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 89 Minutes

Directed by | Marcel Sarmiento | Cinematography by | Harry Lipnick | Editing by | Phillip Blackford

Starring | Kerris Dorsey, Ahna O'Reilly, James Tupper

The Edge of Seventeen (2016)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | Kelly Fremon Craig | Cinematography by | Doug Emmett | Editing by | Tracey Wadmore-Smith

Starring | Hailee Steinfeld, Haley Lu Richardson, Blake Jenner

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Love Witch (2016)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 120 Minutes

Directed by | Anna Biller | Cinematography by | M. David Mullen | Editing by | Anna Biller

Starring | Samantha Robinson, Jeffrey Vincent Parise, Laura Waddell, Gian Keys

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Chasing Amy (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 113 Minutes

Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Scott Mosier, Kevin Smith

Starring | Ben Affleck, Joey Lauren Adams, Ethan Suplee, Scott Mosier

Cameras | ARRIFLEX 16SR2 Camera

Lenses | Zeiss Super Speed Lenses

Free Solo (2018)

Documentary | 2D | 2K Project | Color | 1.85:1 | 100 Minutes

Directed by | Jimmy Chin, Elizabeth Chai Vasarhelyi | Cinematography by | Jimmy Chin, Clair Popkin, Mikey Schaefer | Editing by | Bob Eisenhardt

Starring | Alex Honnold, Tommy Caldwell, Jimmy Chin, Cheyne Lempe

Cameras | Blackmagic URSA Mini Camera, Canon EOS-1Ds Mark II Camera, Canon EOS-C300 Mark II Camera

Lenses | Canon CINE-SERVO 50-1000mm T5.0 Lens

The Awful Truth (1937)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 90 Minutes

Directed by | Leo McCarey | Cinematography by | Joseph Walker | Editing by | Al Clark

Starring | Irene Dunne, Cary Grant, Ralph Bellamy

Causeway (2022)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 94 Minutes

Directed by | Lila Neugebauer | Cinematography by | Diego García | Editing by | Robert Frazen, Lucian Johnston

Starring | Jennifer Lawrence, Brian Tyree Henry, Linda Emond

Cameras | ARRI ALEXA LF Camera

Lenses | Panavision H Series Lenses

Swiss Army Man (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 97 Minutes

Directed by | Daniel Kwan, Daniel Scheinert | Cinematography by | Larkin Seiple | Editing by | Matthew Hannam

Starring | Paul Dano, Daniel Radcliffe, Mary Elizabeth Winstead

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Phantom Flex4K Camera, Red Epic Dragon Camera, Sony PMW-EX3 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Anamorphic Lenses, Cooke S4/i Lenses, Cooke Xtal Express Lenses, Zeiss Super Speed Lenses

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