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John Wick: Chapter 4 (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 169 Minutes

Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Nathan Orloff

Starring | Keanu Reeves, Laurence Fishburne, George Georgiou

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses

Star Wars: Episode IX – The Rise of Skywalker (2019)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 141 Minutes

Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Stefan Grube

Starring | Daisy Ridley, John Boyega, Oscar Isaac

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

Dune (2021)

Motion Picture | 2D, 3D | 4K Project | Color | 1.43:1, 1.90:1, 2.39:1 | 155 Minutes

Directed by | Denis Villeneuve | Cinematography by | Greig Fraser | Editing by | Joe Walker

Starring | Timothée Chalamet, Rebecca Ferguson, Zendaya

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | Panavision H Series Lenses, Panavision Ultra Vista Series Lenses

Incendies (2010)

Motion Picture | 2D | 2K Project | Color | 131 Minutes

Directed by | Denis Villeneuve | Cinematography by | André Turpin | Editing by | Monique Dartonne

Starring | Lubna Azabal, Mélissa Désormeaux-Poulin, Maxim Gaudette, Mustafa Kamel

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Master Prime Lenses

Al Medina (2015)

Movie | 2K Project | Color | 90 Minutes

Al Medina | ShotOnWhat?

Directed by | Omar Shargawi | Cinematography by | Aske Foss | Editing by | Morten Højbjerg, Thomas Papapetros, Omar Shargawi

Starring | Sara Hjort Ditlevsen, Ashraf Farah, Omar Shargawi

Cameras | ARRI ALEXA Plus Camera, Beaulieu Cameras

Lenses | Canon K35 100 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 55 mm T1.4 Lens, Canon K35 85 mm T1.3 Lens

Body of Lies (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Ridley Scott | Cinematography by | Alexander Witt | Editing by | Pietro Scalia

Starring | Leonardo DiCaprio, Russell Crowe, Mark Strong, Golshifteh Farahani

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Lawrence of Arabia (1962)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 216 Minutes

Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Anne V. Coates

Starring | Peter O'Toole, Alec Guinness, Anthony Quinn, Jack Hawkins

Cameras | Super Panavision-70 Camera

Lenses | Panavision Super Panavision 70 Series Lenses

Treasures of the Copper Scroll (2007)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9) | 50 Minutes

Directed by | Jim Long | Cinematography by | Yossi Cohen, Carol M. Long, Jim Long | Editing by | Jim Long

Cameras | Sony Cameras, Sony HDW-F900 Camera

Lenses | Fujinon Lenses, Sony Lenses

Kilo Two Bravo (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 108 Minutes

Directed by | Paul Katis | Cinematography by | Chris Goodger | Editing by | Brin

Starring | David Elliot, Mark Stanley, Scott Kyle, Benjamin O'Mahony

Cameras | ARRI ALEXA XT Camera, Blackmagic Cinema Camera

Lenses | Angenieux Lenses, Red Pro Prime Lenses

Theeb (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Naji Abu Nowar | Cinematography by | Wolfgang Thaler | Editing by | Rupert Lloyd

Starring | Jacir Eid Al-Hwietat, Hussein Salameh Al-Sweilhiyeen, Hassan Mutlag Al-Maraiyeh, Jack Fox

Cameras | ARRIFLEX 416 Camera

Lenses | Hawk V-Lite 16 Lens

The Martian (2015)

Motion Picture | 2D, 3D | Color | 2.39:1 | 144 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia

Starring | Matt Damon, Jessica Chastain, Kristen Wiig, Kate Mara

Cameras | GoPro (Woodman Labs) Cameras, Red Epic Dragon Camera, Red Scarlet Dragon Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses

Killing in the Name (2010)

Documentary | 2D | Color | 39 Minutes

Directed by | Jed Rothstein | Cinematography by | Tom Hurwitz | Editing by | Kate Taverna

The Red Planet: Mars (1999)

Documentary | 2D | Color | 90 Minutes

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Rosewater (2014)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Jon Stewart | Cinematography by | Bobby Bukowski | Editing by | Jay Rabinowitz

Starring | Gael García Bernal, Kim Bodnia, Dimitri Leonidas, Haluk Bilginer

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Exodus: Gods and Kings (2014)

Motion Picture | 3D | Color | 150 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Ali Degismis, Billy Rich

Starring | Christian Bale, Joel Edgerton, Ben Kingsley, Sigourney Weaver

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Transformers: Revenge of the Fallen (2009)

Motion Picture | 2D | 2K Project | Color | 1.44:1, 2.39:1 | 150 Minutes

Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Starring | Shia LaBeouf, Megan Fox, Josh Duhamel, Tyrese Gibson

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Indiana Jones and the Last Crusade (1989)

Motion Picture | 2D | Color | 2.35:1 | 127 Minutes

Directed by | Steven Spielberg | Cinematography by | Douglas Slocombe | Editing by | Michael Kahn, George Lucas

Starring | Harrison Ford, Sean Connery, Alison Doody, Denholm Elliott

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

Samsara (2001)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Pan Nalin | Cinematography by | Rali Raltschev | Editing by | Isabel Meier

Starring | Shawn Ku, Christy Chung, Neelesha Barthel, Lhakpa Tsering

Cameras | Fricke 65mm Time-Lapse Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera

Lenses | Schneider Variogon Lenses

The Hurt Locker (2008)

Motion Picture | 2D | 2K Project | Color | 1.78:1 (16x9), 1.85:1 | 131 Minutes

Directed by | Kathryn Bigelow | Cinematography by | Barry Ackroyd | Editing by | Chris Innis, Bob Murawski

Starring | Jeremy Renner, Anthony Mackie, Brian Geraghty, Guy Pearce

Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, IDT / Redlake Cameras

Passion in the Desert (1997)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Directed by | Lavinia Currier | Cinematography by | Aleksey Rodionov | Editing by | Nicolas Gaster

Starring | Ben Daniels, Michel Piccoli, Paul M. Meston, Kenneth Collard

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera

Lenses | Cooke Cinetal Lenses, Zeiss Standard Speed Prime Lenses

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