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California | 794 Titles

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Idlewild (2006)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | Bryan Barber | Cinematography by | Pascal Rabaud | Editing by | Anne Goursaud

Starring | André 3000, Big Boi, Terrence Howard, Paula Patton

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Ultra Prime Lenses

I, Robot (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | William Hoy, Richard Learoyd, Armen Minasian

Starring | Will Smith, Bridget Moynahan, Bruce Greenwood, Alan Tudyk

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses | Cooke S4 Lenses, Zeiss Ultra Prime Lenses

All the Boys Love Mandy Lane (2006)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Jonathan Levine | Cinematography by | Darren Genet | Editing by | Josh Noyes

Starring | Amber Heard, Anson Mount, Whitney Able, Michael Welch

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision Super Speed Lenses

Men in Black (1997)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Barry Sonnenfeld | Cinematography by | Donald Peterman | Editing by | Jim Miller

Starring | Tommy Lee Jones, Will Smith, Linda Fiorentino, Vincent D'Onofrio

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Dune (1984)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 137 Minutes

Directed by | David Lynch | Cinematography by | Freddie Francis | Editing by | Antony Gibbs

Starring | Kyle MacLachlan, Virginia Madsen, Francesca Annis, Leonardo Cimino

Cameras | ARRIFLEX 35 BL2 Camera, Photo-Sonics 35mm-4ER Camera

Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 84 Minutes

Directed by | Larry Charles | Cinematography by | Luke Geissbuhler, Anthony Hardwick | Editing by | Craig Alpert, Peter Teschner, James Thomas

Starring | Sacha Baron Cohen, Ken Davitian, Luenell, Chester

Cameras | Panasonic AJ-HDC27 Varicam Camera

Pirates of the Caribbean: Dead Man’s Chest (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 151 Minutes

Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood

Starring | Johnny Depp, Orlando Bloom, Keira Knightley, Jack Davenport

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Gone with the Wind (1939)

Motion Picture | 2D | Film Project | Color | 1.37:1, 2.20:1 | 238 Minutes

Directed by | Victor Fleming, George Cukor, Sam Wood | Cinematography by | Ernest Haller, Lee Garmes

Starring | Clark Gable, Vivien Leigh, Thomas Mitchell, Barbara O'Neil

Cameras | Technicolor 3-Strip Camera

Lenses | Bausch & Lomb Lenses

Captain America: The First Avenger (2011)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 124 Minutes

Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford

Starring | Chris Evans, Hugo Weaving, Samuel L. Jackson, Hayley Atwell

Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Erin Brockovich (2000)

Motion Picture | 2D | Color | 1.85:1 | 131 Minutes

Directed by | Steven Soderbergh | Cinematography by | Edward Lachman | Editing by | Anne V. Coates

Starring | Julia Roberts, Albert Finney, David Brisbin, Dawn Didawick

Cameras | Moviecam Compact Camera

Lenses | Cooke S4 Lenses

$lowdown (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 25 Minutes

Directed by | Saman Yaghmai-Aledavoud | Cinematography by | Saman Yaghmai-Aledavoud | Editing by | Gene Ivery

Starring | Ali Saam, JT Alexander, Glen Vaughan, Myles Cranford

Cameras | ARRIFLEX 16SR3 Advanced Camera

Lenses | Zeiss Super Speed Lenses

The Cell (2000)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Tarsem Singh | Cinematography by | Paul Laufer | Editing by | Robert Duffy, Paul Rubell

Starring | Jennifer Lopez, Vince Vaughn, Vincent D'Onofrio, Colton James

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera

Lenses | Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses

Best in Show (2000)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Robert Leighton

Starring | Fred Willard, Eugene Levy, Catherine O'Hara, Jennifer Coolidge

Cameras | Aaton Cameras

Lenses | Canon Lenses, Zeiss Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk III Lenses

The Birdcage (1996)

Motion Picture | 2D | Color | 1.85:1 | 117 Minutes

Directed by | Mike Nichols | Cinematography by | Emmanuel Lubezki | Editing by | Arthur Schmidt

Starring | Robin Williams, Nathan Lane, Gene Hackman, Dianne Wiest

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Friends with Benefits (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Tia Nolan

Starring | Mila Kunis, Justin Timberlake, Patricia Clarkson, Jenna Elfman

Cameras | Sony CineAlta F35 Camera, Sony Other Camera

Lenses | Panavision Primo Anamorphic Lenses

Anna and the King (1999)

Motion Picture | 2D | Color | 2.39:1 | 148 Minutes

Directed by | Andy Tennant | Cinematography by | Caleb Deschanel | Editing by | Roger Bondelli

Starring | Jodie Foster, Yun-Fat Chow, Bai Ling, Tom Felton

Cameras | Panavision Cameras

Lenses | Panavision E Series Anamorphic Lenses

Thank You for Smoking (2005)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Thank You for Smoking | ShotOnWhat?

Directed by | Jason Reitman | Cinematography by | Jim Whitaker | Editing by | Dana E. Glauberman

Starring | Aaron Eckhart, Cameron Bright, Maria Bello, Joan Lunden

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony Betacam (Unknown) Camera, Sony DSC-T1 Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E40 40 mm T2.0 Lens, Panavision Primo Anamorphic Lenses

Con Air (1997)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Simon West | Cinematography by | David Tattersall | Editing by | Chris Lebenzon, Steve Mirkovich, Glen Scantlebury

Starring | Nicolas Cage, John Cusack, John Malkovich, Colm Meaney

Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

River of No Return (1954)

Motion Picture | Color | 91 Minutes

Directed by | Otto Preminger, Jean Negulesco | Cinematography by | Joseph LaShelle | Editing by | Louis R. Loeffler

Starring | Robert Mitchum, Marilyn Monroe, Rory Calhoun, Tommy Rettig

Lenses | Bausch & Lomb Lenses

Hidalgo (2004)

Motion Picture | 2D | Color | 2.39:1 | 136 Minutes

Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva

Starring | Viggo Mortensen, Omar Sharif, Zuleikha Robinson, Louise Lombard

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

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