California | 794 Titles
Altered States (1980)
Directed by | Ken Russell | Cinematography by | Jordan Cronenweth | Editing by | Eric Jenkins, Jack Harnish
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Up in the Air (2009)
Adventures of Power (2008)
Directed by | Ari Gold | Cinematography by | Lisa Wiegand | Editing by | Geraud Brisson
Lenses | Zeiss Super Speed Lenses
Boogie Nights (1997)
Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor
Basic Instinct (1992)
Directed by | Paul Verhoeven | Cinematography by | Jan de Bont | Editing by | Frank J. Urioste
Cameras | Panavision Panaflex Camera
Lenses | Panavision Primo Anamorphic Lenses
There Will Be Blood (2007)
Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens
A Little Princess (1995)
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Steven Weisberg
Cameras | Panavision Panaflex Platinum Camera
Ghostbusters (1984)
Directed by | Ivan Reitman | Cinematography by | László Kovács | Editing by | David E. Blewitt, Sheldon Kahn
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Deliver Us from Evil (2006)
Directed by | Amy Berg | Cinematography by | Jacob Kusk, Jens Schlosser | Editing by | Matthew Cooke
Cameras | Sony HVR-Z1E Camera
13 Going on 30 (2004)
Directed by | Gary Winick | Cinematography by | Don Burgess | Editing by | Susan Littenberg
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Stand by Me (1986)
Directed by | Rob Reiner | Cinematography by | Thomas Del Ruth | Editing by | Robert Leighton
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Click (2006)
Directed by | Frank Coraci | Cinematography by | Dean Semler | Editing by | Jeff Gourson
Cameras | Panavision Genesis Camera
American Animal (2011)
Directed by | Matt D'Elia | Cinematography by | Julian King | Editing by | Matt D'Elia, Julian King
Cameras | Red One MX Camera
Lenses | Cooke Zoom Lenses, Red Pro Prime 18 mm T1.8 Lens, Red Pro Prime 25 mm T1.8 Lens, Red Pro Prime 35 mm T1.8 Lens, Red Pro Prime 50 mm T1.8 Lens, Red Pro Prime 85 mm T1.8 Lens
The American President (1995)
Directed by | Rob Reiner | Cinematography by | John Seale | Editing by | Robert Leighton
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Natural (1984)
Directed by | Barry Levinson | Cinematography by | Caleb Deschanel | Editing by | Stu Linder, Christopher Holmes
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
The Green Mile (1999)
Directed by | Frank Darabont | Cinematography by | David Tattersall | Editing by | Richard Francis-Bruce
Cameras | Panavision Panaflex Platinum Camera
Air Force (1943)
Directed by | Howard Hawks | Cinematography by | James Wong Howe | Editing by | George Amy
Cameras | Bell & Howell Eyemo Camera
Baraka (1992)
Directed by | Ron Fricke | Cinematography by | Ron Fricke | Editing by | David Aubrey, Ron Fricke, Mark Magidson
Cameras | Todd-AO 65mm Camera
Lenses | Schneider Lenses
Seabiscuit (2003)
Directed by | Gary Ross | Cinematography by | John Schwartzman | Editing by | William Goldenberg
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera
From Prada to Nada (2011)
Directed by | Angel Gracia | Cinematography by | Héctor Ortega | Editing by | Brad McLaughlin
Cameras | Sony CineAlta F35 Camera
