Re-recording Mixer
'Girls' All Adventurous Women Do (2012)
Directed by: Lena Dunham
Cinematography by: Jody Lee Lipes
Edited by: Paul Zucker
Re-recording Mixer
'Girls' Vagina Panic (2012)
Directed by: Lena Dunham
Cinematography by: Jody Lee Lipes
Edited by: Shawn Paper
Re-recording Mixer
'Girls' Hard Being Easy (2012)
Directed by: Jesse Peretz
Cinematography by: Hernan Otaño
Edited by: Paul Zucker
Re-recording Mixer - 5 Episodes, 2012
Girls (2012)
Directed by: Lena Dunham, Jesse Peretz, Richard Shepard, Jamie Babbit, Jody Lee Lipes, Tricia Brock, Jenni Konner, Claudia Weill, Alex Karpovsky, Nisha Ganatra
Edited by: Shawn Paper, Paul Zucker, Myron Kerstein, Nat Sanders, Kate Hickey, Robert Frazen, Catherine Haight, Peter CabadaHagan, Joi McMillon
Cameras: ARRI ALEXA Camera
Re-recording Mixer
'Girls' Hannah's Diary (2012)
Directed by: Richard Shepard
Cinematography by: Jody Lee Lipes
Edited by: Shawn Paper
Re-recording Mixer
'Pretty Little Liars' Pilot (2010)
Directed by: Lesli Linka Glatter
Cinematography by: Dana Gonzales
Re-recording Mixer - 1 Episode, 2010
Pretty Little Liars (2010)
Directed by: Norman Buckley, Ron Lagomarsino, Chad Lowe, Arlene Sanford, Michael Grossman, Melanie Mayron, I. Marlene King, Wendey Stanzler, Chris Grismer, Roger Kumble, Zetna Fuentes, Patrick R. Norris, Arthur Anderson, Joanna Kerns, Oliver Goldstick, Joseph Dougherty, Lesli Linka Glatter, Elodie Keene, Janice Cooke, Bethany Rooney, Tripp Reed, Larry Reibman, Paula Hunziker, Kimberly McCullough, Jamie Babbit, Liz Friedlander, Dana Gonzales, Paul Lazarus, J. Miller Tobin, Dean White, Tim Hunter, Mick Garris, Joshua Butler, Nzingha Stewart, Michael Goi, Tawnia McKiernan, Troian Bellisario, Marta Cunningham
Cinematography by: Larry Reibman, Dana Gonzales, Buzz Feitshans IV, Craig Fikse, Robert LaBonge, Geoffrey Haley
Edited by: Robert Lattanzio, Lois Blumenthal, Melissa Gearhart, Susanne Malles, Jill D'Agnenica, Michael S. Murphy, Kaja Fehr, Jacqueline Cambas
Cameras: Red One MX Camera, Red Scarlet Camera
Lenses: Cooke S4/i Prime 300mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Avid Editing System
Re-recording Mixer
Snakes on a Plane (2006)
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Re-recording Mixer
The Woods (2006)
Directed by: Lucky McKee
Cinematography by: John R. Leonetti
Cameras: Panavision Cameras
Re-recording Mixer
Black Snake Moan (2006)
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Editing System: Final Cut Pro Editing System
Re-recording Mixer: US Version
March of the Penguins (2005)
Directed by: Luc Jacquet
Edited by: Sabine Emiliani
Cameras: Aaton XTR Prod Camera
Additional Sound Re-recording Mixer
Four Brothers (2005)
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Re-recording Mixer
North Country (2005)
Directed by: Niki Caro
Cinematography by: Chris Menges
Edited by: David Coulson
Re-recording Mixer
The Life Aquatic with Steve Zissou (2004)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: David Moritz
Re-recording Mixer
Starsky & Hutch (2004)
Directed by: Todd Phillips
Cinematography by: Barry Peterson
Edited by: Leslie Jones
Re-recording Mixer
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Re-recording Mixer
Divine Secrets of the Ya-Ya Sisterhood (2002)
Directed by: Callie Khouri
Cinematography by: John Bailey
Edited by: Andrew Marcus
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Ballistic: Ecks vs. Sever (2002)
Directed by: Wych Kaosayananda
Cinematography by: Julio Macat
Lenses: Cooke S4 Lenses
Re-recording Mixer
Path to War (2002)
Directed by: John Frankenheimer
Edited by: Richard Francis-Bruce
Re-recording Mixer
Rock Star (2001)
Directed by: Stephen Herek
Cinematography by: Ueli Steiger
Edited by: Trudy Ship
Cameras: Panavision Cameras
Additional Sound Re-recording Mixer
Training Day (2001)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: Conrad Buff IV
Lenses: Hawk C-Series Lenses
Additional Sound Re-recording Mixer
The Last Castle (2001)
Directed by: Rod Lurie
Cinematography by: Shelly Johnson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
The Cell (2000)
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
Re-recording Mixer
The Replacements (2000)
Directed by: Howard Deutch
Cinematography by: Tak Fujimoto
Re-recording Mixer
Chain of Fools (2000)
Cinematography by: Frederick Elmes
Edited by: Harvey Rosenstock
Assistant Sound Re-recording Mixer
Deep Blue Sea (1999)
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Re-recording Mixer
The Iron Giant (1999)
Directed by: Brad Bird
Cinematography by: Steven Wilzbach
Edited by: Darren T. Holmes
Sound Re-recording Mixer: Second Stage
The Matrix (1999)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Re-recording Mixer
U.S. Marshals (1998)
Directed by: Stuart Baird
Cinematography by: Andrzej Bartkowiak
Edited by: Terry Rawlings
Re-recording Mixer
Jack Frost (1998)
Directed by: Troy Miller
Cinematography by: László Kovács
Edited by: Lawrence Jordan
Re-recording Mixer
A Perfect Murder (1998)
Directed by: Andrew Davis
Cinematography by: Dariusz Wolski
Rerecording Mixer
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Re-recording Mixer
The Postman (1997)
Directed by: Kevin Costner
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
Re-recording Mixer
Midnight in the Garden of Good and Evil (1997)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: Panavision Cameras
Re-recording Mixer
Conspiracy Theory (1997)
Directed by: Richard Donner
Cinematography by: John Schwartzman
Re-recording Mixer
Vegas Vacation (1997)
Directed by: Stephen Kessler
Cinematography by: William A. Fraker
Edited by: Seth Flaum
Cameras: Panavision Cameras
Re-recording Mixer
Murder at 1600 (1997)
Directed by: Dwight H. Little
Cinematography by: Steven Bernstein
Re-recording Mixer
Eraser (1996)
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Re-recording Mixer
My Fellow Americans (1996)
Directed by: Peter Segal
Cinematography by: Julio Macat
Edited by: William Kerr
Re-recording Mixer
The Glimmer Man (1996)
Directed by: John Gray
Cinematography by: Rick Bota
Edited by: Donn Cambern
Re-recording Mixer
Primal Fear (1996)
Directed by: Gregory Hoblit
Cinematography by: Michael Chapman
Edited by: David Rosenbloom
Cameras: Panavision Panaflex Gold II Camera
Re-recording Mixer
A Very Brady Sequel (1996)
Directed by: Arlene Sanford
Cinematography by: Mac Ahlberg
Edited by: Anita Brandt Burgoyne
Additional Sound Re-recording Mixer
Batman Forever (1995)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Re-recording Mixer
Steal Big Steal Little (1995)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Re-recording Mixer
Tommy Boy (1995)
Directed by: Peter Segal
Cinematography by: Victor J. Kemper
Edited by: William Kerr
Re-recording Mixer
Dennis the Menace (1993)
Directed by: Nick Castle
Cinematography by: Thomas E. Ackerman
Edited by: Alan Heim
Re-recording Mixer
Wayne's World 2 (1993)
Directed by: Stephen Surjik
Cinematography by: Francis Kenny
Edited by: Malcolm Campbell
Re-recording Mixer
Coneheads (1993)
Directed by: Steve Barron
Cinematography by: Francis Kenny
Edited by: Paul Trejo
Re-recording Mixer
Home Alone 2: Lost in New York (1992)
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Sleeping with the Enemy (1991)
Directed by: Joseph Ruben
Cinematography by: John Lindley
Edited by: George Bowers
Re-recording Mixer
Home Alone (1990)
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Lenses: Cooke Speed Panchro Lenses, Zeiss Lenses
Adr Mixer
Die Hard (1988)
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Re-recording Mixer
Alien Nation (1988)
Directed by: Graham Baker
Cinematography by: Adam Greenberg
Edited by: Kent Beyda
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Adr Mixer
Predator (1987)
Directed by: John McTiernan
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Cameras
Adr Mixer
Jumpin' Jack Flash (1986)
Directed by: Penny Marshall
Cinematography by: Matthew F. Leonetti
Edited by: Mark Goldblatt
Adr Mixer
Mischief (1985)
Directed by: Mel Damski
Cinematography by: Donald E. Thorin
Edited by: O. Nicholas Brown
