Executive Producer, Unit Production Manager
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Executive Producer
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Executive Producer, Unit Production Manager
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Executive Producer
Zookeeper (2011)
Directed by: Frank Coraci
Cinematography by: Michael Barrett
Edited by: Scott Hill
Cameras: Panavision Genesis Camera
Executive Producer
The Water Horse (2007)
Directed by: Jay Russell
Cinematography by: Oliver Stapleton
Edited by: Mark Warner
Executive Producer
Perfect Stranger (2007)
Directed by: James Foley
Cinematography by: Anastas N. Michos
Edited by: Christopher Tellefsen
Executive Producer
Across the Universe (2007)
Directed by: Julie Taymor
Cinematography by: Bruno Delbonnel
Edited by: Françoise Bonnot
Cameras: ARRI Cameras, Panavision Cameras
Lenses: Panavision Lenses
Executive Producer, Second Unit Director
Freedomland (2006)
Directed by: Joe Roth
Cinematography by: Anastas N. Michos
Edited by: Nick Moore
Executive In Charge Of Production
Rocky Balboa (2006)
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
Executive In Charge Of Production
Rent (2005)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Richard Pearson
Executive In Charge Of Production
Hellboy (2004)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
Executive Producer
Christmas with the Kranks (2004)
Directed by: Joe Roth
Cinematography by: Don Burgess
Edited by: Nick Moore
Executive In Charge Of Production
13 Going on 30 (2004)
Directed by: Gary Winick
Cinematography by: Don Burgess
Edited by: Susan Littenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Co-executive Producer
Peter Pan (2003)
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Executive In Charge Of Production
Mona Lisa Smile (2003)
Directed by: Mike Newell
Cinematography by: Anastas N. Michos
Edited by: Mick Audsley
Executive In Charge Of Production
Anger Management (2003)
Directed by: Peter Segal
Cinematography by: Donald McAlpine
Edited by: Jeff Gourson
Executive In Charge Of Production
Punch-Drunk Love (2002)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Cameras: Panavision Panaflex Platinum Camera
Executive Producer
Maid in Manhattan (2002)
Directed by: Wayne Wang
Cinematography by: Karl Walter Lindenlaub
Edited by: Craig McKay
Executive In Charge Of Production
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Producer
The One (2001)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Executive Producer
America's Sweethearts (2001)
Directed by: Joe Roth
Cinematography by: Phedon Papamichael
Edited by: Stephen A. Rotter
Executive In Charge Of Production
Black Hawk Down (2001)
Directed by: Ridley Scott
Cinematography by: Slawomir Idziak
Edited by: Pietro Scalia
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Producer, Unit Production Manager
Galaxy Quest (1999)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Producer
Patch Adams (1998)
Directed by: Tom Shadyac
Cinematography by: Phedon Papamichael
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive Producer
City of Angels (1998)
Directed by: Brad Silberling
Cinematography by: John Seale
Edited by: Lynzee Klingman
Executive Producer, Unit Production Manager
Phenomenon (1996)
Directed by: Jon Turteltaub
Cinematography by: Phedon Papamichael
Edited by: Bruce Green
Cameras: Panavision Panaflex Platinum Camera
Executive Producer, Unit Production Manager
Ghosts of Mississippi (1996)
Directed by: Rob Reiner
Cinematography by: John Seale
Edited by: Robert Leighton
Executive Producer, Unit Production Manager
The American President (1995)
Directed by: Rob Reiner
Cinematography by: John Seale
Edited by: Robert Leighton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Co-producer, Unit Production Manager
Forrest Gump (1994)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Co-producer, Unit Production Manager
Toys (1992)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Co-producer, Production Manager
Bugsy (1991)
Directed by: Barry Levinson
Cinematography by: Allen Daviau
Associate Producer, Production Manager
The Package (1989)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Production Manager
Throw Momma from the Train (1987)
Directed by: Danny DeVito
Cinematography by: Barry Sonnenfeld
Edited by: Michael Jablow
Production Manager
RoboCop (1987)
Directed by: Paul Verhoeven
Edited by: Frank J. Urioste
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
