Support: Framestore
Guardians of the Galaxy Vol. 3 (2023)
Directed by: James Gunn
Cinematography by: Henry Braham
Senior Visual Effects Producer: DNEG
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Visual Effects Producer: Double Negative
Jason Bourne (2016)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Visual Effects Producer: Double Negative
The Hunger Games: Mockingjay - Part 2 (2015)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Visual Effects Producer: Double Negative
The Hunger Games: Mockingjay - Part 1 (2014)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Visual Effects Producer: Double Negative
The Hunger Games: Catching Fire (2013)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Visual Effects Producer: Look Effects
Underworld Awakening (2012)
Cinematography by: Scott Kevan
Edited by: Jeff McEvoy
Cameras: Red Epic Camera
Visual Effects Producer: Double Negative
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Visual Effects Producer: Look FX
Fast Five (2011)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Visual Effects Producer: Look FX
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Visual Effects Producer: Look FX
The King's Speech (2010)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Visual Effects Producer
'Lost' The End (2010)
Directed by: Jack Bender
Cinematography by: John S. Bartley
Visual Effects Producer
'Lost' What They Died For (2010)
Directed by: Paul A. Edwards
Cinematography by: John S. Bartley
Edited by: Christopher Nelson
Visual Effects Producer
'Lost' Across the Sea (2010)
Directed by: Tucker Gates
Cinematography by: Stephen St. John
Edited by: Stephen Semel
Visual Effects Producer
'Lost' The Candidate (2010)
Directed by: Jack Bender
Cinematography by: John S. Bartley
Edited by: Mark Goldman
Visual Effects Producer
'Lost' The Last Recruit (2010)
Directed by: Stephen Semel
Cinematography by: Stephen St. John
Edited by: Henk Van Eeghen
Visual Effects Producer
'Lost' Everybody Loves Hugo (2010)
Directed by: Daniel Attias
Cinematography by: John S. Bartley
Edited by: Christopher Nelson
Visual Effects Producer
'Lost' Happily Ever After (2010)
Directed by: Jack Bender
Cinematography by: Stephen St. John
Edited by: Mark Goldman
Visual Effects Producer
'Lost' The Package (2010)
Directed by: Paul A. Edwards
Cinematography by: John S. Bartley
Visual Effects Producer
'Lost' Ab Aeterno (2010)
Directed by: Tucker Gates
Cinematography by: Stephen St. John
Visual Effects Producer
'Lost' Recon (2010)
Directed by: Jack Bender
Cinematography by: John S. Bartley
Edited by: Mark Goldman
Visual Effects Producer
'Lost' Dr. Linus (2010)
Directed by: Mario Van Peebles
Cinematography by: Stephen St. John
Edited by: Stephen Semel
Visual Effects Producer
'Lost' Lighthouse (2010)
Directed by: Jack Bender
Cinematography by: Stephen St. John
Edited by: Mark Goldman
Visual Effects Producer
'Lost' The Substitute (2010)
Directed by: Tucker Gates
Cinematography by: John S. Bartley
Edited by: Christopher Nelson
Visual Effects Producer
'Lost' What Kate Does (2010)
Directed by: Paul A. Edwards
Cinematography by: Stephen St. John
Edited by: Christopher Nelson
Visual Effects Producer
'Lost' LA X - Part 1 (2010)
Directed by: Jack Bender
Cinematography by: John S. Bartley
Additional Visual Effects Producer: Look Effects
Black Swan (2010)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses: Zeiss Ultra 16 Lenses
Editing System: Avid Editing System
Visual Effects Producer
'Lost' Sundown (2010)
Directed by: Bobby Roth
Cinematography by: John S. Bartley
Edited by: Christopher Nelson
Visual Effects Producer: LOOK! Effects, Inc.
'24' Day 7: 12:00 a.m.-1:00 a.m. (2009)
Directed by: Brad Turner
Cinematography by: Rodney Charters
Edited by: David Latham
Visual Effects Producer: LOOK! Effects, Inc.
'24' Day 7: 1:00 a.m.-2:00 a.m. (2009)
Directed by: Brad Turner
Cinematography by: Rodney Charters
Edited by: Scott Powell
Visual Effects Producer: LOOK! Effects, Inc.
Crank: High Voltage (2009)
Cinematography by: Brandon Trost
Visual Effects Producer
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Visual Effects Producer: LOOK! Effects, Inc.
The Spirit (2008)
Directed by: Frank Miller
Cinematography by: Bill Pope
Edited by: Gregory Nussbaum
Visual Effects Coordinator
Across the Universe (2007)
Directed by: Julie Taymor
Cinematography by: Bruno Delbonnel
Edited by: Françoise Bonnot
Cameras: ARRI Cameras, Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Coordinator
Confessions of a Teenage Drama Queen (2004)
Directed by: Sara Sugarman
Cinematography by: Stephen H. Burum
Edited by: Anita Brandt Burgoyne
Visual Effects Producer - 16 Episodes, 2010
Lost (2004)
Directed by: Jack Bender, Stephen Williams, Paul A. Edwards, Tucker Gates, Eric Laneuville, Greg Yaitanes, Bobby Roth, Kevin Hooks, J.J. Abrams, Daniel Attias, Rod Holcomb, Karen Gaviola, Stephen Semel, Marita Grabiak, Michael Zinberg, Adam Davidson, David Grossman, Robert Mandel, Alan Taylor, Matt Earl Beesley, Roxann Dawson, Deran Sarafian, Paris Barclay, Frederick E.O. Toye, Mark Goldman, Mario Van Peebles
Cinematography by: John S. Bartley, Michael Bonvillain, Cort Fey, Larry Fong, Stephen St. John, Edward J. Pei
Edited by: Stephen Semel, Mark Goldman, Christopher Nelson, Mary Jo Markey, Sarah Boyd, Henk Van Eeghen, David Eisenberg, Lance Stubblefield, Robert Florio, Sue Blainey, Jo Francis, Martin Nicholson, Chris Braun
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Production Executive: Good Machine
American Splendor (2003)
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Editing System: Avid Editing System
Visual Effects Producer: LOOK! Effects, Inc. - 2 Episodes, 2009
24 (2001)
Directed by: Jon Cassar, Brad Turner, Milan Cheylov, Bryan Spicer, Stephen Hopkins, Ian Toynton, Frederick King Keller, James Whitmore Jr., Tim Iacofano, Kevin Hooks, Michael Klick, Rodney Charters, Joseph A. Hodges, Winrich Kolbe, Davis Guggenheim, Paul Shapiro, Ken Girotti, Dwight H. Little, Nelson McCormick
Edited by: David Latham, Scott Powell, Chris G. Willingham, Leon Ortiz-Gil, Casey O. Rohrs, Larry Davenport, Elisa Cohen, David B. Thompson
Assistant: Mr. Hope
In the Bedroom (2001)
Directed by: Todd Field
Cinematography by: Antonio Calvache
Edited by: Frank Reynolds