Colorist
'The Blacklist' Minister D (No. 99) (2019)
Directed by: Michael Caracciolo
Edited by: Orlando Machado Jr.
Colorist
'The Blacklist' The Ethicist (No. 91) (2019)
Directed by: Bill Roe
Edited by: Orlando Machado Jr.
Colorist
'The Blacklist' Dr. Hans Koehler (No. 33) (2019)
Directed by: Bill Roe
Edited by: Chris Brookshire
Colorist
'The Blacklist' The Pharmacist (No. 124) (2019)
Directed by: Daniel Willis
Edited by: Orlando Machado Jr.
Colorist
'The Blacklist' The Cook (No. 56) (2018)
Directed by: Solvan Naim
Edited by: Orlando Machado Jr.
Colorist
'The Blacklist' Pattie Sue Edwards (No. 68) (2018)
Directed by: Donald E. Thorin Jr.
Edited by: Orlando Machado Jr.
Colorist
'The Blacklist' Anna-Gracia Duerte (No. 25) (2018)
Directed by: Michael Caracciolo
Cinematography by: Peter Reniers
Colorist
'The Blacklist' Zarak Mosadek (No. 23) (2018)
Directed by: Terrence O'Hara
Edited by: Orlando Machado Jr.
Colorist
'The Blacklist' Lawrence Dane Devlin (No. 26) (2018)
Directed by: Bethany Rooney
Edited by: Orlando Machado Jr.
Colorist
'The Blacklist' Requiem (2017)
Directed by: Terrence O'Hara
Cinematography by: Michael Caracciolo
Edited by: David Post
Colorist
'The Blacklist' Philomena (No. 61) (2017)
Directed by: Michael W. Watkins
Cinematography by: Saade Mustafa
Edited by: Emily Greene
Colorist
'The Blacklist' Dr. Bogdan Krilov (No. 29) (2017)
Directed by: Donald E. Thorin Jr.
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Colorist
'The Blacklist' The Debt Collector (No. 46) (2017)
Directed by: Bill Roe
Cinematography by: Saade Mustafa
Edited by: David Post
Colorist
'The Blacklist' Mr. Kaplan (No. 4) (2017)
Directed by: Donald E. Thorin Jr.
Cinematography by: Michael Caracciolo
Edited by: Emily Greene
Colorist
'The Blacklist' Mr. Kaplan (No. 4): Conclusion (2017)
Directed by: Michael W. Watkins
Cinematography by: Saade Mustafa
Edited by: Chris Brookshire
Colorist
'The Blacklist' Smokey Putnum (No. 30) (2017)
Directed by: Bill Roe
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Colorist
'The Blacklist' Greyson Blaise (No. 37) (2017)
Directed by: Donald E. Thorin Jr.
Edited by: David Post
Colorist
'The Blacklist' Miss Rebecca Thrall (No. 76) (2017)
Directed by: Adam T. Weisinger
Edited by: Orlando Machado Jr.
Colorist
'The Blacklist' The Endling (No. 44) (2017)
Directed by: Michael W. Watkins
Edited by: Chris Brookshire
Colorist
'The Blacklist' The Travel Agency (No. 90) (2017)
Directed by: Terrence O'Hara
Edited by: Orlando Machado Jr.
Colorist
'The Blacklist' The Kilgannon Corporation (No. 48) (2017)
Directed by: Jean de Segonzac
Edited by: Chris Brookshire
Colorist
'The Blacklist' Dembe Zuma (No. 10) (2017)
Directed by: Jean de Segonzac
Cinematography by: Saade Mustafa
Edited by: Chris Brookshire
Colorist
'The Blacklist' The Apothecary (No. 59) (2017)
Directed by: Michael Caracciolo
Cinematography by: Arthur Albert
Edited by: Emily Greene
Colorist
'The Blacklist' The Architect (No. 107) (2017)
Directed by: Christine Gee
Cinematography by: Saade Mustafa
Edited by: David Post
Colorist
'The Blacklist' Isabella Stone (No. 34) (2017)
Directed by: Andrew McCarthy
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Colorist
'The Blacklist' The Harem (No. 102) (2017)
Directed by: Bill Roe
Cinematography by: Michael Caracciolo
Edited by: David Post
Colorist
'The Blacklist' Natalie Luca (No. 184) (2017)
Directed by: Michael W. Watkins
Cinematography by: Saade Mustafa
Edited by: Emily Greene
Colorist
'The Blacklist' The Forecaster (No. 163) (2017)
Directed by: Edward Ornelas
Cinematography by: Saade Mustafa
Edited by: Chris Brookshire
Colorist
'The Blacklist' Lipet's Seafood Company (No. 111) (2017)
Directed by: Donald E. Thorin Jr.
Cinematography by: Michael Caracciolo
Edited by: Emily Greene
Digital Intermediate Colorist
Papillon (2017)
Directed by: Michael Noer
Cinematography by: Hagen Bogdanski
Lenses: Zeiss Ultra Prime Lenses
Colorist
'The Blacklist' Esteban (No. 79) (2016)
Directed by: Michael W. Watkins
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Colorist
'The Blacklist' Alexander Kirk (No. 14): Conclusion (2016)
Directed by: Bill Roe
Cinematography by: Michael Caracciolo
Edited by: David Post
Colorist
'The Blacklist' Alexander Kirk (No. 14) (2016)
Directed by: Michael Dinner
Cinematography by: Eric Moynier
Colorist
'The Blacklist' Susan Hargrave (No. 18) (2016)
Directed by: Andrew McCarthy
Cinematography by: Michael Caracciolo
Edited by: Emily Greene
Colorist
'The Blacklist' The Artax Network (No. 41) (2016)
Directed by: Donald E. Thorin Jr.
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Colorist
'The Blacklist' Cape May (2016)
Directed by: Michael W. Watkins
Cinematography by: Eric Moynier
Edited by: David Post
Colorist
'The Blacklist' Mr. Solomon (No. 32): Conclusion (2016)
Directed by: John Terlesky
Cinematography by: Eric Moynier
Edited by: Emily Greene
Colorist
'The Blacklist' Mr. Solomon (No. 32) (2016)
Directed by: Eagle Egilsson
Cinematography by: Michael Caracciolo
Edited by: David Post
Colorist
'The Blacklist' Drexel (No. 113) (2016)
Directed by: Anton Cropper
Cinematography by: Michael Caracciolo
Edited by: Emily Greene
Colorist
'The Blacklist' The Caretaker (No. 78) (2016)
Directed by: Donald E. Thorin Jr.
Cinematography by: Eric Moynier
Edited by: Chris Brookshire
Colorist
'The Blacklist' Lady Ambrosia (No. 77) (2016)
Directed by: Tim Hunter
Cinematography by: Eric Moynier
Edited by: David Post
Colorist
'The Blacklist' Alistair Pitt (No. 103) (2016)
Directed by: Bill Roe
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Colorist
'The Blacklist' The Vehm (No. 132) (2016)
Directed by: Michael W. Watkins
Cinematography by: Eric Moynier
Edited by: Emily Greene
Colorist
'The Blacklist' Mr. Gregory Devry (No. 95) (2016)
Directed by: Alex Zakrzewski
Cinematography by: Michael Caracciolo
Edited by: David Post
Colorist
'The Blacklist' The Director (No. 24): Conclusion (2016)
Directed by: John Terlesky
Cinematography by: Eric Moynier
Edited by: Chris Brookshire
Colorist
'The Blacklist' The Director (No. 24) (2016)
Directed by: Mary Lambert
Cinematography by: Michael Caracciolo
Edited by: Emily Greene
Colorist
'The Blacklist' Dr. Adrian Shaw (No. 98): Conclusion (2016)
Directed by: Michael W. Watkins
Cinematography by: Saade Mustafa
Edited by: David Post
Colorist
'The Blacklist' The Thrushes (No. 53) (2016)
Directed by: Terrence O'Hara
Cinematography by: Saade Mustafa
Edited by: Emily Greene
Colorist
'The Blacklist' Dr. Adrian Shaw (No. 98) (2016)
Directed by: Andrew McCarthy
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Colorist
'The Blacklist' The Lindquist Concern (No. 105) (2016)
Directed by: Kurt Kuenne
Cinematography by: Michael Caracciolo
Edited by: David Post
Colorist
'The Blacklist' Gaia (No. 81) (2016)
Directed by: Bill Roe
Cinematography by: Saade Mustafa
Edited by: Chris Brookshire
Colorist
'The Blacklist' Miles McGrath (No. 65) (2016)
Directed by: John Terlesky
Cinematography by: Michael Caracciolo
Edited by: Emily Greene
Colorist
'The Blacklist' Mato (No. 66) (2016)
Directed by: Andrew McCarthy
Cinematography by: Saade Mustafa
Edited by: David Post
Colorist
'The Blacklist' Kings of the Highway (No. 108) (2015)
Directed by: Terrence O'Hara
Cinematography by: Eric Moynier
Colorist
'The Blacklist' Zal Bin Hasaan (No. 31) (2015)
Directed by: Michael W. Watkins
Edited by: Chris Brookshire
Colorist
'The Blacklist' Sir Crispin Crandall (No. 86) (2015)
Directed by: Ami Canaan Mann
Cinematography by: Eric Moynier
Edited by: Emily Greene
Digital Intermediate Colorist
Movie 43 (2013)
Directed by: Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk
Cinematography by: Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt
Edited by: Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker
Cameras: Red One MX Camera
Digital Intermediate Colorist: Technicolor
Safe Haven (2013)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Andrew Mondshein
Cameras: ARRI ALEXA Studio Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Digital Film Colorist: Technicolor
21 & Over (2013)
Cinematography by: Terry Stacey
Edited by: John Refoua
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Colorist - 71 Episodes, 2015-2019
The Blacklist (2013)
Directed by: Michael W. Watkins, Bill Roe, Andrew McCarthy, Donald E. Thorin Jr., Terrence O'Hara, Steven A. Adelson, John Terlesky, Michael Caracciolo, Karen Gaviola, Kurt Kuenne, Joe Carnahan, Christine Gee, Vincent Misiano, David Platt, Paul A. Edwards, Michael Zinberg, Alex Zakrzewski, Adam T. Weisinger, Jean de Segonzac, Cort Hessler, Solvan Naim, Jace Alexander, Adam Arkin, Nick Gomez, Stephen Surjik, Dan Lerner, Peter Werner, Randy Zisk, Guy Ferland, Omar Madha, Ami Canaan Mann, Michael Waxman, Anton Cropper, Michael Dinner, Eagle Egilsson, Tim Hunter, Mary Lambert, Edward Ornelas, Paul Holahan, Bethany Rooney, Stephanie A. Marquardt, Lin Oeding, Lisa Robinson, Daniel Willis
Cinematography by: Michael Caracciolo, Eric Moynier, Saade Mustafa, Frank Prinzi, Arthur Albert, Yasu Tanida, Peter Reniers
Edited by: Chris Brookshire, David Post, Emily Greene, Nathan Gunn, Orlando Machado Jr., Harvey Rosenstock, Amy M. Fleming, Kevin Hale, Jason Hellmann, Rhett Finch, Eric L. Beason
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Digital Intermediate Colorist: Technicolor Digital Intermediate
Silver Linings Playbook (2012)
Directed by: David O. Russell
Cinematography by: Masanobu Takayanagi
Digital Film Colorist
Cedar Rapids (2011)
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Edited by: Eric Kissack
Digital Film Colorist: Technicolor Digital Intermediates
50/50 (2011)
Directed by: Jonathan Levine
Cinematography by: Terry Stacey
Edited by: Zene Baker
Digital Intermediate Colorist: Technicolor Creative Services
The Fighter (2010)
Directed by: David O. Russell
Cinematography by: Hoyte Van Hoytema
Edited by: Pamela Martin
Digital Film Colorist
Leap Year (2010)
Directed by: Anand Tucker
Cinematography by: Newton Thomas Sigel
Edited by: Nick Moore
Digital Film Colorist: Technicolor
Super (2010)
Directed by: James Gunn
Cinematography by: Steve Gainer
Edited by: Cara Silverman
Cameras: Red One Camera
Editing System: Avid Editing System
Digital Film Colorist
MacGruber (2010)
Directed by: Jorma Taccone
Cinematography by: Brandon Trost
Edited by: Jamie Gross
Digital Film Colorist
Why Did I Get Married Too? (2010)
Directed by: Tyler Perry
Cinematography by: Toyomichi Kurita
Edited by: Maysie Hoy
Additional Digital Film Colorist
Edge of Darkness (2010)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: Panavision Panaflex Platinum Camera
Digital Film Colorist
Father of Invention (2010)
Directed by: Trent Cooper
Cinematography by: Steve Yedlin
Edited by: Heather Persons
Home Video Mastering Colorist
Obsessed (2009)
Directed by: Steve Shill
Cinematography by: Ken Seng
Edited by: Paul Seydor
Cameras: Panavision Panaflex Platinum Camera
Home Video Mastering Colorist
Race to Witch Mountain (2009)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie
Digital Film Colorist
Youth in Revolt (2009)
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Digital Film Colorist
To Save a Life (2009)
Directed by: Brian Baugh
Cinematography by: C. Clifford Jones
Cameras: Red One Camera
Assistant Digital Film Colorist
Shine a Light (2008)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: David Tedeschi
Digital Intermediate Colorist
While She Was Out (2008)
Directed by: Susan Montford
Cinematography by: Steve Gainer
Edited by: William M. Anderson
Digital Film Colorist: Technicolor Digital Intermediates
Punisher: War Zone (2008)
Directed by: Lexi Alexander
Cinematography by: Steve Gainer
Edited by: William Yeh
Digital Intermediate Colorist
Fireflies in the Garden (2008)
Directed by: Dennis Lee
Cinematography by: Daniel Moder
Digital Film Colorist
Gran Torino (2008)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Editing System: Avid Editing System
Digital Film Colorist
An American Carol (2008)
Directed by: David Zucker
Cinematography by: Brian Baugh
Edited by: Vashi Nedomansky
Home Video Mastering Colorist
Dan in Real Life (2007)
Directed by: Peter Hedges
Cinematography by: Lawrence Sher
Edited by: Sarah Flack
Home Video Mastering Colorist
The Invisible (2007)
Directed by: David S. Goyer
Cinematography by: Gabriel Beristain
Edited by: Conrad Smart
Home Video Mastering Colorist
Enchanted (2007)
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Home Video Mastering Colorist
Zodiac (2007)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: Angus Wall
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Home Video Mastering Colorist
The Hunting Party (2007)
Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Assistant Digital Film Colorist
Superman Returns (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Home Video Mastering Colorist
Flightplan (2005)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Digital Colorist Assist
The Big White (2005)
Directed by: Mark Mylod
Cinematography by: James Glennon
Edited by: Julie Monroe
Assistant Digital Film Colorist
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Assistant Digital Film Colorist
Good Night, and Good Luck. (2005)
Directed by: George Clooney
Cinematography by: Robert Elswit
Edited by: Stephen Mirrione
Additional Digital Film Colorist
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Assistant Digital Film Colorist
Kill Bill: Vol. 2 (2004)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Digital Color Assistant: Technicolor Digital Intermediates
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Digital Color Assist
Wicker Park (2004)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Andrew Hulme
Additional Digital Film Colorist
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Assistant Digital Film Colorist
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Assistant Digital Film Colorist
Kill Bill: Vol. 1 (2003)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Home Video Mastering Colorist
James and the Giant Peach (1996)
Directed by: Henry Selick
Edited by: Stan Webb
