Re-recording Mixer , Re-recording Mixer / Sound Editor, Sound Editor
Ad Astra (2019)
Directed by: James Gray
Cinematography by: Hoyte Van Hoytema
Cameras: Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera
Lenses: CamTec Lenses, Zeiss Master Prime Lenses
Special Effects Editor
Can You Ever Forgive Me? (2018)
Directed by: Marielle Heller
Cinematography by: Brandon Trost
Edited by: Anne McCabe
Cameras: Panavision Millennium DXL Camera
Lenses: Panavision Primo 70 Lenses
Supervising Sound Editor
'Master of None' Religion (2017)
Directed by: Alan Yang
Cinematography by: Mark Schwartzbard
Edited by: Jennifer Lilly
Supervising Sound Editor
'Master of None' The Thief (2017)
Directed by: Aziz Ansari
Cinematography by: Mark Schwartzbard
Edited by: Jennifer Lilly
Supervising Sound Editor
'Master of None' Le Nozze (2017)
Directed by: Aziz Ansari
Cinematography by: Mark Schwartzbard
Edited by: Daniel Haworth
Supervising Sound Editor
'Master of None' First Date (2017)
Directed by: Eric Wareheim
Cinematography by: Mark Schwartzbard
Edited by: Jennifer Lilly
Supervising Sound Editor
'Master of None' The Dinner Party (2017)
Directed by: Eric Wareheim
Cinematography by: Mark Schwartzbard
Edited by: Daniel Haworth
Supervising Sound Editor
'Master of None' New York, I Love You (2017)
Directed by: Alan Yang
Cinematography by: Mark Schwartzbard
Edited by: Daniel Haworth
Supervising Sound Editor
'Master of None' Door #3 (2017)
Directed by: Melina Matsoukas
Cinematography by: Mark Schwartzbard
Edited by: Jennifer Lilly
Supervising Sound Editor
'Master of None' Thanksgiving (2017)
Directed by: Melina Matsoukas
Cinematography by: Mark Schwartzbard
Edited by: Daniel Haworth
Supervising Sound Editor
'Master of None' Amarsi Un Pò (2017)
Directed by: Aziz Ansari
Cinematography by: Mark Schwartzbard
Edited by: Jennifer Lilly
Supervising Sound Editor
'Master of None' Buona Notte (2017)
Directed by: Aziz Ansari
Cinematography by: Mark Schwartzbard
Edited by: Daniel Haworth
Supervising Sound Editor - 1 Episode, 2016
Billions (2016)
Directed by: Colin Bucksey, Neil Burger, John Dahl, Anna Boden, Ryan Fleck, Karyn Kusama, James Foley, Noah Emmerich, Jessica Yu, Adam Bernstein, Matthew McLoota, Michael Cuesta, Stephen Gyllenhaal, Scott Hornbacher, Neil LaBute, Susanna White, Adam Arkin, Ed Bianchi, Alex Gibney, Steph Green, Oliver Hirschbiegel, Reed Morano, John Singleton, Mike Binder, Michael Morris, Stacie Passon, Jake Polonsky, Matt Shakman, Laurie Collyer, Naomi Geraghty, Clement Virgo
Cinematography by: Jake Polonsky, Radium Cheung, Giorgio Scali, Alexander Dynan, Eric Steelberg, Joseph E. Gallagher
Sound Effects Editor
Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)
Directed by: Woo-Ping Yuen
Cinematography by: Newton Thomas Sigel
Edited by: Jeff Betancourt
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Supervising Sound Editor
'Billions' Pilot (2016)
Directed by: Neil Burger
Cinematography by: Eric Steelberg
Edited by: Naomi Geraghty
Sound Designer
Paterson (2016)
Directed by: Jim Jarmusch
Cinematography by: Frederick Elmes
Edited by: Affonso Gonçalves
Supervising Sound Editor - 10 Episodes, 2017
Master of None (2015)
Cinematography by: Mark Schwartzbard
Cameras: Panasonic VariCam 35
Re-recording Mixer / Supervising Sound Editor
The Butler (2013)
Directed by: Lee Daniels
Cinematography by: Andrew Dunn
Re-recording Mixer / Supervising Sound Editor
Blue Jasmine (2013)
Directed by: Woody Allen
Cinematography by: Javier Aguirresarobe
Edited by: Alisa Lepselter
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Sound Designer
A Late Quartet (2012)
Directed by: Yaron Zilberman
Cinematography by: Frederick Elmes
Edited by: Yuval Shar
Re-recording Mixer / Sound Designer
The Paperboy (2012)
Directed by: Lee Daniels
Cinematography by: Roberto Schaefer
Edited by: Joe Klotz
Cameras: Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Re-recording Mixer / Supervising Sound Editor
To Rome with Love (2012)
Directed by: Woody Allen
Cinematography by: Darius Khondji
Edited by: Alisa Lepselter
Supervising Sound Editor: NYC
On the Road (2012)
Directed by: Walter Salles
Cinematography by: Eric Gautier
Edited by: François Gédigier
Cameras: Aaton Penelope Camera
Re-recording Mixer / Supervising Sound Editor
Peace, Love & Misunderstanding (2011)
Directed by: Bruce Beresford
Cinematography by: Andre Fleuren
Edited by: John David Allen
Supervising Sound Editor
Higher Ground (2011)
Directed by: Vera Farmiga
Cinematography by: Michael McDonough
Edited by: Colleen Sharp
Cameras: Red One MX Camera
Re-recording Mixer / Supervising Sound Editor
The Adjustment Bureau (2011)
Directed by: George Nolfi
Cinematography by: John Toll
Edited by: Jay Rabinowitz
Supervising Sound Editor
Midnight in Paris (2011)
Directed by: Woody Allen
Cinematography by: Darius Khondji
Edited by: Alisa Lepselter
Supervising Sound Editor
The Limits of Control (2009)
Directed by: Jim Jarmusch
Cinematography by: Christopher Doyle
Edited by: Jay Rabinowitz
Supervising Sound Editor
Whatever Works (2009)
Directed by: Woody Allen
Cinematography by: Harris Savides
Edited by: Alisa Lepselter
Re-recording Mixer / Supervising Sound Editor
Precious (2009)
Directed by: Lee Daniels
Cinematography by: Andrew Dunn
Edited by: Joe Klotz
Lenses: Angenieux Lenses, Cooke S4 Lenses
Re-recording Mixer
August (2008)
Directed by: Austin Chick
Cinematography by: Andrij Parekh
Edited by: Pete Beaudreau
Re-recording Mixer / Supervising Sound Editor
The Accidental Husband (2008)
Directed by: Griffin Dunne
Cinematography by: William Rexer
Edited by: Suzy Elmiger
Supervising Sound Editor
Vicky Cristina Barcelona (2008)
Directed by: Woody Allen
Cinematography by: Javier Aguirresarobe
Edited by: Alisa Lepselter
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Master Prime Lenses
Supervising Sound Editor
Anamorph (2007)
Directed by: Henry Miller
Cinematography by: Fred Murphy
Edited by: Geraud Brisson
Sound
Cassandra's Dream (2007)
Directed by: Woody Allen
Cinematography by: Vilmos Zsigmond
Edited by: Alisa Lepselter
Supervising Sound Editor
Music and Lyrics (2007)
Directed by: Marc Lawrence
Cinematography by: Xavier Grobet
Edited by: Susan E. Morse
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Supervising Sound Editor
Milarepa (2006)
Directed by: Neten Chokling
Cinematography by: Paul J. Warren
Edited by: Suzy Elmiger
Music Producer, Supervising Sound Editor
Heavens Fall (2006)
Directed by: Terry Green
Cinematography by: Paul Sanchez
Edited by: Suzy Elmiger
Supervising Sound Editor
Broken Flowers (2005)
Directed by: Jim Jarmusch
Cinematography by: Frederick Elmes
Edited by: Jay Rabinowitz
Lenses: Zeiss Variable Prime Lenses
Supervising Sound Editor
Fierce People (2005)
Directed by: Griffin Dunne
Cinematography by: William Rexer
Edited by: Allyson C. Johnson
Supervising Sound Editor
Match Point (2005)
Directed by: Woody Allen
Cinematography by: Remi Adefarasin
Edited by: Alisa Lepselter
Supervising Sound Editor
Secret Window (2004)
Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt
Supervising Sound Editor
Anything Else (2003)
Directed by: Woody Allen
Cinematography by: Darius Khondji
Edited by: Alisa Lepselter
Supervising Sound Editor
People I Know (2002)
Directed by: Daniel Algrant
Cinematography by: Peter Deming
Edited by: Suzy Elmiger
Supervising Sound Editor
Hollywood Ending (2002)
Directed by: Woody Allen
Cinematography by: Wedigo von Schultzendorff
Edited by: Alisa Lepselter
Supervising Sound Editor
The Curse of the Jade Scorpion (2001)
Directed by: Woody Allen
Cinematography by: Fei Zhao
Edited by: Alisa Lepselter
Supervising Sound Editor
The Royal Tenenbaums (2001)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Supervising Sound Editor
Novocaine (2001)
Directed by: David Atkins
Cinematography by: Vilko Filac
Edited by: Melody London
Supervising Sound Editor
Before Night Falls (2000)
Directed by: Julian Schnabel
Edited by: Michael Berenbaum
Cameras: ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Super Speed Lenses
Supervising Sound Editor
Sweet and Lowdown (1999)
Directed by: Woody Allen
Cinematography by: Fei Zhao
Edited by: Alisa Lepselter
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Supervising Sound Editor
The Impostors (1998)
Directed by: Stanley Tucci
Cinematography by: Ken Kelsch
Edited by: Suzy Elmiger
Supervising Sound Editor
Celebrity (1998)
Directed by: Woody Allen
Cinematography by: Sven Nykvist
Edited by: Susan E. Morse
Supervising Sound Editor
Practical Magic (1998)
Directed by: Griffin Dunne
Cinematography by: Andrew Dunn
Edited by: Elizabeth Kling
Supervising Sound Editor
Deconstructing Harry (1997)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Supervising Sound Editor
Everyone Says I Love You (1996)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Supervising Sound Editor
Surviving Picasso (1996)
Directed by: James Ivory
Cinematography by: Tony Pierce-Roberts
Edited by: Andrew Marcus
Dialogue Editor
Girl 6 (1996)
Directed by: Spike Lee
Cinematography by: Malik Hassan Sayeed
Edited by: Samuel D. Pollard
Supervising Sound Editor
Dead Man (1995)
Directed by: Jim Jarmusch
Cinematography by: Robby Müller
Edited by: Jay Rabinowitz
Supervising Sound Editor
Blue in the Face (1995)
Cinematography by: Adam Holender
Edited by: Christopher Tellefsen
Supervising Sound Editor
Mighty Aphrodite (1995)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Cameras: Panavision Cameras
Dialogue Editor
The Perez Family (1995)
Directed by: Mira Nair
Cinematography by: Stuart Dryburgh
Cameras: Moviecam Compact Camera
Supervising Sound Editor
Bullets Over Broadway (1994)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Dialogue Editor
The Hudsucker Proxy (1994)
Cinematography by: Roger Deakins
Edited by: Thom Noble
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Dialogue Editor
The Pelican Brief (1993)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Editing System: Lightworks Editing System
Sound Editor
Manhattan Murder Mystery (1993)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Supervising Sound Editor
A Bronx Tale (1993)
Directed by: Robert De Niro
Cinematography by: Reynaldo Villalobos
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dialogue Editor
Far and Away (1992)
Directed by: Ron Howard
Cinematography by: Mikael Salomon
Cameras: ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses, Zeiss Lenses
Dialogue Editor
Passion Fish (1992)
Directed by: John Sayles
Cinematography by: Roger Deakins
Edited by: John Sayles
Sound Editor
Husbands and Wives (1992)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Supervising Sound Editor
Shadows and Fog (1991)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Supervising Sound Editor
Alice (1990)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Cameras: Panavision Cameras
Supervising Sound Editor
State of Grace (1990)
Cinematography by: Jordan Cronenweth
Edited by: Claire Simpson
Sound Editor
Crimes and Misdemeanors (1989)
Directed by: Woody Allen
Cinematography by: Sven Nykvist
Edited by: Susan E. Morse
Cameras: Panavision Cameras
Supervising Sound Editor
Mystery Train (1989)
Directed by: Jim Jarmusch
Cinematography by: Robby Müller
Edited by: Melody London
Sound Editor
Another Woman (1988)
Directed by: Woody Allen
Cinematography by: Sven Nykvist
Edited by: Susan E. Morse
Sound Editor
White Water Summer (1987)
Directed by: Jeff Bleckner
Cinematography by: John Alcott
Edited by: David Ray
Supervising Sound Editor
Radio Days (1987)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Additional Sound Editor
Choose Me (1984)
Directed by: Alan Rudolph
Cinematography by: Jan Kiesser
Edited by: Mia Goldman
Sound Editor
Sophie's Choice (1982)
Directed by: Alan J. Pakula
Cinematography by: Néstor Almendros
Edited by: Evan A. Lottman
Assistant Sound Editor
Four Friends (1981)
Directed by: Arthur Penn
Cinematography by: Ghislain Cloquet