Visual Effects Producer
Mechanic: Resurrection (2016)
Directed by: Dennis Gansel
Cinematography by: Daniel Gottschalk
Cameras: Red Epic Camera, Red Scarlet Camera
Visual Effects Producer
Criminal (2016)
Directed by: Ariel Vromen
Cinematography by: Dana Gonzales
Edited by: Danny Rafic
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Visual Effects Producer
The Legend of Hercules (2014)
Directed by: Renny Harlin
Cinematography by: Sam McCurdy
Edited by: Vincent Tabaillon
Cameras: Red Epic Camera
Visual Effects Producer
The Expendables 3 (2014)
Directed by: Patrick Hughes
Cinematography by: Peter Menzies Jr.
Visual Effects Producer
Texas Chainsaw 3D (2013)
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Visual Effects Producer
Olympus Has Fallen (2013)
Directed by: Antoine Fuqua
Cinematography by: Conrad W. Hall
Edited by: John Refoua
Editing System: Avid Editing System
Visual Effects Producer
Killing Season (2013)
Directed by: Mark Steven Johnson
Cinematography by: Peter Menzies Jr.
Edited by: Sean Albertson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Producer: Worldwide FX
The Iceman (2012)
Directed by: Ariel Vromen
Cinematography by: Bobby Bukowski
Edited by: Danny Rafic
Cameras: ARRI ALEXA Plus Camera, Canon EOS-7D Camera
Visual Effects Producer
Playing for Keeps (2012)
Directed by: Gabriele Muccino
Cinematography by: Peter Menzies Jr.
Edited by: Padraic McKinley
Visual Effects Producer: Worldwide FX
The Paperboy (2012)
Directed by: Lee Daniels
Cinematography by: Roberto Schaefer
Edited by: Joe Klotz
Cameras: Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Visual Effects Producer
The Expendables 2 (2012)
Directed by: Simon West
Cinematography by: Shelly Johnson
Edited by: Todd E. Miller
Editing System: Avid Editing System
Visual Effects Producer
Elephant White (2011)
Directed by: Prachya Pinkaew
Cinematography by: Wade Muller
Edited by: David M. Richardson
Visual Effects Producer
Trespass (2011)
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Bill Pankow
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Visual Effects Producer
Drive Angry (2011)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Visual Effects Producer
Undisputed 3: Redemption (2010)
Directed by: Isaac Florentine
Cinematography by: Ross W. Clarkson
Edited by: Irit Raz
Visual Effects Producer
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Visual Effects Producer
Direct Contact (2009)
Directed by: Danny Lerner
Cinematography by: Ross W. Clarkson
Edited by: Michele Gisser
Visual Effects Producer: Worldwide FX
Leaves of Grass (2009)
Directed by: Tim Blake Nelson
Cinematography by: Roberto Schaefer
Edited by: Michelle Botticelli
Cameras: Red One Camera
Visual Effects Producer
Command Performance (2009)
Directed by: Dolph Lundgren
Cinematography by: Marc Windon
Edited by: Peter Hollywood
Visual Effects Producer
Labor Pains (2009)
Directed by: Lara Shapiro
Cinematography by: Dan Stoloff
Edited by: Anne McCabe
Visual Effects Producer
Ghouls (2008)
Directed by: Gary Jones
Cinematography by: Toni Cartu
Edited by: Christopher Roth
Visual Effects Producer
Rambo (2008)
Directed by: Sylvester Stallone
Cinematography by: Glen MacPherson
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Producer
Righteous Kill (2008)
Directed by: Jon Avnet
Cinematography by: Denis Lenoir
Edited by: Paul Hirsch
Visual Effects Producer: Worldwide FX
King of California (2007)
Directed by: Mike Cahill
Cinematography by: Jim Whitaker
Edited by: Glenn Garland
Visual Effects Producer: Worldwide FX
Cleaner (2007)
Directed by: Renny Harlin
Cinematography by: Scott Kevan
Edited by: Brian Berdan
Visual Effects Producer
Home of the Brave (2006)
Directed by: Irwin Winkler
Cinematography by: Tony Pierce-Roberts
Edited by: Clayton Halsey
Visual Effects Producer
Journey to the End of the Night (2006)
Directed by: Eric Eason
Cinematography by: Ulrich Burtin
Edited by: Kevin Greutert
Visual Effects Producer
Undisputed 2: Last Man Standing (2006)
Directed by: Isaac Florentine
Cinematography by: Ross W. Clarkson
Edited by: Irit Raz
Visual Effects Producer
Lonely Hearts (2006)
Directed by: Todd Robinson
Cinematography by: Peter Levy
Edited by: Kathryn Himoff
Visual Effects Producer: Worldwide FX
The Wicker Man (2006)
Directed by: Neil LaBute
Cinematography by: Paul Sarossy
Edited by: Joel Plotch
Visual Effects Producer: Worldwide FX
Dark Storm (2006)
Directed by: Jason Bourque
Cinematography by: C. Kim Miles
Edited by: Ness Broom
Visual Effects Producer: Worldwide FX
Edison (2005)
Directed by: David J. Burke
Cinematography by: Francis Kenny
Edited by: Casey O. Rohrs
Visual Effects Producer
The Russian Specialist (2005)
Directed by: Dolph Lundgren
Cinematography by: Ross W. Clarkson
Edited by: Joe Plenys
Cameras: ARRI Cameras
Visual Effects Producer
Pterodactyl (2005)
Directed by: Mark L. Lester
Cinematography by: George Mooradian
Edited by: Donn Aron
Cameras: ARRI Cameras
Visual Effects Producer
In Hell (2003)
Directed by: Ringo Lam
Cinematography by: John B. Aronson
Edited by: David M. Richardson
Visual Effects Producer
Belly of the Beast (2003)
Directed by: Siu-Tung Ching
Cinematography by: Danny Nowak
Edited by: David M. Richardson
Digital Artist
My Favorite Martian (1999)
Directed by: Donald Petrie
Cinematography by: Thomas E. Ackerman
Edited by: Malcolm Campbell
Visual Effects Artist: TDRL
Dogma (1999)
Directed by: Kevin Smith
Cinematography by: Robert D. Yeoman
Digital Artist
The Faculty (1998)
Directed by: Robert Rodriguez
Cinematography by: Enrique Chediak
Edited by: Robert Rodriguez
Cameras: Panavision Cameras
Digital Animator: Available Light
Executive Decision (1996)
Directed by: Stuart Baird
Cinematography by: Alex Thomson
Supervisor: Todd Masters Company
Bordello of Blood (1996)
Directed by: Gilbert Adler
Cinematography by: Tom Priestley Jr.
Edited by: Stephen Lovejoy
Digital Effects Supervisor: Enemy Ghost Sequence, Todd Masters Company
The Prophecy (1995)
Directed by: Gregory Widen
Edited by: Sonny Baskin
Special Effects Crew
Devil in a Blue Dress (1995)
Directed by: Carl Franklin
Cinematography by: Tak Fujimoto
Edited by: Carole Kravetz Aykanian
Special Effects Makeup, Special Makeup Effects Assistant
The Crow (1994)
Directed by: Alex Proyas
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 35 BL4 Camera
Lenses: Zeiss Lenses
Special Makeup Effects Artist
Deadfall (1993)
Directed by: Christopher Coppola
Cinematography by: Maryse Alberti
Edited by: Phillip Linson
Lab Technician
Pet Sematary (1989)
Directed by: Mary Lambert
Cinematography by: Peter Stein
Cameras: Panavision Cameras
Special Effects Makeup
Friday the 13th Part VIII: Jason Takes Manhattan (1989)
Directed by: Rob Hedden
Cinematography by: Bryan England
Cameras: Panavision Panaflex Camera
Editing System: K.E.M. Editing System
Lab Technician: Mechanical And Makeup Imageries Inc. / Second Assistant Location Supervisor: Mechanical And Makeup Imageries Inc. / Special Effects Crew
The Garbage Pail Kids Movie (1987)
Directed by: Rod Amateau
Cinematography by: Harvey Genkins
Editing System: Ediflex Editing System
