Compositor
'Young Sheldon' Vanilla Ice Cream, Gentleman Callers, and a Dinette Set (2018)
Directed by: Jaffar Mahmood
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Compositor
'Young Sheldon' An Eagle Feather, a String Bean, and an Eskimo (2018)
Directed by: Rebecca Asher
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Compositor
'Young Sheldon' Demons, Sunday School, and Prime Numbers (2018)
Directed by: Howard Deutch
Cinematography by: Buzz Feitshans IV
Edited by: Steven Rasch
Compositor
'Young Sheldon' A Computer, a Plastic Pony, and a Case of Beer (2018)
Directed by: Richie Keen
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Compositor
'Young Sheldon' A Sneeze, Detention, and Sissy Spacek (2018)
Directed by: Howard Deutch
Cinematography by: Buzz Feitshans IV
Edited by: Steven Rasch
Compositor
'Young Sheldon' Potato Salad, a Broomstick, and Dad's Whiskey (2018)
Directed by: Howard Deutch
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Compositor
'Young Sheldon' Dolomite, Apple Slices, and a Mystery Woman (2018)
Directed by: Mark Cendrowski
Cinematography by: Buzz Feitshans IV
Edited by: Steven Rasch
Compositor
'Young Sheldon' Killer Asteroids, Oklahoma, and a Frizzy Hair Machine (2018)
Directed by: Howard Deutch
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Compositor
'Young Sheldon' Jiu-Jitsu, Bubble Wrap, and Yoo-Hoo (2018)
Directed by: Jaffar Mahmood
Cinematography by: Buzz Feitshans IV
Edited by: Steven Rasch
Compositor
'Young Sheldon' A Mother, a Child, and a Blue Man's Backside (2018)
Directed by: Jaffar Mahmood
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Compositor
'Young Sheldon' Gluons, Guacamole, and the Color Purple (2018)
Directed by: Alex Reid
Cinematography by: Buzz Feitshans IV
Compositor
'Young Sheldon' A Dog, a Squirrel, and a Fish Named Fish (2018)
Directed by: Jaffar Mahmood
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Compositor
'Young Sheldon' Summer Sausage, a Pocket Poncho, and Tony Danza (2018)
Directed by: Alex Reid
Cinematography by: Buzz Feitshans IV
Compositor
'Young Sheldon' A High-Pitched Buzz and Training Wheels (2018)
Directed by: Jaffar Mahmood
Cinematography by: Buzz Feitshans IV
Compositor
'Young Sheldon' A Rival Prodigy and Sir Isaac Neutron (2018)
Directed by: Mark Cendrowski
Cinematography by: Buzz Feitshans IV
Compositor
'Young Sheldon' A Crisis of Faith and Octopus Aliens (2018)
Directed by: Jaffar Mahmood
Cinematography by: Buzz Feitshans IV
Compositor
'Young Sheldon' A Financial Secret and Fish Sauce (2018)
Directed by: Jonathan Judge
Cinematography by: Buzz Feitshans IV
Compositor
'Young Sheldon' A Research Study and Czechoslovakian Wedding Pastries (2018)
Directed by: Jude Weng
Cinematography by: Buzz Feitshans IV
Compositor
'Young Sheldon' Seven Deadly Sins and a Small Carl Sagan (2018)
Directed by: Chris Koch
Cinematography by: Buzz Feitshans IV
Edited by: Brian Merken
Compositor
'Young Sheldon' Carbon Dating and a Stuffed Raccoon (2018)
Directed by: Rebecca Asher
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Compositor
'Young Sheldon' An 8-Bit Princess and a Flat Tire Genius (2018)
Directed by: Jaffar Mahmood
Cinematography by: Buzz Feitshans IV
Edited by: Brian Merken
Compositor
'Young Sheldon' Family Dynamics and a Red Fiero (2018)
Directed by: Alex Reid
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Compositor
'Young Sheldon' A Stunted Childhood and a Can of Fancy Mixed Nuts (2018)
Directed by: Rebecca Asher
Cinematography by: Buzz Feitshans IV
Edited by: Brian Merken
Compositor
'Young Sheldon' Poker, Faith and Eggs (2017)
Directed by: Michael Zinberg
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Compositor
'Young Sheldon' A Therapist, a Comic Book, and a Breakfast Sausage (2017)
Directed by: Jaffar Mahmood
Cinematography by: Buzz Feitshans IV
Visual Effects Artist: Lighting Technical Director
Geostorm (2017)
Directed by: Dean Devlin
Cinematography by: Roberto Schaefer
Cameras: Red Epic Dragon Camera
Compositor
'Young Sheldon' Rockets, Communists, and the Dewey Decimal System (2017)
Directed by: Michael Zinberg
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Compositor
'Young Sheldon' Pilot (2017)
Directed by: Jon Favreau
Cinematography by: Tim Suhrstedt
Edited by: Jeff Seibenick
Compositor - 32 Episodes, 2017-2018
Young Sheldon (2017)
Directed by: Jaffar Mahmood, Alex Reid, Chris Koch, Howard Deutch, Mark Cendrowski, Rebecca Asher, Melissa Joan Hart, Michael Zinberg, Jude Weng, Jon Favreau, Peter Lauer, Don Scardino, Jonathan Judge, Richie Keen, Nikki Lorre, Beth McCarthy-Miller, Jeremy Howe, Lea Thompson, Michael Judd
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Style Lenses, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
Compositor
'Young Sheldon' A Solar Calculator, a Game Ball, and a Cheerleader's Bosom (2017)
Directed by: Chris Koch
Cinematography by: Buzz Feitshans IV
Compositor
'Young Sheldon' A Patch, a Modem, and a Zantac (2017)
Directed by: Don Scardino
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Compositor
'Young Sheldon' A Brisket, Voodoo, and Cannonball Run (2017)
Directed by: Mark Cendrowski
Cinematography by: Buzz Feitshans IV
Compositor
'Young Sheldon' Cape Canaveral, Schrödinger's Cat, and Cyndi Lauper's Hair (2017)
Directed by: Howard Deutch
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Compositor
'Young Sheldon' Spock, Kirk, and Testicular Hernia (2017)
Directed by: Peter Lauer
Cinematography by: Buzz Feitshans IV
On-set Visual Effects Supervisor
'The Librarians' And the Rule of Three (2015)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Sonny Baskin
On-set Visual Effects Supervisor
'The Librarians' And the City of Light (2015)
Directed by: Tawnia McKiernan
Cinematography by: David Connell
Edited by: Chris A. Peterson
On-set Visual Effects Supervisor
'The Librarians' And the Loom of Fate (2015)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Brian Gonosey
On-set Visual Effects Supervisor
'The Librarians' And the Apple of Discord (2014)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Sonny Baskin
On-set Visual Effects Supervisor
'The Librarians' And Santa's Midnight Run (2014)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Brian Gonosey
On-set Visual Effects Supervisor - 5 Episodes, 2014-2015
The Librarians (2014)
Directed by: Marc Roskin, Jonathan Frakes, Dean Devlin, Noah Wyle, Rod Hardy, John Harrison, Emile B. Levisetti, Tawnia McKiernan, Courtney Rowe, Eriq La Salle, Nina Lopez-Corrado, Lindy Booth, Valerie Weiss
Cinematography by: David Connell
Cameras: Red Epic Dragon Camera, Red One MX Camera
Editing System: Final Cut Pro Editing System
Stereoscopic Compositor
The Legend of Hercules (2014)
Directed by: Renny Harlin
Cinematography by: Sam McCurdy
Edited by: Vincent Tabaillon
Cameras: Red Epic Camera
3d Generalist: Look VFX
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Visual Effects Stereoscopic Supervisor: Pixomondo
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Digital Compositor
The Last Stand (2013)
Directed by: Jee-woon Kim
Cinematography by: Ji-yong Kim
Edited by: Steven Kemper
Cameras: ARRI ALEXA Plus Camera
Stereo Integration And Layout
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Visual Effects Artist
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Digital Compositor
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Digital Compositor
Spy Kids 4: All the Time in the World (2011)
Directed by: Robert Rodriguez
Edited by: Dan Zimmerman
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo Zoom Lenses
Survey Data / Visual Effects Artist
Percy Jackson & the Olympians: The Lightning Thief (2010)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Digital Compositor
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Digital Compositor
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Stereo Compositor
Clash of the Titans (2010)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Digital Compositor
Wall Street: Money Never Sleeps (2010)
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
Stereo Compositor
Step Up 3D (2010)
Directed by: Jon M. Chu
Cinematography by: Ken Seng
Edited by: Andrew Marcus
Cameras: Sony CineAlta F23 Camera
Match Move Lead / Stereo Compositor
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Tracking & Integration: R!OT
The Time Traveler's Wife (2009)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Digital Integration
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Digital Integration
Blood Creek (2009)
Directed by: Joel Schumacher
Cinematography by: Darko Suvak
Edited by: Mark Stevens
Digital Integration Lead
17 Again (2009)
Directed by: Burr Steers
Cinematography by: Tim Suhrstedt
Edited by: Padraic McKinley
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Artist: Integration
Wizards of Waverly Place: The Movie (2009)
Directed by: Lev L. Spiro
Cinematography by: David A. Makin
Edited by: Matthew Colonna
Digital Integration
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Visual Effects Artist: Stereoscopic Integration
G-Force (2009)
Directed by: Hoyt Yeatman
Cinematography by: Bojan Bazelli
Digital Integration
Jumper (2008)
Directed by: Doug Liman
Cinematography by: Barry Peterson
Cameras: Panavision Cameras, Red One Camera
Lighter
The Spirit (2008)
Directed by: Frank Miller
Cinematography by: Bill Pope
Edited by: Gregory Nussbaum
Visual Effects Artist
Seven Pounds (2008)
Directed by: Gabriele Muccino
Cinematography by: Philippe Le Sourd
Edited by: Hughes Winborne
Cameras: Panavision Cameras
On Set Integration
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
On Set Integration
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Texture Painter: Rhythm & Hues
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Match Mover , Set Data Technician: Rhythm & Hues Studios
Garfield: A Tail of Two Kitties (2006)
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot
Stereo Compositor
Shrek 2 (2004)
Motion Control
Down with Love (2003)
Directed by: Peyton Reed
Cinematography by: Jeff Cronenweth
Edited by: Larry Bock
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Match Mover / Visual Effects
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Motion Control
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
