Supervising Digital Colorist: Picture Shop Post
Spider-Man: Across the Spider-Verse (2023)
Edited by: Mike Andrews
Supervising Digital Colorist
Tully (2018)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Stefan Grube
Cameras: ARRI ALEXA Mini Camera
Supervising Digital Colorist
First Man (2018)
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Supervising Digital Colorist: EFILM
Baywatch (2017)
Directed by: Seth Gordon
Cinematography by: Eric Steelberg
Edited by: Peter S. Elliot
Cameras: ARRI ALEXA XT Plus Camera
Digital Intermediate Colorist
La La Land (2016)
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Digital Intermediate Colorist
Jane Got a Gun (2015)
Directed by: Gavin O'Connor
Cinematography by: Mandy Walker
Edited by: Alan Cody
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Digital Intermediate Colorist
Sin City: A Dame to Kill For (2014)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: ARRI ALEXA M Camera
Lenses: Fujinon Premier Lenses
Editing System: Avid Editing System
Digital Intermediate Colorist
Rio 2 (2014)
Directed by: Carlos Saldanha
Cinematography by: Renato Falcão
Digital Intermediate Colorist
Whiplash (2014)
Directed by: Damien Chazelle
Cinematography by: Sharone Meir
Edited by: Tom Cross
Cameras: ARRI ALEXA Camera, Canon EOS-7D Camera
Digital Intermediate Colorist
Identity Thief (2013)
Directed by: Seth Gordon
Cinematography by: Javier Aguirresarobe
Edited by: Peter Teschner
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Digital Intermediate Colorist: Modern VideoFilm
Epic (2013)
Directed by: Chris Wedge
Cinematography by: Renato Falcão
Edited by: Andy Keir
Digital Intermediate Colorist
Machete Kills (2013)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Cameras: ARRI ALEXA Plus Camera
Digital Intermediate Colorist
Labor Day (2013)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Cameras: Red Epic Camera
Digital Intermediate Colorist
The Guilt Trip (2012)
Directed by: Anne Fletcher
Cinematography by: Oliver Stapleton
Colorist
What to Expect When You're Expecting (2012)
Directed by: Kirk Jones
Cinematography by: Xavier Grobet
Edited by: Michael Berenbaum
Cameras: ARRI ALEXA Camera
Digital Intermediate Colorist: EFilm
Arbitrage (2012)
Directed by: Nicholas Jarecki
Cinematography by: Yorick Le Saux
Edited by: Douglas Crise
Cameras: ARRICAM Lite (LT) Camera
Digital Intermediate Colorist
Get the Gringo (2012)
Directed by: Adrian Grunberg
Cinematography by: Benoît Debie
Edited by: Steven Rosenblum
Cameras: Red One MX Camera
Lenses: Hawk V-Lite Lenses
Digital Intermediate Colorist
Good Deeds (2012)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Digital Film Colorist: EFilm
The Perks of Being a Wallflower (2012)
Directed by: Stephen Chbosky
Cinematography by: Andrew Dunn
Edited by: Mary Jo Markey
Digital Intermediate Colorist
Joyful Noise (2012)
Directed by: Todd Graff
Cinematography by: David Boyd
Edited by: Kathryn Himoff
Digital Intermediate Colorist
Rio (2011)
Directed by: Carlos Saldanha
Cinematography by: Renato Falcão
Edited by: Harry Hitner
Digital Intermediate Colorist
Beastly (2011)
Directed by: Daniel Barnz
Cinematography by: Mandy Walker
Edited by: Thomas J. Nordberg
Digital Intermediate Colorist
Young Adult (2011)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Digital Intermediate Colorist
Horrible Bosses (2011)
Directed by: Seth Gordon
Cinematography by: David Hennings
Edited by: Peter Teschner
Cameras: Panavision Genesis Camera
Digital Intermediate Colorist
Spy Kids 4: All the Time in the World (2011)
Directed by: Robert Rodriguez
Edited by: Dan Zimmerman
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo Zoom Lenses
Digital Intermediate Colorist
Love & Other Drugs (2010)
Directed by: Edward Zwick
Cinematography by: Steven Fierberg
Edited by: Steven Rosenblum
Digital Intermediate Colorist
For Colored Girls (2010)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Digital Intermediate Colorist
Going the Distance (2010)
Directed by: Nanette Burstein
Cinematography by: Eric Steelberg
Edited by: Peter Teschner
Senior Supervising Colorist
Machete (2010)
Cinematography by: Jimmy Lindsey
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Senior Colorist
Charlie St. Cloud (2010)
Directed by: Burr Steers
Cinematography by: Enrique Chediak
Edited by: Padraic McKinley
Lenses: Hawk V-Series Lenses
Digital Intermediate Colorist
The Back-up Plan (2010)
Directed by: Alan Poul
Cinematography by: Xavier Grobet
Edited by: Priscilla Nedd-Friendly
Digital Intermediate Colorist: EFilm
Predators (2010)
Directed by: Nimród Antal
Cinematography by: Gyula Pados
Edited by: Dan Zimmerman
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Digital Intermediate Colorist
Killers (2010)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
Digital Film Colorist
I Love You, Beth Cooper (2009)
Directed by: Chris Columbus
Cinematography by: Phil Abraham
Edited by: Peter Honess
Digital Intermediate Colorist
Whip It (2009)
Directed by: Drew Barrymore
Cinematography by: Robert D. Yeoman
Edited by: Dylan Tichenor
Digital Intermediate Colorist
Mother and Child (2009)
Directed by: Rodrigo García
Cinematography by: Xavier Grobet
Edited by: Steven Weisberg
Colorist: Efilm
Up in the Air (2009)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Digital Intermediate Colorist
Ice Age: Dawn of the Dinosaurs (2009)
Colorist
Get Low (2009)
Directed by: Aaron Schneider
Cinematography by: David Boyd
Edited by: Aaron Schneider
Cameras: Panavision Panaflex Gold II Camera
Editing System: Final Cut Pro Editing System
Digital Intermediate Colorist
Bandslam (2009)
Directed by: Todd Graff
Cinematography by: Eric Steelberg
Edited by: John Gilbert
Cameras: Panavision Cameras
Colorist: Dioital Intermediate
Defiance (2008)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Digital Film Colorist
The Rocker (2008)
Directed by: Peter Cattaneo
Cinematography by: Anthony B. Richmond
Digital Intermediate Colorist
City of Ember (2008)
Directed by: Gil Kenan
Cinematography by: Xavier Grobet
Digital Film Colorist
Be Kind Rewind (2008)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Jeff Buchanan
Colorist: Efilm
Juno (2007)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Digital Intermediate Colorist: EFilm
Good Luck Chuck (2007)
Directed by: Mark Helfrich
Cinematography by: Anthony B. Richmond
Edited by: Julia Wong
Colorist
Music and Lyrics (2007)
Directed by: Marc Lawrence
Cinematography by: Xavier Grobet
Edited by: Susan E. Morse
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Colorist: EFilm
Aliens vs. Predator: Requiem (2007)
Cinematography by: Daniel Pearl
Edited by: Dan Zimmerman
Digital Intermediate Colorist
Planet Terror (2007)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Digital Color Timer
Aquamarine (2006)
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: Brian J. Breheny
Edited by: Jane Moran
Cameras: Panavision Cameras
Digital Color Timer
Ultraviolet (2006)
Directed by: Kurt Wimmer
Cinematography by: Arthur Wong
Edited by: William Yeh
Digital Film Colorist
Nacho Libre (2006)
Directed by: Jared Hess
Cinematography by: Xavier Grobet
Edited by: Billy Weber
Supervising Digital Colorist
Snakes on a Plane (2006)
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Digital Film Colorist
Blood Diamond (2006)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Digital Film Colorist
Payback: Straight Up (2006)
Directed by: Brian Helgeland
Cinematography by: Ericson Core
Edited by: Kevin Stitt
Digital Color Timer
The Great Raid (2005)
Directed by: John Dahl
Cinematography by: Peter Menzies Jr.
Digital Color Timer: Efilm
Sin City (2005)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDC-F950 Camera, Sony Other Camera
Editing System: Avid Editing System
Supervising Digital Colorist: Efilm
Casanova (2005)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Digital Color Timer
Thank You for Smoking (2005)
Directed by: Jason Reitman
Cinematography by: Jim Whitaker
Edited by: Dana E. Glauberman
Digital Color Timer
The Life Aquatic with Steve Zissou (2004)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: David Moritz
Colorist: ILM
Once Upon a Time in Mexico (2003)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Digital Color Timer: ILM
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
