Production Counsel
Marriage Story (2019)
Directed by: Noah Baumbach
Cinematography by: Robbie Ryan
Edited by: Jennifer Lame
Production Counsel
Isle of Dogs (2018)
Directed by: Wes Anderson
Cinematography by: Tristan Oliver
Cameras: Canon EOS-1DX Camera
Production Counsel
Bright (2017)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision Lenses
Production Counsel
Southside with You (2016)
Directed by: Richard Tanne
Cinematography by: Patrick Scola
Edited by: Evan Schiff
Production Counsel
Child 44 (2015)
Directed by: Daniel Espinosa
Cinematography by: Oliver Wood
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk Anamorphic Lenses
Production & Distribution Counsel
Tusk (2014)
Directed by: Kevin Smith
Cinematography by: James Laxton
Edited by: Kevin Smith
Cameras: ARRI ALEXA Camera, Red Epic Camera
Production Counsel
Selma (2014)
Directed by: Ava DuVernay
Cinematography by: Bradford Young
Edited by: Spencer Averick
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Hawk V-Plus Lenses, Hawk V-Series Lenses
Production Legal Services
The Grand Budapest Hotel (2014)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Barney Pilling
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens
Editing System: Avid Editing System
Production Attorney: Usa
Austenland (2013)
Directed by: Jerusha Hess
Cinematography by: Larry Smith
Edited by: Nick Fenton
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Production Attorney
Labor Day (2013)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Cameras: Red Epic Camera
Production Legal Services
Zero Dark Thirty (2012)
Directed by: Kathryn Bigelow
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses
Editing System: Avid Editing System
Production Attorney
Moonrise Kingdom (2012)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Aaton A-Minima Camera, Aaton Xterà Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Production Legal
Red State (2011)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Cameras: Canon EOS-7D Camera, Red One MX Camera
Production Legal Services
Higher Ground (2011)
Directed by: Vera Farmiga
Cinematography by: Michael McDonough
Edited by: Colleen Sharp
Cameras: Red One MX Camera
Production Attorney
Jeff, Who Lives at Home (2011)
Cinematography by: Jas Shelton
Edited by: Jay Deuby
Cameras: Red One MX Camera
Production Attorney
The Runaways (2010)
Directed by: Floria Sigismondi
Cinematography by: Benoît Debie
Edited by: Richard Chew
Cameras: ARRIFLEX 416 Camera
Lenses: Zeiss Master Prime Lenses
Production Attorney
Blood Done Sign My Name (2010)
Directed by: Jeb Stuart
Cinematography by: Steve Mason
Edited by: Toby Yates
Production Legal
127 Hours (2010)
Directed by: Danny Boyle
Edited by: Jon Harris
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Production Legal
The Last Godfather (2010)
Directed by: Hyung-rae Shim
Cinematography by: Mark Irwin
Edited by: Jeff Freeman
Production Legal Services
The Company Men (2010)
Directed by: John Wells
Cinematography by: Roger Deakins
Edited by: Robert Frazen
Production Attorney
Skyline (2010)
Cinematography by: Michael Watson
Edited by: Nicholas Wayman-Harris
Cameras: Red One MX Camera
Production Counsel
Vanishing on 7th Street (2010)
Directed by: Brad Anderson
Cinematography by: Uta Briesewitz
Edited by: Jeffrey Wolf
Production Legal Services
Sympathy for Delicious (2010)
Directed by: Mark Ruffalo
Cinematography by: Christopher Norr
Edited by: Pete Beaudreau
Production Legal Services
The Crazies (2010)
Directed by: Breck Eisner
Cinematography by: Maxime Alexandre
Edited by: Billy Fox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Production Attorney
The Smell of Success (2009)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Edited by: Cary Gries
Production Attorney
Gentlemen Broncos (2009)
Directed by: Jared Hess
Cinematography by: Munn Powell
Edited by: Yuka Ruell
Production Attorney
Stay Cool (2009)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Edited by: Cary Gries
Production Attorney
The Joneses (2009)
Directed by: Derrick Borte
Cinematography by: Yaron Orbach
Edited by: Janice Hampton
Production Attorney
American Crude (2008)
Directed by: Craig Sheffer
Cinematography by: James Mathers
Production Attorney
Shuttle (2008)
Directed by: Edward Anderson
Cinematography by: Michael Fimognari
Edited by: William Yeh
Production Legal
American Son (2008)
Directed by: Neil Abramson
Cinematography by: Kris Kachikis
Edited by: Karen Schmeer
Production Legal Services
Hamlet 2 (2008)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Legal Services
Waitress (2007)
Directed by: Adrienne Shelly
Cinematography by: Matthew Irving
Edited by: Annette Davey
Cameras: Panavision Panaflex Gold II Camera
Production Attorney
I Know Who Killed Me (2007)
Directed by: Chris Sivertson
Cinematography by: John R. Leonetti
Edited by: Lawrence Jordan
Legal Services
The Nines (2007)
Directed by: John August
Cinematography by: Nancy Schreiber
Edited by: Douglas Crise
Legal Services: Distribution
Wristcutters: A Love Story (2006)
Directed by: Goran Dukic
Cinematography by: Vanja Cernjul
Edited by: Jonathan Alberts
Production Attorney / Production Legal Services
Seraphim Falls (2006)
Directed by: David Von Ancken
Cinematography by: John Toll
Edited by: Conrad Buff IV
Production Attorney
The Last Winter (2006)
Directed by: Larry Fessenden
Cinematography by: G. Magni Ágústsson
Edited by: Larry Fessenden
Production Attorney
Local Color (2006)
Directed by: George Gallo
Cinematography by: Michael Negrin
Edited by: Malcolm Campbell
Cameras: Panavision Cameras
Lenses: Angenieux Optimo Zoom Lenses
Production Attorney
Harsh Times (2005)
Directed by: David Ayer
Cinematography by: Steve Mason
Edited by: Conrad Buff IV
Production Attorney
Thirteen (2003)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Cameras: Aaton XTR Prod Camera
Lenses: Canon Lenses
Legal Services
Laurel Canyon (2002)
Directed by: Lisa Cholodenko
Cinematography by: Wally Pfister
Edited by: Amy E. Duddleston
Legal Services
Panic (2000)
Directed by: Henry Bromell
Cinematography by: Jeffrey Jur
Cameras: Panavision Cameras
