Ian Calip

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Tomorrowland | ShotOnWhat?

First Assistant Director: Second Unit

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

"True Blood" Fire in the Hole | ShotOnWhat?

Second Assistant Director

'True Blood' Fire in the Hole (2014)

Television Episode

Directed by: Lee Rose

Cinematography by: David Klein

Edited by: Carol Stutz

August: Osage County | ShotOnWhat?

Second Assistant Director

August: Osage County (2013)

Directed by: John Wells

Cinematography by: Adriano Goldman

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Star Trek Into Darkness | ShotOnWhat?

Second Assistant Director

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Argo | ShotOnWhat?

Second Assistant Director

Argo (2012)

Directed by: Ben Affleck

Cinematography by: Rodrigo Prieto

Edited by: William Goldenberg

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Machine Gun Preacher | ShotOnWhat?

Second Second Assistant Director: US

Machine Gun Preacher (2011)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Spacecam Aerial Cameras

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens

Rango | ShotOnWhat?

Second Assistant Director

Rango (2011)

Directed by: Gore Verbinski

Cinematography by: Roger Deakins

Edited by: Craig Wood

Editing System: Avid Editing System

Super 8 | ShotOnWhat?

Second Assistant Director

Super 8 (2011)

Directed by: J.J. Abrams

Cinematography by: Larry Fong

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

The Ides of March | ShotOnWhat?

Second Second Assistant Director

The Ides of March (2011)

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

You Again | ShotOnWhat?

Second Assistant Director

You Again (2010)

Directed by: Andy Fickman

Cinematography by: David Hennings

Edited by: Keith Brachmann, David Rennie

Greenberg | ShotOnWhat?

Second Second Assistant Director

Greenberg (2010)

Directed by: Noah Baumbach

Cinematography by: Harris Savides

Edited by: Tim Streeto

The Men Who Stare at Goats | ShotOnWhat?

Second Second Assistant Director

The Men Who Stare at Goats (2009)

Directed by: Grant Heslov

Cinematography by: Robert Elswit

Edited by: Tatiana S. Riegel

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Race to Witch Mountain | ShotOnWhat?

Second Second Assistant Director

Race to Witch Mountain (2009)

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: David Rennie

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

My Son, My Son, What Have Ye Done | ShotOnWhat?

Second Second Assistant Director

My Son, My Son, What Have Ye Done (2009)

Directed by: Werner Herzog

Cinematography by: Peter Zeitlinger

Edited by: Joe Bini, Omar Daher

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Second Second Assistant Director: Connecticut

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

True Blood | ShotOnWhat?

Second Assistant Director - 1 Episode, 2014

True Blood (2008)

Television Series

Cinematography by: Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz

Edited by: Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Leatherheads | ShotOnWhat?

Second Second Assistant Director

Leatherheads (2008)

Directed by: George Clooney

Cinematography by: Newton Thomas Sigel

Edited by: Stephen Mirrione

Milk | ShotOnWhat?

Second Second Assistant Director

Milk (2008)

Directed by: Gus Van Sant

Cinematography by: Harris Savides

Edited by: Elliot Graham

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Canon Scoopic 16 / 16M Camera

Lenses: Angenieux HR Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

Sweet Nothing in My Ear | ShotOnWhat?

Second Second Assistant Director

Sweet Nothing in My Ear (2008)

Television Movie

Directed by: Joseph Sargent

Cinematography by: Donald M. Morgan

Edited by: Michael Brown

Into the Wild | ShotOnWhat?

Second Second Assistant Director: South Dakota

Into the Wild (2007)

Directed by: Sean Penn

Cinematography by: Eric Gautier

Edited by: Jay Cassidy

Cameras: Aaton 35 II Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Canon Lenses, Zeiss Ultra Prime Lenses

Elizabethtown | ShotOnWhat?

Production Assistant

Elizabethtown (2005)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: David Moritz

War of the Worlds | ShotOnWhat?

Set Production Assistant

War of the Worlds (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Rent | ShotOnWhat?

Additional Second Assistant Director

Rent (2005)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Richard Pearson

Anchorman: The Legend of Ron Burgundy | ShotOnWhat?

Production Assistant

Anchorman: The Legend of Ron Burgundy (2004)

Directed by: Adam McKay

Cinematography by: Thomas E. Ackerman

Edited by: Brent White

A Mighty Wind | ShotOnWhat?

Set Production Assistant

A Mighty Wind (2003)

Directed by: Christopher Guest

Cinematography by: Arlene Nelson

Edited by: Robert Leighton

Looney Tunes: Back in Action | ShotOnWhat?

Staff Assistant

Looney Tunes: Back in Action (2003)

Directed by: Joe Dante

Cinematography by: Dean Cundey

Edited by: Rick Finney, Marshall Harvey

Cradle 2 the Grave | ShotOnWhat?

Set Staff Assistant

Cradle 2 the Grave (2003)

Directed by: Andrzej Bartkowiak

Cinematography by: Daryn Okada

Edited by: Derek Brechin

Cameras: Panavision Cameras

Seabiscuit | ShotOnWhat?

Production Assistant

Seabiscuit (2003)

Directed by: Gary Ross

Cinematography by: John Schwartzman

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Big Fish | ShotOnWhat?

Set Staff Assistant, Stunt Double

Big Fish (2003)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Planet of the Apes | ShotOnWhat?

Production Assistant

Planet of the Apes (2001)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Any Given Sunday | ShotOnWhat?

Set Staff Assistant

Any Given Sunday (1999)

Directed by: Oliver Stone

Cinematography by: Salvatore Totino

Edited by: Stuart Levy, Thomas J. Nordberg, Keith Salmon, Stuart Waks

U Turn | ShotOnWhat?

Office Production Assistant

U Turn (1997)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Hank Corwin, Thomas J. Nordberg

Nixon | ShotOnWhat?

Football Player, Office Production Assistant

Nixon (1995)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Natural Born Killers | ShotOnWhat?

Staff Assistant

Natural Born Killers (1994)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

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