Orchestrator
Wreck-It Ralph (2012)
Directed by: Rich Moore
Cinematography by: Rob Dressel
Edited by: Tim Mertens
Orchestrator
The Adjustment Bureau (2011)
Directed by: George Nolfi
Cinematography by: John Toll
Edited by: Jay Rabinowitz
Orchestrator
WALL·E (2008)
Directed by: Andrew Stanton
Cinematography by: Martin Rosenberg
Edited by: Stephen Schaffer
Orchestrator
Little Children (2006)
Directed by: Todd Field
Cinematography by: Antonio Calvache
Edited by: Leo Trombetta
Orchestration
The Good German (2006)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Orchestrator
Cinderella Man (2005)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Orchestrator
Jarhead (2005)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Walter Murch
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Orchestrations
Lemony Snicket's A Series of Unfortunate Events (2004)
Directed by: Brad Silberling
Cinematography by: Emmanuel Lubezki
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Orchestrator
Road to Perdition (2002)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Lightworks Editing System
Orchestrator
The Salton Sea (2002)
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Jim Page
Music Score Consultant, Orchestrator
Punch-Drunk Love (2002)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Cameras: Panavision Panaflex Platinum Camera
Orchestrator: Strings
In the Bedroom (2001)
Directed by: Todd Field
Cinematography by: Antonio Calvache
Edited by: Frank Reynolds
Orchestrator
Pay It Forward (2000)
Directed by: Mimi Leder
Cinematography by: Oliver Stapleton
Edited by: David Rosenbloom
Cameras: Panavision Cameras
Orchestrator
Erin Brockovich (2000)
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Orchestrator
American Beauty (1999)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Cameras: Panavision Panaflex Platinum Camera
Orchestrator
The Green Mile (1999)
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Richard Francis-Bruce
Cameras: Panavision Panaflex Platinum Camera
Conductor / Consultant: Musical Score
Magnolia (1999)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Orchestrator
The Horse Whisperer (1998)
Directed by: Robert Redford
Cinematography by: Robert Richardson
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Additional Orchestrator
The Mask of Zorro (1998)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Conductor
Primary Colors (1998)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Arthur Schmidt
Cameras: ARRIFLEX Camera
Orchestrator: Australia
Oscar and Lucinda (1997)
Directed by: Gillian Armstrong
Cinematography by: Geoffrey Simpson
Edited by: Nicholas Beauman
Cameras: Panavision Panaflex Gold II Camera
Orchestrator
Red Corner (1997)
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter E. Berger
Orchestrator
Up Close & Personal (1996)
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Debra Neil-Fisher
Orchestrator
Phenomenon (1996)
Directed by: Jon Turteltaub
Cinematography by: Phedon Papamichael
Edited by: Bruce Green
Cameras: Panavision Panaflex Platinum Camera
Orchestrator
How to Make an American Quilt (1995)
Directed by: Jocelyn Moorhouse
Cinematography by: Janusz Kaminski
Edited by: Jill Bilcock
Cameras: Panavision Cameras
Orchestrator
Little Women (1994)
Directed by: Gillian Armstrong
Cinematography by: Geoffrey Simpson
Edited by: Nicholas Beauman
Orchestrator
The Shawshank Redemption (1994)
Directed by: Frank Darabont
Cinematography by: Roger Deakins
Edited by: Richard Francis-Bruce
Lenses: ARRI / Zeiss Lenses
Orchestrator
The War (1994)
Directed by: Jon Avnet
Cinematography by: Geoffrey Simpson
Edited by: Debra Neil-Fisher
Orchestrator
The Favor (1994)
Directed by: Donald Petrie
Cinematography by: Tim Suhrstedt
Edited by: Harry Keramidas
Orchestrator
Legends of the Fall (1994)
Directed by: Edward Zwick
Cinematography by: John Toll
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Gold II Camera
Lenses: Canon Lenses, Panavision Lenses
Additional Orchestrator
Sommersby (1993)
Directed by: Jon Amiel
Cinematography by: Philippe Rousselot
Edited by: Peter Boyle
Orchestrator
The Pelican Brief (1993)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Editing System: Lightworks Editing System
Orchestrator
Flesh and Bone (1993)
Directed by: Steve Kloves
Cinematography by: Philippe Rousselot
Edited by: Mia Goldman
Composer: Additional Music , Orchestrator
A Far Off Place (1993)
Directed by: Mikael Salomon
Cinematography by: Juan Ruiz Anchía
Edited by: Ray Lovejoy
Cameras: Panavision Panaflex Camera
Orchestrator
The Man Without a Face (1993)
Directed by: Mel Gibson
Cinematography by: Donald McAlpine
Edited by: Antony Gibbs
Orchestrator
Searching for Bobby Fischer (1993)
Directed by: Steven Zaillian
Cinematography by: Conrad L. Hall
Edited by: Wayne Wahrman
Orchestrator
Whispers in the Dark (1992)
Directed by: Christopher Crowe
Cinematography by: Michael Chapman
Orchestrator
Fried Green Tomatoes (1991)
Directed by: Jon Avnet
Cinematography by: Geoffrey Simpson
Edited by: Debra Neil-Fisher
Orchestrator
Career Opportunities (1991)
Directed by: Bryan Gordon
Cinematography by: Donald McAlpine
Cameras: Panavision Cameras
Orchestrator
Deceived (1991)
Directed by: Damian Harris
Cinematography by: Jack N. Green
Edited by: Neil Travis
Orchestrator
He Said, She Said (1991)
Cinematography by: Stephen H. Burum
Edited by: Sidney Levin
Cameras: Panavision Cameras
Orchestrator
Men Don't Leave (1990)
Directed by: Paul Brickman
Cinematography by: Bruce Surtees
Edited by: Richard Chew
Orchestrator
Welcome Home, Roxy Carmichael (1990)
Directed by: Jim Abrahams
Cinematography by: Paul Elliott
Edited by: Bruce Green
Orchestrator
Dirty Rotten Scoundrels (1988)
Directed by: Frank Oz
Cinematography by: Michael Ballhaus
Additional Orchestrator
Cobra (1986)
Directed by: George P. Cosmatos
Cinematography by: Ric Waite
Cameras: Panavision Cameras
