Gabriela Gutentag

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Pain & Gain | ShotOnWhat?

Unit Publicist

Pain & Gain (2013)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Tom Muldoon, Joel Negron

Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Gangster Squad | ShotOnWhat?

Unit Publicist

Gangster Squad (2013)

Directed by: Ruben Fleischer

Cinematography by: Dion Beebe

Edited by: Alan Baumgarten, James Herbert

Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Transformers: Dark of the Moon | ShotOnWhat?

Unit Publicist

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Alice in Wonderland | ShotOnWhat?

Unit Publicist

Alice in Wonderland (2010)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Jonah Hex | ShotOnWhat?

Unit Publicist

Jonah Hex (2010)

Directed by: Jimmy Hayward

Cinematography by: Mitchell Amundsen

Edited by: Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Transformers: Revenge of the Fallen | ShotOnWhat?

Production Publicist

Transformers: Revenge of the Fallen (2009)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Star Trek | ShotOnWhat?

Production Publicist

Star Trek (2009)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System, Avid Editing System

Fracture | ShotOnWhat?

Unit Publicist

Fracture (2007)

Directed by: Gregory Hoblit

Cinematography by: Kramer Morgenthau

Edited by: David Rosenbloom

Transformers | ShotOnWhat?

The Texas Chainsaw Massacre: The Beginning | ShotOnWhat?

Unit Publicist

The Texas Chainsaw Massacre: The Beginning (2006)

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Jonathan Chibnall, Jim May, Joel Negron

Domino | ShotOnWhat?

Unit Publicist

Domino (2005)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: William Goldenberg, Christian Wagner

Pirates of the Caribbean: The Curse of the Black Pearl | ShotOnWhat?

Unit Publicist

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Veronica Guerin | ShotOnWhat?

Marketing Consultant

Veronica Guerin (2003)

Directed by: Joel Schumacher

Cinematography by: Brendan Galvin

Edited by: David Gamble

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Kangaroo Jack | ShotOnWhat?

Marketing Consultant

Kangaroo Jack (2003)

Directed by: David McNally

Cinematography by: Peter Menzies Jr.

Edited by: William Goldenberg, Jim May, John Murray

Cameras: Panavision Cameras

Bad Boys II | ShotOnWhat?

Unit Publicist

Bad Boys II (2003)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

Austin Powers in Goldmember | ShotOnWhat?

Unit Publicist

Austin Powers in Goldmember (2002)

Directed by: Jay Roach

Cinematography by: Peter Deming

Edited by: Greg Hayden, Jon Poll

Bad Company | ShotOnWhat?

Marketing Consultant

Bad Company (2002)

Directed by: Joel Schumacher

Cinematography by: Dariusz Wolski

Edited by: Mark Goldblatt, Robert K. Lambert

Black Hawk Down | ShotOnWhat?

Marketing Consultant

Black Hawk Down (2001)

Directed by: Ridley Scott

Cinematography by: Slawomir Idziak

Edited by: Pietro Scalia

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Pearl Harbor | ShotOnWhat?

Unit Publicist

Pearl Harbor (2001)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

The One | ShotOnWhat?

Unit Publicist

The One (2001)

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Remember the Titans | ShotOnWhat?

Unit Publicist

Remember the Titans (2000)

Directed by: Boaz Yakin

Cinematography by: Philippe Rousselot

Edited by: Michael Tronick

Coyote Ugly | ShotOnWhat?

Unit Publicist

Coyote Ugly (2000)

Directed by: David McNally

Cinematography by: Amir Mokri

Edited by: William Goldenberg

Gone in Sixty Seconds | ShotOnWhat?

Unit Publicist

Gone in 60 Seconds (2000)

Directed by: Dominic Sena

Cinematography by: Paul Cameron

Edited by: Roger Barton, Chris Lebenzon, Tom Muldoon

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The General's Daughter | ShotOnWhat?

Unit Publicist

The General's Daughter (1999)

Directed by: Simon West

Cinematography by: Peter Menzies Jr.

Edited by: Glen Scantlebury

Cameras: Pan-Arri III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Armageddon | ShotOnWhat?

Unit Publicist

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Enemy of the State | ShotOnWhat?

Unit Publicist

Enemy of the State (1998)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: Chris Lebenzon

Species II | ShotOnWhat?

Unit Publicist

Species II (1998)

Directed by: Peter Medak

Cinematography by: Matthew F. Leonetti

Edited by: Richard Nord

Wag the Dog | ShotOnWhat?

Unit Publicist

Wag the Dog (1997)

Directed by: Barry Levinson

Cinematography by: Robert Richardson

Edited by: Stu Linder

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Fools Rush In | ShotOnWhat?

Unit Publicist

Fools Rush In (1997)

Directed by: Andy Tennant

Cinematography by: Robbie Greenberg

Edited by: Roger Bondelli

Con Air | ShotOnWhat?

Unit Publicist

Con Air (1997)

Directed by: Simon West

Cinematography by: David Tattersall

Edited by: Chris Lebenzon, Steve Mirkovich, Glen Scantlebury

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Matilda | ShotOnWhat?

Unit Publicist

Matilda (1996)

Directed by: Danny DeVito

Cinematography by: Stefan Czapsky

Edited by: Lynzee Klingman, Brent White

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Rock | ShotOnWhat?

Unit Publicist

The Rock (1996)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Richard Francis-Bruce

Cameras: Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Crimson Tide | ShotOnWhat?

Unit Publicist

Crimson Tide (1995)

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Dangerous Minds | ShotOnWhat?

Unit Publicist

Dangerous Minds (1995)

Directed by: John N. Smith

Cinematography by: Pierre Letarte

Edited by: Tom Rolf

Chasers | ShotOnWhat?

Unit Publicist

Chasers (1994)

Directed by: Dennis Hopper

Cinematography by: Ueli Steiger

Edited by: Christian Wagner

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