Continuity
Sleepless (2017)
Directed by: Baran bo Odar
Cinematography by: Mihai Malaimare Jr.
Edited by: Robert Rzesacz
Script Supervisor
Straight Outta Compton (2015)
Directed by: F. Gary Gray
Cinematography by: Matthew Libatique
Cameras: Red Epic Dragon Camera
Script Supervisor
Dolphin Tale 2 (2014)
Directed by: Charles Martin Smith
Cinematography by: Daryn Okada
Edited by: Harvey Rosenstock
Cameras: Sony PMW-F55 Camera
Script Supervisor
Let's Be Cops (2014)
Directed by: Luke Greenfield
Cinematography by: Daryn Okada
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Script Supervisor
Stand Up Guys (2012)
Directed by: Fisher Stevens
Cinematography by: Michael Grady
Edited by: Mark Livolsi
Cameras: Red Epic Camera
Script Supervisor
Gone (2012)
Directed by: Heitor Dhalia
Cinematography by: Michael Grady
Edited by: John Axelrad
Cameras: Red Epic Camera
Lenses: Angenieux Optimo Zoom Lenses
Script Supervisor
Pitch Perfect (2012)
Directed by: Jason Moore
Cinematography by: Julio Macat
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA Camera
Script Supervisor: Second Unit
Argo (2012)
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
Script Supervisor
In Time (2011)
Directed by: Andrew Niccol
Cinematography by: Roger Deakins
Edited by: Zach Staenberg
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Script Supervisor
The Lincoln Lawyer (2011)
Directed by: Brad Furman
Cinematography by: Lukas Ettlin
Edited by: Jeff McEvoy
Cameras: Red One MX Camera
Script Supervisor
Burlesque (2010)
Directed by: Steve Antin
Cinematography by: Bojan Bazelli
Edited by: Virginia Katz
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Script Supervisor
Killers (2010)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
Script Supervisor
21 (2008)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Edited by: Elliot Graham
Cameras: Pan-Arri 435 Camera, Panavision Genesis Camera
Script Supervisor: Additional Photography
Lions for Lambs (2007)
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Script Supervisor
The Number 23 (2007)
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Script Supervisor
Fun with Dick and Jane (2005)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Script Supervisor
Flightplan (2005)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Script Supervisor
Win a Date with Tad Hamilton! (2004)
Directed by: Robert Luketic
Cinematography by: Peter Lyons Collister
Edited by: Scott Hill
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Script Supervisor
Master and Commander: The Far Side of the World (2003)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Script Supervisor
S1m0ne (2002)
Directed by: Andrew Niccol
Cinematography by: Edward Lachman
Edited by: Paul Rubell
Script Supervisor
What's the Worst That Could Happen? (2001)
Directed by: Sam Weisman
Cinematography by: Anastas N. Michos
Cameras: Panavision Cameras
Script Supervisor
My First Mister (2001)
Directed by: Christine Lahti
Cinematography by: Jeffrey Jur
Edited by: Wendy Greene Bricmont
Script Supervisor
Man on the Moon (1999)
Directed by: Milos Forman
Cinematography by: Anastas N. Michos
Script Supervisor
The Truman Show (1998)
Directed by: Peter Weir
Cinematography by: Peter Biziou
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Script Supervisor
Living Out Loud (1998)
Directed by: Richard LaGravenese
Cinematography by: John Bailey
Cameras: Panavision Cameras
Script Supervisor
Out of Sight (1998)
Directed by: Steven Soderbergh
Cinematography by: Elliot Davis
Edited by: Anne V. Coates
Script Supervisor
Gattaca (1997)
Directed by: Andrew Niccol
Cinematography by: Slawomir Idziak
Edited by: Lisa Zeno Churgin
Cameras: ARRIFLEX Camera, Moviecam Cameras
Script Supervisor
Matilda (1996)
Directed by: Danny DeVito
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Platinum Camera
Script Supervisor
A Walk in the Clouds (1995)
Directed by: Alfonso Arau
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Script Supervisor
Speed (1994)
Directed by: Jan de Bont
Cinematography by: Andrzej Bartkowiak
Edited by: John Wright
Script Supervisor
My Life (1993)
Directed by: Bruce Joel Rubin
Cinematography by: Peter James
Edited by: Richard Chew
Script Supervisor
Single White Female (1992)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Script Supervisor
Dracula (1992)
Directed by: Francis Ford Coppola
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 535 Camera
Script Supervisor
Curly Sue (1991)
Directed by: John Hughes
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Script Supervisor
The Godfather Part III (1990)
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Script Supervisor
The War of the Roses (1989)
Directed by: Danny DeVito
Cinematography by: Stephen H. Burum
Edited by: Lynzee Klingman
Cameras: Panavision Cameras
Script Supervisor
Gardens of Stone (1987)
Directed by: Francis Ford Coppola
Cinematography by: Jordan Cronenweth
Edited by: Barry Malkin
Script Supervisor
Peggy Sue Got Married (1986)
Directed by: Francis Ford Coppola
Cinematography by: Jordan Cronenweth
Edited by: Barry Malkin
Script Supervisor
Sweet Dreams (1985)
Directed by: Karel Reisz
Cinematography by: Robbie Greenberg
Edited by: Malcolm Cooke
Cameras: Panavision Cameras
Script Supervisor: Second Unit
Meatballs Part II (1984)
Directed by: Ken Wiederhorn
Cinematography by: Donald M. Morgan
Edited by: George Berndt
Script Supervisor
A Soldier's Story (1984)
Directed by: Norman Jewison
Cinematography by: Russell Boyd
Script Supervisor
The Man Who Wasn't There (1983)
Directed by: Bruce Malmuth
Cinematography by: Frederick Moore
Edited by: Harry Keller
Lenses: Panavision Lenses
Script Supervisor
Absence of Malice (1981)
Directed by: Sydney Pollack
Cinematography by: Owen Roizman
Edited by: Sheldon Kahn
Continuity
It's My Turn (1980)
Directed by: Claudia Weill
Cinematography by: Bill Butler
Cameras: Panavision Cameras
