Marc Vena

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Overboard | ShotOnWhat?

Storyboard Artist

Overboard (2018)

Directed by: Rob Greenberg

Cinematography by: Michael Barrett

Edited by: Lee Haxall

Cameras: Sony PMW-F55 Camera

Lenses: Angenieux Lenses, Zeiss Master Prime Lenses

The Greatest Showman | ShotOnWhat?

Storyboard Artist

The Greatest Showman (2017)

Directed by: Michael Gracey

Cinematography by: Seamus McGarvey

Edited by: Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses

Spider-Man: Homecoming | ShotOnWhat?

Storyboard Artist

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

War for the Planet of the Apes | ShotOnWhat?

Storyboard Artist

War for the Planet of the Apes (2017)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

Logan | ShotOnWhat?

Storyboard Artist

Logan (2017)

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Passengers | ShotOnWhat?

Storyboard Artist

Passengers (2016)

Directed by: Morten Tyldum

Cinematography by: Rodrigo Prieto

Edited by: Maryann Brandon

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Primo 70 Lenses

Pete's Dragon | ShotOnWhat?

Storyboard Artist

Pete's Dragon (2016)

Directed by: David Lowery

Cinematography by: Bojan Bazelli

Edited by: Lisa Zeno Churgin

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Cooke Anamorphic/i Prime Lenses

Tomorrowland | ShotOnWhat?

Storyboard Artist

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Cowboys & Aliens | ShotOnWhat?

Storyboard Artist

Cowboys & Aliens (2011)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Case 39 | ShotOnWhat?

Storyboard Artist

Case 39 (2009)

Directed by: Christian Alvart

Cinematography by: Hagen Bogdanski

Edited by: Mark Goldblatt

21 | ShotOnWhat?

Storyboard Artist

21 (2008)

Directed by: Robert Luketic

Cinematography by: Russell Carpenter

Edited by: Elliot Graham

Cameras: Pan-Arri 435 Camera, Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Valkyrie | ShotOnWhat?

Storyboard Artist

Valkyrie (2008)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: John Ottman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Nim's Island | ShotOnWhat?

Storyboard Artist

Nim's Island (2008)

Directed by: Jennifer Flackett, Mark Levin

Cinematography by: Stuart Dryburgh

Edited by: Stuart Levy

Cameras: Panavision Cameras

Twilight | ShotOnWhat?

Storyboard Artist

Twilight (2008)

Directed by: Catherine Hardwicke

Cinematography by: Elliot Davis

Edited by: Nancy Richardson

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Next | ShotOnWhat?

Storyboard Artist

Next (2007)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Christian Wagner

Charlie Wilson's War | ShotOnWhat?

Illustrator

Charlie Wilson's War (2007)

Directed by: Mike Nichols

Cinematography by: Stephen Goldblatt

Edited by: John Bloom, Antonia Van Drimmelen

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Ghost Rider | ShotOnWhat?

Storyboard Artist

Ghost Rider (2007)

Directed by: Mark Steven Johnson

Cinematography by: Russell Boyd

Edited by: Richard Francis-Bruce

Cameras: Panavision Cameras

For Your Consideration | ShotOnWhat?

Storyboard Artist

For Your Consideration (2006)

Directed by: Christopher Guest

Cinematography by: Roberto Schaefer

Edited by: Robert Leighton

Cameras: Aaton XTR Prod Camera, Ultracam 35 Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Canon Lenses, Zeiss Lenses

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | ShotOnWhat?

Storyboard Artist

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

Directed by: Andrew Adamson

Cinematography by: Donald McAlpine

Edited by: Sim Evan-Jones, Jim May

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Dreamcatcher | ShotOnWhat?

Storyboard Artist

Dreamcatcher (2003)

Directed by: Lawrence Kasdan

Cinematography by: John Seale

Edited by: Raúl Dávalos, Carol Littleton

Dr. Dolittle 2 | ShotOnWhat?

Illustrator

Dr. Dolittle 2 (2001)

Directed by: Steve Carr

Cinematography by: Daryn Okada

Edited by: Craig Herring

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Everything That Rises | ShotOnWhat?

Storyboard Artist

Everything That Rises (1998)

Television Movie

Directed by: Dennis Quaid

Cinematography by: Jack Conroy

Edited by: Glenn Farr

Cameras: ARRI Cameras

Rush Hour | ShotOnWhat?

Storyboard Artist

Rush Hour (1998)

Directed by: Brett Ratner

Cinematography by: Adam Greenberg

Edited by: Mark Helfrich

Cameras: Panavision Cameras

Lenses: Panavision Lenses

I Know What You Did Last Summer | ShotOnWhat?

Illustrator

I Know What You Did Last Summer (1997)

Directed by: Jim Gillespie

Cinematography by: Denis Crossan

Edited by: Steve Mirkovich

Cameras: Panavision Cameras

Lawnmower Man 2: Beyond Cyberspace | ShotOnWhat?

Storyboard Artist

Lawnmower Man 2: Beyond Cyberspace (1996)

Directed by: Farhad Mann

Cinematography by: Ward Russell

Edited by: Joel Goodman, James Mitchell, Peter E. Berger

A Walk in the Clouds | ShotOnWhat?

Illustrator

A Walk in the Clouds (1995)

Directed by: Alfonso Arau

Cinematography by: Emmanuel Lubezki

Edited by: Don Zimmerman

Friday | ShotOnWhat?

Storyboard Artist

Friday (1995)

Directed by: F. Gary Gray

Cinematography by: Gerry Lively

Edited by: John Carter

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