Ian Zawadzki

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Empire of Light | ShotOnWhat?

Supervisor Painter

Empire of Light (2022)

Movie

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Lee Smith

Cameras: ARRI ALEXA LF Camera

Lenses: ARRI Signature Prime Lenses, Cooke S7/i Lenses

Star Wars: Episode VIII - The Last Jedi | ShotOnWhat?

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Props Painter

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Avengers: Age of Ultron | ShotOnWhat?

Stand-by Painter: Second Unit

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Guardians of the Galaxy | ShotOnWhat?

Stand-by Painter: 2nd Unit

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Skyfall | ShotOnWhat?

Stand-by Construction

Skyfall (2012)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Wrath of the Titans | ShotOnWhat?

Supervising Painter: Tenerife

Wrath of the Titans (2012)

Directed by: Jonathan Liebesman

Cinematography by: Ben Davis

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

John Carter | ShotOnWhat?

Painter

John Carter (2012)

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Supervising Painter

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Cemetery Junction | ShotOnWhat?

Painter

Cemetery Junction (2010)

Directed by: Ricky Gervais, Stephen Merchant

Cinematography by: Remi Adefarasin

Edited by: Valerio Bonelli

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Gulliver's Travels | ShotOnWhat?

Stand-by Painter

Gulliver's Travels (2010)

Directed by: Rob Letterman

Cinematography by: David Tattersall

Edited by: Alan Edward Bell, Nicolas De Toth, Dean Zimmerman

Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Closing the Ring | ShotOnWhat?

Stand-by Painter: Northern Ireland

Closing the Ring (2007)

Directed by: Richard Attenborough

Cinematography by: Roger Pratt

Edited by: Lesley Walker

The Golden Compass | ShotOnWhat?

Stand-by Painter

The Golden Compass (2007)

Directed by: Chris Weitz

Cinematography by: Henry Braham

Edited by: Anne V. Coates, Peter Honess, Kevin Tent

Cameras: Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Home of the Brave | ShotOnWhat?

Head Painter

Home of the Brave (2006)

Directed by: Irwin Winkler

Cinematography by: Tony Pierce-Roberts

Edited by: Clayton Halsey

Children of Men | ShotOnWhat?

Standby Painter

Children of Men (2006)

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Alfonso Cuarón, Alex Rodríguez

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Zeiss Master Prime Lenses

Charlie and the Chocolate Factory | ShotOnWhat?

Painter

Charlie and the Chocolate Factory (2005)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Mrs Henderson Presents | ShotOnWhat?

Standby Painter

Mrs Henderson Presents (2005)

Directed by: Stephen Frears

Cinematography by: Andrew Dunn

Edited by: Lucia Zucchetti

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Alexander | ShotOnWhat?

Standby Painter

Alexander (2004)

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: Yann Hervé, Gladys Joujou, Alex Marquez, Thomas J. Nordberg

Alfie | ShotOnWhat?

Painter , Scenic Painter

Alfie (2004)

Directed by: Charles Shyer

Cinematography by: Ashley Rowe

Edited by: Padraic McKinley

Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera

Thunderbirds | ShotOnWhat?

Stand By Painter

Thunderbirds (2004)

Directed by: Jonathan Frakes

Cinematography by: Brendan Galvin

Edited by: Martin Walsh

To Kill a King | ShotOnWhat?

Standby Painter - As Ian Richards

To Kill a King (2003)

Directed by: Mike Barker

Cinematography by: Eigil Bryld

Edited by: Guy Bensley

Cameras: Panavision Cameras

The World Is Not Enough | ShotOnWhat?

Model Artist

The World Is Not Enough (1999)

Directed by: Michael Apted

Cinematography by: Adrian Biddle

Edited by: Jim Clark

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

Eyes Wide Shut | ShotOnWhat?

Painter

Eyes Wide Shut (1999)

Directed by: Stanley Kubrick

Cinematography by: Larry Smith

Edited by: Nigel Galt

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke Varotal 20-100mm T3.1 Zoom Lens, Zeiss Lenses

Saving Private Ryan | ShotOnWhat?

Painter

Saving Private Ryan (1998)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Moviola Editing System

Shakespeare in Love | ShotOnWhat?

Painter

Shakespeare in Love (1998)

Directed by: John Madden

Cinematography by: Richard Greatrex

Edited by: David Gamble

Cameras: ARRIFLEX 535 B Camera

Lenses: Zeiss Variable Prime Lenses

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