Special Effects Coordinator - Segment " "
The ABCs of Death (2012)
Directed by: Kaare Andrews, Angela Bettis, Hélène Cattet, Ernesto Díaz Espinoza, Jason Eisener, Bruno Forzani, Adrián García Bogliano, Xavier Gens, Jorge Michel Grau, Lee Hardcastle, Noboru Iguchi, Thomas Cappelen Malling, Anders Morgenthaler, Yoshihiro Nishimura, Banjong Pisanthanakun, Simon Rumley, Marcel Sarmiento, Jon Schnepp, Srdjan Spasojevic, Timo Tjahjanto, Andrew Traucki, Nacho Vigalondo, Jake West, Ti West, Ben Wheatley, Adam Wingard, Yudai Yamaguchi
Special Effects Consultant: KNB Effects Studio
A Very Harold & Kumar 3D Christmas (2011)
Directed by: Todd Strauss-Schulson
Cinematography by: Michael Barrett
Edited by: Eric Kissack
Cameras: Panavision Genesis Camera
Special Effects Technician: Mold Department, K.N.B. Effects Group
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Mold Department: KNB EFX Group
Dark Country (2009)
Directed by: Thomas Jane
Cinematography by: Geoff Boyle
Cameras: Red One Camera, Silicon Imaging SI-2K Camera
Lenses: Angenieux Lenses, Schneider Lenses
Special Effects: Tinsley Transfers Effects Studio
The Time Traveler's Wife (2009)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Mold Department: KNB EFX Group
Drag Me to Hell (2009)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Editing System: Avid Editing System, Final Cut Pro Editing System
Moldmaker: KNB EFX Group
Shorts (2009)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Cameras: Panavision Genesis Camera
Special Effects Technician: Mold Shop, KNB Effects Group
The Final Destination (2009)
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Special Effects Technician: Tinsley Transfers, Inc.
Gamer (2009)
Cinematography by: Ekkehart Pollack
Cameras: ARRIFLEX 435 Camera, Red One Camera
Editing System: Final Cut Pro Editing System
Mold Maker: KNB EFX Group
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Special Effects Technician: Mold Shop, KNB Effects Group
Surrogates (2009)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Mold And Lab Crew: KNB EFX Group, Special Effects Technician: Mold Department, K.N.B Effects Group
Splice (2009)
Directed by: Vincenzo Natali
Cinematography by: Tetsuo Nagata
Edited by: Michele Conroy
Special Effects Technician: Mold Department, K.N.B Effects Group
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Special Effects Technician: Mold Department, K.N.B Effects Group
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Key Special Makeup Effects Artist
Fading of the Cries (2008)
Directed by: Steven Maguire
Cinematography by: Brad Rushing
Special Effects Technician: KNB Effects Group/ Lifecast Technician Mold Department
Death Race (2008)
Directed by: Paul W.S. Anderson
Cinematography by: Scott Kevan
Edited by: Niven Howie
Special Effects Technician: Mold Department, K.N.B Effects Group
Milk (2008)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Elliot Graham
Lab Technician: KNB EFX Group / Special Effects Technician: Mold Department, K.N.B Effects Group
The Mist (2007)
Directed by: Frank Darabont
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Makeup Technician: Mold Department, K.N.B Effects Group
Disturbia (2007)
Directed by: D.J. Caruso
Cinematography by: Rogier Stoffers
Edited by: Jim Page
Cameras: Panavision Panaflex Platinum Camera
Mold Department: K.N.B. Effects Group
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Special Effects Technician: Mold Department, K.N.B Effects Group
Underdog (2007)
Directed by: Frederik Du Chau
Cinematography by: David Eggby
Edited by: Tom Finan
Special Effects Moldmaker
The Great Debaters (2007)
Directed by: Denzel Washington
Cinematography by: Philippe Rousselot
Mold Department: KNB EFX Group
Hostel: Part II (2007)
Directed by: Eli Roth
Cinematography by: Milan Chadima
Edited by: George Folsey Jr.
Special Effects Technician: Mold Department, K.N.B Effects Group
The Hitcher (2007)
Directed by: Dave Meyers
Cinematography by: James Hawkinson
Edited by: Jim May
Special Makeup Effects Mold Maker: K.N.B. EFX Group, Inc.
Planet Terror (2007)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Special Effects Technician: Mold Department, K.N.B Effects Group
Grindhouse (2007)
Mold/lab Technician: K.N.B. EFX Group, Inc.
The Reaping (2007)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Colby Parker Jr.
Special Effects Technician: Mold Department, K.N.B Effects Group
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Special Effects Makeup Technician: Mold Department, K.N.B Effects Group
The Texas Chainsaw Massacre: The Beginning (2006)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Special Effects Technician: Mold Department, K.N.B Effects Group
Deja Vu (2006)
Directed by: Tony Scott
Cinematography by: Paul Cameron
Mold Maker
The Hills Have Eyes (2006)
Directed by: Alexandre Aja
Cinematography by: Maxime Alexandre
Edited by: Baxter
Mold/lab Technician: K.N.B. EFX Group
Miami Vice (2006)
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
Mold/lab Technician: K.N.B. EFX Group
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Mold/lab Technician: K.N.B. EFX Group
Sin City (2005)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDC-F950 Camera, Sony Other Camera
Editing System: Avid Editing System
Mold/lab Technician: K.N.B. EFX Group
Land of the Dead (2005)
Directed by: George A. Romero
Cinematography by: Miroslaw Baszak
Edited by: Michael Doherty
Mold/lab Technician: K.N.B. EFX Group
The Adventures of Sharkboy and Lavagirl 3-D (2005)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
