Special Effects Coordinator
Starbright (2019)
Directed by: Francesco Lucente
Cinematography by: Francesco Di Giacomo
Edited by: Julia Furch
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Special Effects Supervisor
Suspiria (2018)
Directed by: Luca Guadagnino
Cinematography by: Sayombhu Mukdeeprom
Edited by: Walter Fasano
Senior Special Effects Floor Technician: Italy
John Wick: Chapter 2 (2017)
Directed by: Chad Stahelski
Cinematography by: Dan Laustsen
Edited by: Evan Schiff
Cameras: ARRI ALEXA XT Plus Camera
Workshop Surpervisor
All the Money in the World (2017)
Movie
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Claire Simpson
Cameras: ARRI ALEXA XT Series Cameras
Lenses: Panavision Super Speed Lenses
Special Effects Floor Supervisor
Risen (2016)
Directed by: Kevin Reynolds
Cinematography by: Lorenzo Senatore
Edited by: Steve Mirkovich
Cameras: ARRI ALEXA Camera
Special Effects Coordinator: Rome Crew
Spectre (2015)
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Special Effects
I demoni di San Pietroburgo (2008)
Directed by: Giuliano Montaldo
Cinematography by: Arnaldo Catinari
Edited by: Consuelo Catucci
Special Effects Technician
Miracle at St. Anna (2008)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Special Effects Technician
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Special Effects Supervisor
The Hills Have Eyes (2006)
Directed by: Alexandre Aja
Cinematography by: Maxime Alexandre
Edited by: Baxter
Special Effects: Italy
Quelques jours en septembre (2006)
Directed by: Santiago Amigorena
Cinematography by: Christophe Beaucarne
Edited by: Sarah Turoche
Special Effects Technician
Casanova (2005)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Special Effects - Segment "The Dangerous Thread Of Things"
Eros (2004)
Special Effects Foreman
The Passion of the Christ (2004)
Directed by: Mel Gibson
Cinematography by: Caleb Deschanel
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Special Effects Foreman
The Life Aquatic with Steve Zissou (2004)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: David Moritz
Special Effects Technician
My House in Umbria (2003)
Directed by: Richard Loncraine
Cinematography by: Marco Pontecorvo
Edited by: Humphrey Dixon
Special Effects Technician: Italy
Equilibrium (2002)
Directed by: Kurt Wimmer
Cinematography by: Dion Beebe
Lenses: Panavision Lenses
Special Effects Foreman
Gangs of New York (2002)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Special Action Effects
Sleepless (2001)
Directed by: Dario Argento
Cinematography by: Ronnie Taylor
Edited by: Anna Rosa Napoli
Special Effects: Second Unit
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Special Effects Technician
A Midsummer Night's Dream (1999)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Special Effects Technician
The Godfather Part III (1990)
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
