Donald Murphy

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Passengers | ShotOnWhat?

First Assistant Director

Passengers (2016)

Directed by: Morten Tyldum

Cinematography by: Rodrigo Prieto

Edited by: Maryann Brandon

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Primo 70 Lenses

Steve Jobs | ShotOnWhat?

First Assistant Director

Steve Jobs (2015)

Directed by: Danny Boyle

Cinematography by: Alwin H. Küchler

Edited by: Elliot Graham

Cameras: ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses

Editing System: Avid Editing System

The Single Moms Club | ShotOnWhat?

First Assistant Director

The Single Moms Club (2014)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Savages | ShotOnWhat?

First Assistant Director

Savages (2012)

Directed by: Oliver Stone

Cinematography by: Dan Mindel

Edited by: Joe Hutshing, Stuart Levy, Alex Marquez

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Darling Companion | ShotOnWhat?

First Assistant Director

Darling Companion (2012)

Directed by: Lawrence Kasdan

Cinematography by: Michael McDonough

Edited by: Carol Littleton

The Odd Life of Timothy Green | ShotOnWhat?

First Assistant Director

The Odd Life of Timothy Green (2012)

Directed by: Peter Hedges

Cinematography by: John Toll

Edited by: Andrew Mondshein

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

No Ordinary Family | ShotOnWhat?

First Assistant Director - 1 Episode, 2010

No Ordinary Family (2010)

Television Series

Directed by: Terry McDonough, David Semel, Paul A. Edwards, Timothy Busfield, David Paymer, John Polson, Wendey Stanzler, Ron Underwood, Tom Verica, Greg Beeman, Milan Cheylov, David Petrarca, Stephen Surjik, Michael W. Watkins, Peter Werner

Cinematography by: Oliver Bokelberg, Joaquin Sedillo, David Boyd

Edited by: Tirsa Hackshaw, Anthony Miller, Anthony Scott, Mark Manos, Troy Takaki, Henk Van Eeghen

Cameras: ARRI ALEXA Camera, ARRIFLEX D-21 Camera, Weisscam Cameras

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Town | ShotOnWhat?

First Assistant Director

The Town (2010)

Directed by: Ben Affleck

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

"No Ordinary Family" Pilot | ShotOnWhat?

First Assistant Director

'No Ordinary Family' Pilot (2010)

Television Episode

Directed by: David Semel

Cinematography by: David Boyd

Edited by: Tirsa Hackshaw, Mark Manos, Troy Takaki

Invictus | ShotOnWhat?

First Assistant Director

Invictus (2009)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

State of Play | ShotOnWhat?

First Assistant Director: Second Unit

State of Play (2009)

Directed by: Kevin Macdonald

Cinematography by: Rodrigo Prieto

Edited by: Justine Wright

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Lakeview Terrace | ShotOnWhat?

First Assistant Director

Lakeview Terrace (2008)

Directed by: Neil LaBute

Cinematography by: Rogier Stoffers

Edited by: Joel Plotch

Changeling | ShotOnWhat?

First Assistant Director

Changeling (2008)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Gran Torino | ShotOnWhat?

First Assistant Director

Gran Torino (2008)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

No Country for Old Men | ShotOnWhat?

First Assistant Director: Second Unit

No Country for Old Men (2007)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

Rails & Ties | ShotOnWhat?

First Assistant Director

Rails & Ties (2007)

Directed by: Alison Eastwood

Cinematography by: Tom Stern

Edited by: Gary Roach

Letters from Iwo Jima | ShotOnWhat?

First Assistant Director

Letters from Iwo Jima (2006)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Flags of Our Fathers | ShotOnWhat?

First Assistant Director

Flags of our Fathers (2006)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses

Kicking & Screaming | ShotOnWhat?

Second Assistant Director

Kicking & Screaming (2005)

Directed by: Jesse Dylan

Cinematography by: Lloyd Ahern II

Edited by: Stuart H. Pappé, Peter Teschner

The Skeleton Key | ShotOnWhat?

First Assistant Director: Second Unit, New Orleans

The Skeleton Key (2005)

Directed by: Iain Softley

Cinematography by: Dan Mindel

Edited by: Joe Hutshing

The Ladykillers | ShotOnWhat?

First Assistant Director: Second Unit

The Ladykillers (2004)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Editing System: Final Cut Pro Editing System

Million Dollar Baby | ShotOnWhat?

Second Assistant Director

Million Dollar Baby (2004)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Criminal | ShotOnWhat?

Second Assistant Director

Criminal (2004)

Directed by: Gregory Jacobs

Cinematography by: Chris Menges

Edited by: Douglas Crise, Stephen Mirrione

Bruce Almighty | ShotOnWhat?

First Assistant Director: Second Unit / Second Assistant Director

Bruce Almighty (2003)

Directed by: Tom Shadyac

Cinematography by: Dean Semler

Edited by: Scott Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Lightworks Editing System

The Man Who Wasn't There | ShotOnWhat?

Script Supervisor

The Man Who Wasn't There (2001)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen, Tricia Cooke

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses

Shallow Hal | ShotOnWhat?

First Assistant Director: Second Unit / Second Assistant Director

Shallow Hal (2001)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Russell Carpenter

Edited by: Christopher Greenbury

The Wedding Planner | ShotOnWhat?

Second Second Assistant Director

The Wedding Planner (2001)

Directed by: Adam Shankman

Cinematography by: Julio Macat

Edited by: Lisa Zeno Churgin

O Brother, Where Art Thou? | ShotOnWhat?

Second Second Assistant Director

O Brother, Where Art Thou? (2000)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen, Tricia Cooke

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Wild Wild West | ShotOnWhat?

Second Assistant Director: Second Unit

Wild Wild West (1999)

Directed by: Barry Sonnenfeld

Cinematography by: Michael Ballhaus

Edited by: Jim Miller

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, VistaVision Cameras

Lenses: Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

Austin Powers: The Spy Who Shagged Me | ShotOnWhat?

Second Second Assistant Director

Austin Powers: The Spy Who Shagged Me (1999)

Directed by: Jay Roach

Cinematography by: Ueli Steiger

Edited by: Debra Neil-Fisher, Jon Poll

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Rushmore | ShotOnWhat?

Second Second Assistant Director

Rushmore (1998)

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: David Moritz

The Big Lebowski | ShotOnWhat?

Second Second Assistant Director

The Big Lebowski (1998)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen, Tricia Cooke

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera

The Naked Man | ShotOnWhat?

Pilot, Script Supervisor

The Naked Man (1998)

Directed by: J. Todd Anderson

Cinematography by: Jeff Barklage

Edited by: Tricia Cooke, Mark Cretcher

Cameras: ARRIFLEX 35 III Camera, Moviecam Compact Camera

Traveller | ShotOnWhat?

Second Assistant Director

Traveller (1997)

Directed by: Jack N. Green

Edited by: Michael Ruscio

Men in Black | ShotOnWhat?

Set Production Assistant: New York

Men in Black (1997)

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Eve's Bayou | ShotOnWhat?

Additional Second Assistant Director

Eve's Bayou (1997)

Directed by: Kasi Lemmons

Cinematography by: Amy Vincent

Edited by: Terilyn A. Shropshire

SubUrbia | ShotOnWhat?

Second Assistant Director

SubUrbia (1996)

Directed by: Richard Linklater

Cinematography by: Lee Daniel

Edited by: Sandra Adair

Fargo | ShotOnWhat?

Second Second Assistant Director

Fargo (1996)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRIFLEX 35 BL4 Camera

Lenses: Zeiss Standard Speed Prime Lenses

The Right to Remain Silent | ShotOnWhat?

Second Second Assistant Director

The Right to Remain Silent (1996)

Television Movie

Directed by: Hubert de La Bouillerie

Cinematography by: Greg Gardiner

Edited by: Mike Murphy, Hubert de La Bouillerie

The Quick and the Dead | ShotOnWhat?

Set Production Assistant

The Quick and the Dead (1995)

Directed by: Sam Raimi

Cinematography by: Dante Spinotti

Edited by: Pietro Scalia

The Hudsucker Proxy | ShotOnWhat?

Set Production Assistant

The Hudsucker Proxy (1994)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Thom Noble

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Lenses

Home Alone 2: Lost in New York | ShotOnWhat?

Office Production Assistant: New York

Home Alone 2: Lost in New York (1992)

Directed by: Chris Columbus

Cinematography by: Julio Macat

Edited by: Raja Gosnell

Cameras: Panavision Panaflex Platinum Camera

Frankie and Johnny | ShotOnWhat?

Production Assistant: New York

Frankie and Johnny (1991)

Directed by: Garry Marshall

Cinematography by: Dante Spinotti

Edited by: Jacqueline Cambas, Battle Davis

Cameras: Panavision Cameras

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