Supervising Sound Editor
22 Jump Street (2014)
Cinematography by: Barry Peterson
Cameras: ARRI ALEXA XT Camera
Additional Sound Effects Editor
The Lego Movie (2014)
Cameras: ARRI ALEXA Series Cameras
Editing System: Final Cut Pro Editing System
Supervising Sound Editor
'Mad Men' Tea Leaves (2012)
Directed by: Jon Hamm
Cinematography by: Chris Manley
Edited by: Tom Wilson
Supervising Sound Editor
'Mad Men' A Little Kiss, Part 1 (2012)
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Christopher Gay
Re-recording Mixer / Supervising Sound Editor
Big Miracle (2012)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman
Supervising Sound Editor
21 Jump Street (2012)
Cinematography by: Barry Peterson
Edited by: Joel Negron
Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera
Supervising Sound Editor
'Mad Men' A Little Kiss, Part 2 (2012)
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Christopher Gay
Sound Effects Designer
Sucker Punch (2011)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: Panavision Cameras
Sound Fx Editor
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Sound Effects Editor
A Nightmare on Elm Street (2010)
Directed by: Samuel Bayer
Cinematography by: Jeff Cutter
Edited by: Glen Scantlebury
Re-recording Mixer
'Dollhouse' The Target (2009)
Directed by: Steven S. DeKnight
Cinematography by: Ross Berryman
Edited by: Peter Basinski
Re-recording Mixer
'Dollhouse' Stage Fright (2009)
Directed by: David Solomon
Cinematography by: Ross Berryman
Edited by: Harry B. Miller III
Re-recording Mixer
'Dollhouse' True Believer (2009)
Directed by: Allan Kroeker
Cinematography by: Ross Berryman
Edited by: George Pilkinton
Re-recording Mixer
'Dollhouse' Ghost (2009)
Directed by: Joss Whedon
Cinematography by: Ross Berryman
Edited by: Peter Basinski
Re-recording Mixer
'Dollhouse' Echo (2009)
Directed by: Joss Whedon
Cinematography by: Ross Berryman
Edited by: Sunny Hodge
Re-recording Mixer - 7 Episodes, 2009
Dollhouse (2009)
Directed by: David Solomon, Joss Whedon, Tim Minear, Félix Enríquez Alcalá, Dwight H. Little, David Straiton, John Cassaday, James A. Contner, Steven S. DeKnight, Jonathan Frakes, Marita Grabiak, Rod Hardy, Elodie Keene, Allan Kroeker, Wendey Stanzler, Terrence O'Hara
Edited by: Peter Basinski, Paul Trejo, Elena Maganini, Harry B. Miller III, Sunny Hodge, George Pilkinton
Lenses: Panavision Lenses
Sound Designer
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Re-recording Mixer
'Dollhouse' Gray Hour (2009)
Directed by: Rod Hardy
Cinematography by: Ross Berryman
Edited by: Paul Trejo
Supervising Sound Editor
He's Just Not That Into You (2009)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman
Re-recording Mixer
'Dollhouse' Man on the Street (2009)
Directed by: David Straiton
Cinematography by: Ross Berryman
Edited by: Paul Trejo
Re-recording Mixer
'Mad Men' Meditations in an Emergency (2008)
Directed by: Matthew Weiner
Cinematography by: Chris Manley
Edited by: Malcolm Jamieson
Re-recording Mixer
'Mad Men' The Inheritance (2008)
Directed by: Andrew Bernstein
Cinematography by: Chris Manley
Re-recording Mixer / Sound Supervisor / Sound Re-recordist - 3 Episodes, 2008
Dr. Horrible's Sing-Along Blog (2008)
Directed by: Joss Whedon
Cinematography by: Ryan Green
Edited by: Lisa Lassek
Re-recording Mixer
'Mad Men' The Benefactor (2008)
Directed by: Lesli Linka Glatter
Cinematography by: Chris Manley
Re-recording Mixer / Supervising Sound Editor
Religulous (2008)
Directed by: Larry Charles
Cinematography by: Anthony Hardwick
Re-recording Mixer
'Mad Men' Flight 1 (2008)
Directed by: Andrew Bernstein
Cinematography by: Chris Manley
Edited by: Christopher Nelson
Re-recording Mixer
'Mad Men' For Those Who Think Young (2008)
Directed by: Tim Hunter
Cinematography by: Chris Manley
Re-recording Mixer / Sound Re-recordist / Sound Supervisor
'Dr. Horrible's Sing-Along Blog' Act III (2008)
Directed by: Joss Whedon
Cinematography by: Ryan Green
Edited by: Lisa Lassek
Re-recording Mixer / Sound Supervisor
'Dr. Horrible's Sing-Along Blog' Act II (2008)
Directed by: Joss Whedon
Cinematography by: Ryan Green
Edited by: Lisa Lassek
Re-recording Mixer / Sound Supervisor
'Dr. Horrible's Sing-Along Blog' Act I (2008)
Directed by: Joss Whedon
Cinematography by: Ryan Green
Edited by: Lisa Lassek
Sound Effects Editor
Thomas Kinkade's Christmas Cottage (2008)
Directed by: Michael Campus
Cinematography by: Robert Brinkmann
Edited by: Don Brochu
Supervising Sound Editor
License to Wed (2007)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Kathryn Himoff
Re-recording Mixer / Supervising Sound Editor - 8 Episodes, 2008-2012
Mad Men (2007)
Directed by: Phil Abraham, Michael Uppendahl, Jennifer Getzinger, Matthew Weiner, Scott Hornbacher, Lesli Linka Glatter, Tim Hunter, John Slattery, Andrew Bernstein, Alan Taylor, Chris Manley, Jon Hamm, Ed Bianchi, Paul Feig, Barbet Schroeder, Daisy von Scherler Mayer, Lynn Shelton, Matt Shakman, Jared Harris
Cinematography by: Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen
Edited by: Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Rafferty
Editing System: Avid Editing System
Special Sounds
The Mist (2007)
Directed by: Frank Darabont
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Designer / Supervising Sound Editor
Stranger Than Fiction (2006)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Sound Effects Editor
Rumor Has It... (2005)
Directed by: Rob Reiner
Cinematography by: Peter Deming
Edited by: Robert Leighton
Supervising Sound Editor
Venom (2005)
Directed by: Jim Gillespie
Cinematography by: Steve Mason
Edited by: Paul Martin Smith
Supervising Sound Editor
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Sound Effects Editor
13 Going on 30 (2004)
Directed by: Gary Winick
Cinematography by: Don Burgess
Edited by: Susan Littenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
The Life and Death of Peter Sellers (2004)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: John Smith
Sound Designer / Sound Supervisor
The Butterfly Effect (2004)
Cinematography by: Matthew F. Leonetti
Edited by: Peter Amundson
Sound Effects Editor
De-Lovely (2004)
Directed by: Irwin Winkler
Cinematography by: Tony Pierce-Roberts
Edited by: Julie Monroe
Sound Designer / Sound Supervisor
Monster (2003)
Directed by: Patty Jenkins
Cinematography by: Steven Bernstein
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Re-recording Mixer / Sound Effects Editor
My Big Fat Greek Wedding (2002)
Directed by: Joel Zwick
Cinematography by: Jeffrey Jur
Edited by: Mia Goldman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Designer
We Were Soldiers (2002)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: William Hoy
Cameras: Panavision Panaflex Camera
Supervising Sound Editor
Clockstoppers (2002)
Directed by: Jonathan Frakes
Cinematography by: Tim Suhrstedt
Sound Effects Editor
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Sound Designer
The One (2001)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Co-supervising Sound Editor
One Night at McCool's (2001)
Directed by: Harald Zwart
Cinematography by: Karl Walter Lindenlaub
Edited by: Bruce Cannon
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Amores Perros (2000)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Cameras: Moviecam Superlight Camera
Sound Editor
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Sound Effects Editor
Thirteen Days (2000)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Re-recording Mixer
The Mating Habits of the Earthbound Human (1999)
Directed by: Jeff Abugov
Cinematography by: Michael K. Bucher
Edited by: Stephen R. Myers
Re-recording Mixer
Deterrence (1999)
Directed by: Rod Lurie
Cinematography by: Frank Perl
Edited by: Alan Roberts
Sound Effects Designer
Any Given Sunday (1999)
Directed by: Oliver Stone
Cinematography by: Salvatore Totino
Sound Effects Editor
City of Angels (1998)
Directed by: Brad Silberling
Cinematography by: John Seale
Edited by: Lynzee Klingman
Sound Editor
Simon Birch (1998)
Directed by: Mark Steven Johnson
Cinematography by: Aaron Schneider
Edited by: David Finfer
Cameras: Panavision Cameras
Sound Effects Editor
Babe: Pig in the City (1998)
Directed by: George Miller
Cinematography by: Andrew Lesnie
Sound Editor
Phoenix (1998)
Directed by: Danny Cannon
Cinematography by: James L. Carter
Edited by: Zach Staenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Urban Legend (1998)
Directed by: Jamie Blanks
Cinematography by: James Chressanthis
Edited by: Jay Cassidy
Sound Editor
Conspiracy Theory (1997)
Directed by: Richard Donner
Cinematography by: John Schwartzman
Sound Designer
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Sound Effects Editor
The Fifth Element (1997)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses: Zeiss Lenses
Sound Fx Editor
Daylight (1996)
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Sound Effects Editor
Space Jam (1996)
Directed by: Joe Pytka
Cinematography by: Michael Chapman
Edited by: Sheldon Kahn
Sound Editor
Die Hard: With a Vengeance (1995)
Directed by: John McTiernan
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Sound Editor
The Puppet Masters (1994)
Directed by: Stuart Orme
Cinematography by: Clive Tickner
Edited by: William Goldenberg
Crowds Editor
Little Big League (1994)
Directed by: Andrew Scheinman
Cinematography by: Donald E. Thorin
Edited by: Michael Jablow
Sound Effects Editor
The Flintstones (1994)
Directed by: Brian Levant
Cinematography by: Dean Cundey
Edited by: Kent Beyda
Cameras: Panavision Cameras
Suprevising Sound Editor
Fresh (1994)
Directed by: Boaz Yakin
Cinematography by: Adam Holender
Edited by: Dorian Harris
Supervising Sound Editor
Lush Life (1993)
Directed by: Michael Elias
Cinematography by: Nancy Schreiber
Edited by: Bill Yahraus
Supervising Sound Editor
Reservoir Dogs (1992)
Directed by: Quentin Tarantino
Cinematography by: Andrzej Sekula
Edited by: Sally Menke
Sound Effects Editor: Los Angeles
Basic Instinct (1992)
Directed by: Paul Verhoeven
Cinematography by: Jan de Bont
Edited by: Frank J. Urioste
Cameras: Panavision Panaflex Camera
