Dermot Hickey

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Guardians of the Galaxy Vol. 3 | ShotOnWhat?

First Assistant Camera: "a" Camera

Guardians of the Galaxy Vol. 3 (2023)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

Mission: Impossible - Fallout | ShotOnWhat?

"c" First Assistant Photographer/aerial First Assistant Photographer: New Zealand

Mission: Impossible - Fallout (2018)

Directed by: Christopher McQuarrie

Cinematography by: Rob Hardy

Edited by: Eddie Hamilton

Cameras: ARRIFLEX 235 Camera, Panavision Millennium DXL Camera, Panavision Panaflex Millennium XL2 Camera, Red Weapon Dragon Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

Mary Poppins Returns | ShotOnWhat?

1st A/c 2nd Unit Dailies

Mary Poppins Returns (2018)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Wyatt Smith

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens

Star Wars: Episode VIII - The Last Jedi | ShotOnWhat?

Knights of the Roundtable: King Arthur | ShotOnWhat?

1st A/c Additional Photography / D Camera Dailies / Splinter Unit 1st A/c A Camera

King Arthur: Legend of the Sword (2017)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

Assassin's Creed | ShotOnWhat?

First Assistant Camera: "a" Camera, Additional Photography

Assassin's Creed (2016)

Directed by: Justin Kurzel

Cinematography by: Adam Arkapaw

Edited by: Christopher Tellefsen

Cameras: ARRI ALEXA 65 Camera

The Legend of Tarzan | ShotOnWhat?

B Cam 1st A/C

The Legend of Tarzan (2016)

Directed by: David Yates

Cinematography by: Henry Braham

Edited by: Mark Day

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summicron-C Series Lenses

The Theory of Everything | ShotOnWhat?

First Assistant Camera "a" Camera

The Theory of Everything (2014)

Directed by: James Marsh

Cinematography by: Benoît Delhomme

Edited by: Jinx Godfrey

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRIFLEX 16SR3 Camera

Lenses: Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Gravity | ShotOnWhat?

1st A/c Dailies

Gravity (2013)

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Alfonso Cuarón, Mark Sanger

Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera

Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Rush | ShotOnWhat?

First Assistant Camera: Second Unit

Rush (2013)

Directed by: Ron Howard

Cinematography by: Anthony Dod Mantle

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses

The World's End | ShotOnWhat?

"b" Camera First Assistant

The World's End (2013)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Paul Machliss

Cameras: ARRIFLEX 16SR3 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses

The Raven | ShotOnWhat?

Focus Puller: "a" Camera

The Raven (2012)

Directed by: James McTeigue

Cinematography by: Danny Ruhlmann

Edited by: Niven Howie

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Great Ghost Rescue | ShotOnWhat?

First Assistant Camera

The Great Ghost Rescue (2011)

Directed by: Yann Samuell

Cinematography by: Antoine Roch

One Day | ShotOnWhat?

First Assistant Camera: "a" Camera

One Day (2011)

Directed by: Lone Scherfig

Cinematography by: Benoît Delhomme

Edited by: Barney Pilling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Shanghai | ShotOnWhat?

First Assistant Camera: "a" Camera

Shanghai (2010)

Directed by: Mikael Håfström

Cinematography by: Benoît Delhomme

Edited by: Peter Boyle, Kevin Tent

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Duchess | ShotOnWhat?

Second Assistant Camera

The Duchess (2008)

Directed by: Saul Dibb

Cinematography by: Gyula Pados

Edited by: Masahiro Hirakubo

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses

Good | ShotOnWhat?

First Assistant Camera: "a" Camera

Good (2008)

Directed by: Vicente Amorim

Cinematography by: Andrew Dunn

Edited by: John Wilson

Cameras: Panavision Cameras

Lenses: Panavision Lenses

1408 | ShotOnWhat?

First Assistant Camera: "a" Camera

1408 (2007)

Directed by: Mikael Håfström

Cinematography by: Benoît Delhomme

Edited by: Peter Boyle

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Run, Fatboy, Run | ShotOnWhat?

Focus Puller: "a" Camera

Run, Fat Boy, Run (2007)

Directed by: David Schwimmer

Cinematography by: Richard Greatrex

Edited by: Michael Parker

Cameras: ARRI Cameras

Lenses: Zeiss Lenses

The History Boys | ShotOnWhat?

First Assistant Camera: "a" Camera

The History Boys (2006)

Directed by: Nicholas Hytner

Cinematography by: Andrew Dunn

Edited by: John Wilson

Big Nothing | ShotOnWhat?

First Assistant Camera: "a" Camera

Big Nothing (2006)

Directed by: Jean-Baptiste Andrea

Cinematography by: Richard Greatrex

Edited by: Antoine Vareille

Miss Potter | ShotOnWhat?

Focus Puller: "b" Camera

Miss Potter (2006)

Directed by: Chris Noonan

Cinematography by: Andrew Dunn

Edited by: Robin Sales

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Mrs Henderson Presents | ShotOnWhat?

First Assistant Camera: "b" Camera

Mrs Henderson Presents (2005)

Directed by: Stephen Frears

Cinematography by: Andrew Dunn

Edited by: Lucia Zucchetti

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Upside of Anger | ShotOnWhat?

Focus Puller

The Upside of Anger (2005)

Directed by: Mike Binder

Cinematography by: Richard Greatrex

Edited by: Steve Edwards, Robin Sales

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