Darrell Hall

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Shazam! | ShotOnWhat?

Music Editor

Shazam! (2019)

Directed by: David F. Sandberg

Cinematography by: Maxime Alexandre

Edited by: Michel Aller

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Zeiss Master Prime Lenses

Skyscraper | ShotOnWhat?

Additonal Score Music Editor

Skyscraper (2018)

Directed by: Rawson Marshall Thurber

Cinematography by: Robert Elswit

Edited by: Julian Clarke, Michael L. Sale

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Transformers: The Last Knight | ShotOnWhat?

Additional Music Editor

Transformers: The Last Knight (2017)

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

John Wick: Chapter 2 | ShotOnWhat?

Temp Music Editor

John Wick: Chapter 2 (2017)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Evan Schiff

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Music Editor

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Lights Out | ShotOnWhat?

Music Editor

Lights Out (2016)

Directed by: David F. Sandberg

Cinematography by: Marc Spicer

Edited by: Michel Aller, Kirk M. Morri

Cameras: ARRI ALEXA Camera

Gods of Egypt | ShotOnWhat?

Temp Music Editor

Gods of Egypt (2016)

Directed by: Alex Proyas

Cinematography by: Peter Menzies Jr.

Edited by: Richard Learoyd

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

We Are Your Friends | ShotOnWhat?

Music Editor

We Are Your Friends (2015)

Directed by: Max Joseph

Cinematography by: Brett Pawlak

Edited by: David Diliberto, Terel Gibson

Cameras: Red Epic Dragon Camera

Guardians of the Galaxy | ShotOnWhat?

Music Editor

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

The Darkest Hour | ShotOnWhat?

Music Editor

The Darkest Hour (2011)

Directed by: Chris Gorak

Cinematography by: Scott Kevan

Edited by: Priscilla Nedd-Friendly, Fernando Villena, Doobie White

Cameras: Sony CineAlta F35 Camera, Sony HDC-P1 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Sucker Punch | ShotOnWhat?

Music Editor

Sucker Punch (2011)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Panavision Cameras

Halloween II | ShotOnWhat?

Music Editor

Halloween II (2009)

Directed by: Rob Zombie

Cinematography by: Brandon Trost

Edited by: Glenn Garland, Joel T. Pashby

Cameras: ARRI Cameras

Watchmen | ShotOnWhat?

Music Editor

Watchmen (2009)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Tropic Thunder | ShotOnWhat?

Music Editor: Temp

Tropic Thunder (2008)

Directed by: Ben Stiller

Cinematography by: John Toll

Edited by: Greg Hayden

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Days of Wrath | ShotOnWhat?

Music Editor

Days of Wrath (2008)

Directed by: Celia Fox

Cinematography by: Steven Fierberg

Edited by: Anne Goursaud, Michael Schultz

The Day the Earth Stood Still | ShotOnWhat?

Music Editor

The Day the Earth Stood Still (2008)

Directed by: Scott Derrickson

Cinematography by: David Tattersall

Edited by: Wayne Wahrman

Cameras: Panavision Cameras

Rush Hour 3 | ShotOnWhat?

Music Editor

Rush Hour 3 (2007)

Directed by: Brett Ratner

Cinematography by: James M. Muro

Edited by: Mark Helfrich, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Halloween | ShotOnWhat?

Music Editor

Halloween (2007)

Directed by: Rob Zombie

Cinematography by: Phil Parmet

Edited by: Glenn Garland

300 | ShotOnWhat?

Music Editor

300 (2006)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Editing System: Final Cut Pro Editing System

Abominable | ShotOnWhat?

Music Editor

Abominable (2006)

Directed by: Ryan Schifrin

Cinematography by: Neal Fredericks

Edited by: Chris Conlee

Cameras: ARRIFLEX 35 III Camera, Moviecam Compact Camera

Slither | ShotOnWhat?

Music Editor

Slither (2006)

Directed by: James Gunn

Cinematography by: Gregory Middleton

Edited by: John Axelrad

The Pacifier | ShotOnWhat?

Supervising Music Editor

The Pacifier (2005)

Directed by: Adam Shankman

Cinematography by: Peter James

Edited by: Christopher Greenbury

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Dawn of the Dead | ShotOnWhat?

Music Editor

Dawn of the Dead (2004)

Directed by: Zack Snyder

Cinematography by: Matthew F. Leonetti

Edited by: Niven Howie

Bringing Down the House | ShotOnWhat?

Music Editor

Bringing Down the House (2003)

Directed by: Adam Shankman

Cinematography by: Julio Macat

Edited by: Gerald B. Greenberg

One Hour Photo | ShotOnWhat?

Music Editor

One Hour Photo (2002)

Directed by: Mark Romanek

Cinematography by: Jeff Cronenweth

Edited by: Jeffrey Ford

The Last Castle | ShotOnWhat?

Music Editor

The Last Castle (2001)

Directed by: Rod Lurie

Cinematography by: Shelly Johnson

Edited by: Michael Jablow, Kevin Stitt

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Rush Hour 2 | ShotOnWhat?

Music Editor

Rush Hour 2 (2001)

Directed by: Brett Ratner

Cinematography by: Matthew F. Leonetti

Edited by: Mark Helfrich, Robert K. Lambert

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Angel Eyes | ShotOnWhat?

Music Editor

Angel Eyes (2001)

Directed by: Luis Mandoki

Cinematography by: Piotr Sobocinski

Edited by: Gerald B. Greenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Shallow Hal | ShotOnWhat?

Music Editor

Shallow Hal (2001)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Russell Carpenter

Edited by: Christopher Greenbury

Hollow Man | ShotOnWhat?

Music Editor

Hollow Man (2000)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Ron Vignone

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses

The Next Best Thing | ShotOnWhat?

Music Editor: Temp Music

The Next Best Thing (2000)

Directed by: John Schlesinger

Cinematography by: Elliot Davis

Edited by: Peter Honess

The Haunting | ShotOnWhat?

Mummy Editor, Music Editor

The Haunting (1999)

Directed by: Jan de Bont

Cinematography by: Karl Walter Lindenlaub

Edited by: Michael Kahn

Cameras: Panavision Cameras, VistaVision Cameras

Lenses: Panavision Lenses

The Mummy | ShotOnWhat?

Music Editor

The Mummy (1999)

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

One True Thing | ShotOnWhat?

Music Editor

One True Thing (1998)

Directed by: Carl Franklin

Cinematography by: Declan Quinn

Edited by: Carole Kravetz Aykanian

Cameras: Moviecam Compact Camera, Panavision Cameras

Lenses: Panavision Lenses

Star Trek: Insurrection | ShotOnWhat?

Music Editor

Star Trek: Insurrection (1998)

Directed by: Jonathan Frakes

Cinematography by: Matthew F. Leonetti

Edited by: Peter E. Berger

Cameras: Panavision Cameras

Lenses: Panavision C Series Anamorphic Lenses

Small Soldiers | ShotOnWhat?

Music Editor

Small Soldiers (1998)

Directed by: Joe Dante

Cinematography by: Jamie Anderson

Edited by: Marshall Harvey, Michael Thau

Anastasia | ShotOnWhat?

Music Editor

Anastasia (1997)

Directed by: Don Bluth, Gary Goldman

Edited by: Bob Bender, Fiona Trayler

Chain Reaction | ShotOnWhat?

Additional Music Editor

Chain Reaction (1996)

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Don Brochu, Dov Hoenig, Arthur Schmidt, Mark Stevens

Cameras: Panavision Cameras

Executive Decision | ShotOnWhat?

Music Editor

Executive Decision (1996)

Directed by: Stuart Baird

Cinematography by: Alex Thomson

Edited by: Stuart Baird, Derek Brechin, Dallas Puett, Kevin Stitt, Frank J. Urioste

Congo | ShotOnWhat?

Music Editor

Congo (1995)

Directed by: Frank Marshall

Cinematography by: Allen Daviau

Edited by: Anne V. Coates

Baby's Day Out | ShotOnWhat?

Preview Music Editor

Baby's Day Out (1994)

Directed by: Patrick Read Johnson

Cinematography by: Thomas E. Ackerman

Edited by: David Rawlins

Bad Girls | ShotOnWhat?

Music Editor: Temp Music

Bad Girls (1994)

Directed by: Jonathan Kaplan

Cinematography by: Ralf D. Bode

Edited by: Jane Kurson

The Shadow | ShotOnWhat?

Music Editor

The Shadow (1994)

Directed by: Russell Mulcahy

Cinematography by: Stephen H. Burum

Edited by: Peter Honess

Cops and Robbersons | ShotOnWhat?

Temp Music Editor

Cops and Robbersons (1994)

Directed by: Michael Ritchie

Cinematography by: Gerry Fisher

Edited by: Stephen A. Rotter, William S. Scharf

Rudy | ShotOnWhat?

Music Editor

Rudy (1993)

Directed by: David Anspaugh

Cinematography by: Oliver Wood

Edited by: David Rosenbloom

Dennis the Menace | ShotOnWhat?

Music Editor

Dennis the Menace (1993)

Directed by: Nick Castle

Cinematography by: Thomas E. Ackerman

Edited by: Alan Heim

The Real McCoy | ShotOnWhat?

Assistant Editor

The Real McCoy (1993)

Directed by: Russell Mulcahy

Cinematography by: Denis Crossan

Edited by: Peter Honess

The Public Eye | ShotOnWhat?

Assistant Music Editor

The Public Eye (1992)

Directed by: Howard Franklin

Cinematography by: Peter Suschitzky

Edited by: Evan A. Lottman, Conrad M. Gonzalez

Final Analysis | ShotOnWhat?

Assistant Music Editor

Final Analysis (1992)

Directed by: Phil Joanou

Cinematography by: Jordan Cronenweth

Edited by: Thom Noble

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Bodyguard | ShotOnWhat?

Music Editor

The Bodyguard (1992)

Directed by: Mick Jackson

Cinematography by: Andrew Dunn

Edited by: Donn Cambern, Richard A. Harris

Death Becomes Her | ShotOnWhat?

Music Editor

Death Becomes Her (1992)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Arthur Schmidt

The Taking of Beverly Hills | ShotOnWhat?

Preview Music Editor

The Taking of Beverly Hills (1991)

Directed by: Sidney J. Furie

Cinematography by: Frank E. Johnson

Edited by: Antony Gibbs

Ricochet | ShotOnWhat?

Assistant Editor

Ricochet (1991)

Directed by: Russell Mulcahy

Cinematography by: Peter Levy

Edited by: Peter Honess

Defending Your Life | ShotOnWhat?

Assistant Sound Editor

Defending Your Life (1991)

Directed by: Albert Brooks

Cinematography by: Allen Daviau

Edited by: David Finfer

Total Recall | ShotOnWhat?

Assistant Music Editor

Total Recall (1990)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Carlos Puente, Frank J. Urioste

Cameras: ARRIFLEX Camera

Lenses: Zeiss Lenses

Collision Course | ShotOnWhat?

Assistant Sound Editor

Collision Course (1989)

Directed by: Lewis Teague

Cinematography by: Donald E. Thorin

Edited by: Gerald B. Greenberg, Sonya Polonsky

Cameras: Panavision Cameras

Dangerous Curves | ShotOnWhat?

Assistant Sound Editor

Dangerous Curves (1988)

Directed by: David Lewis

Cinematography by: David Lewis

Edited by: Bob Bring

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