David J. Negron Jr.

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Ghost in the Shell | ShotOnWhat?

Storyboard Artist

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

Geostorm | ShotOnWhat?

Storyboard Artist

Geostorm (2017)

Directed by: Dean Devlin

Cinematography by: Roberto Schaefer

Edited by: Chris Lebenzon, John Refoua, Ron Rosen

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

"The Librarians" And the Hollow Men | ShotOnWhat?

Visual Effects Designer

'The Librarians' And the Hollow Men (2015)

Television Episode

Directed by: Noah Wyle

Cinematography by: David Connell

Edited by: Eric L. Beason, Tom McQuade

"The Librarians" And the Infernal Contract | ShotOnWhat?

Visual Effects Designer

'The Librarians' And the Infernal Contract (2015)

Television Episode

Directed by: Jonathan Frakes

Cinematography by: David Connell

Edited by: Tom McQuade

"The Librarians" And the Image of Image | ShotOnWhat?

Visual Effects Designer

'The Librarians' And the Image of Image (2015)

Television Episode

Directed by: Emile B. Levisetti

Cinematography by: David Connell

Edited by: Eric L. Beason, Tom McQuade

San Andreas | ShotOnWhat?

Storyboard Artist

San Andreas (2015)

Directed by: Brad Peyton

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Librarians | ShotOnWhat?

Visual Effects Designer - 3 Episodes, 2015

The Librarians (2014)

Television Series

Directed by: Marc Roskin, Jonathan Frakes, Dean Devlin, Noah Wyle, Rod Hardy, John Harrison, Emile B. Levisetti, Tawnia McKiernan, Courtney Rowe, Eriq La Salle, Nina Lopez-Corrado, Lindy Booth, Valerie Weiss

Cinematography by: David Connell

Edited by: Ron Stanik, Tom McQuade, Brian Gonosey, Sonny Baskin, Chris A. Peterson, Eric L. Beason

Cameras: Red Epic Dragon Camera, Red One MX Camera

Editing System: Final Cut Pro Editing System

Gangster Squad | ShotOnWhat?

Storyboard Artist: Reshoots

Gangster Squad (2013)

Directed by: Ruben Fleischer

Cinematography by: Dion Beebe

Edited by: Alan Baumgarten, James Herbert

Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Battleship | ShotOnWhat?

Storyboard Artist

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Mechanic | ShotOnWhat?

Storyboard Artist

The Mechanic (2011)

Directed by: Simon West

Cinematography by: Eric Schmidt

Edited by: T.G. Herrington, Todd E. Miller

Your Highness | ShotOnWhat?

Storyboard Artist

Your Highness (2011)

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Craig Alpert

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Mission: Impossible - Ghost Protocol | ShotOnWhat?

Storyboard Artist - Reshoots

Mission: Impossible - Ghost Protocol (2011)

Directed by: Brad Bird

Cinematography by: Robert Elswit

Edited by: Paul Hirsch

Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Sherlock Holmes: A Game of Shadows | ShotOnWhat?

Storyboard Artist: Re-shoot

Sherlock Holmes: A Game of Shadows (2011)

Directed by: Guy Ritchie

Cinematography by: Philippe Rousselot

Edited by: James Herbert

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Anamorphic Lenses

Seeking Justice | ShotOnWhat?

Storyboard Artist

Seeking Justice (2011)

Directed by: Roger Donaldson

Cinematography by: David Tattersall

Edited by: Jay Cassidy

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

In Time | ShotOnWhat?

Storyboard Artist

In Time (2011)

Directed by: Andrew Niccol

Cinematography by: Roger Deakins

Edited by: Zach Staenberg

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Killers | ShotOnWhat?

Storyboard Artist

Killers (2010)

Directed by: Robert Luketic

Cinematography by: Russell Carpenter

Edited by: Richard Francis-Bruce, Mary Jo Markey

Cameras: ARRIFLEX D-21 Camera

Lenses: Hawk V-Series Lenses

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Illustrator

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

The Spiderwick Chronicles | ShotOnWhat?

Storyboard Artist

The Spiderwick Chronicles (2008)

Directed by: Mark Waters

Cinematography by: Caleb Deschanel

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Game Plan | ShotOnWhat?

Storyboard Artist

The Game Plan (2007)

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: Michael Jablow

Cameras: Panavision Cameras

Rush Hour 3 | ShotOnWhat?

Storyboard Artist

Rush Hour 3 (2007)

Directed by: Brett Ratner

Cinematography by: James M. Muro

Edited by: Mark Helfrich, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

National Treasure | ShotOnWhat?

Storyboard Artist

National Treasure (2004)

Directed by: Jon Turteltaub

Cinematography by: Caleb Deschanel

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

Open Range | ShotOnWhat?

Second Unit Director, Storyboard Artist, Visual Effects Supervisor

Open Range (2003)

Directed by: Kevin Costner

Cinematography by: James M. Muro

Edited by: Michael J. Duthie, Miklos Wright

The Scorpion King | ShotOnWhat?

Storyboard Artist

The Scorpion King (2002)

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Greg Parsons, Michael Tronick

Star Trek: Nemesis | ShotOnWhat?

Illustrator

Star Trek: Nemesis (2002)

Directed by: Stuart Baird

Cinematography by: Jeffrey L. Kimball

Edited by: Dallas Puett

Unconditional Love | ShotOnWhat?

Visual Effects Supervisor

Unconditional Love (2002)

Directed by: P.J. Hogan

Cinematography by: Remi Adefarasin

Edited by: Robert C. Jones

Cameras: Panavision Cameras

High Crimes | ShotOnWhat?

Storyboard Artist

High Crimes (2002)

Directed by: Carl Franklin

Cinematography by: Theo van de Sande

Edited by: Carole Kravetz Aykanian

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Where the Heart Is | ShotOnWhat?

Visual Effects Supervisor

Where the Heart Is (2000)

Directed by: Matt Williams

Cinematography by: Richard Greatrex

Edited by: Ian Crafford

The General's Daughter | ShotOnWhat?

Storyboard Artist

The General's Daughter (1999)

Directed by: Simon West

Cinematography by: Peter Menzies Jr.

Edited by: Glen Scantlebury

Cameras: Pan-Arri III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Santa and Pete | ShotOnWhat?

Visual Effects Supervisor

Santa and Pete (1999)

Television Movie

Directed by: Duwayne Dunham

Cinematography by: John Newby

Edited by: Jonathan P. Shaw

Three Kings | ShotOnWhat?

Storyboard Artist

Three Kings (1999)

Directed by: David O. Russell

Cinematography by: Newton Thomas Sigel

Edited by: Robert K. Lambert

Cameras: Panavision Cameras

The Postman | ShotOnWhat?

Storyboard Artist, Third Unit Director , Visual Effects Supervisor

The Postman (1997)

Directed by: Kevin Costner

Cinematography by: Stephen F. Windon

Edited by: Peter Boyle

Anaconda | ShotOnWhat?

Storyboard Artist

Anaconda (1997)

Directed by: Luis Llosa

Cinematography by: Bill Butler

Edited by: Michael R. Miller

The Saint | ShotOnWhat?

Storyboard Artist

The Saint (1997)

Directed by: Phillip Noyce

Cinematography by: Phil Meheux

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Speed 2: Cruise Control | ShotOnWhat?

Illustrator

Speed 2: Cruise Control (1997)

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Alan Cody

Executive Decision | ShotOnWhat?

Concept Artist

Executive Decision (1996)

Directed by: Stuart Baird

Cinematography by: Alex Thomson

Edited by: Stuart Baird, Derek Brechin, Dallas Puett, Kevin Stitt, Frank J. Urioste

Virtuosity | ShotOnWhat?

Storyboard Artist

Virtuosity (1995)

Directed by: Brett Leonard

Cinematography by: Gale Tattersall

Edited by: Rob Kobrin, B.J. Sears

Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera

Baby's Day Out | ShotOnWhat?

Storyboard Artist

Baby's Day Out (1994)

Directed by: Patrick Read Johnson

Cinematography by: Thomas E. Ackerman

Edited by: David Rawlins

Wyatt Earp | ShotOnWhat?

Storyboard Artist

Wyatt Earp (1994)

Directed by: Lawrence Kasdan

Cinematography by: Owen Roizman

Edited by: Carol Littleton

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Cooke Lenses, Panavision Primo Anamorphic Lenses

Clear and Present Danger | ShotOnWhat?

Cartel Accountant, Illustrator

Clear and Present Danger (1994)

Directed by: Phillip Noyce

Cinematography by: Donald McAlpine

Edited by: Neil Travis

Fearless | ShotOnWhat?

Illustrator

Fearless (1993)

Directed by: Peter Weir

Cinematography by: Allen Daviau

Edited by: William M. Anderson, Armen Minasian, Lee Smith

Sliver | ShotOnWhat?

Illustrator

Sliver (1993)

Directed by: Phillip Noyce

Cinematography by: Vilmos Zsigmond

Edited by: Richard Francis-Bruce, William Hoy, Bert Lovitt

Undercover Blues | ShotOnWhat?

Storyboard Artist

Undercover Blues (1993)

Directed by: Herbert Ross

Cinematography by: Donald E. Thorin

Edited by: Priscilla Nedd-Friendly

Patriot Games | ShotOnWhat?

Storyboard Artist

Patriot Games (1992)

Directed by: Phillip Noyce

Cinematography by: Donald McAlpine

Edited by: William Hoy, Neil Travis

Toy Soldiers | ShotOnWhat?

Storyboard Artist

Toy Soldiers (1991)

Directed by: Daniel Petrie Jr.

Cinematography by: Thomas Burstyn

Edited by: Michael Kahn

The Naked Gun 2½: The Smell of Fear | ShotOnWhat?

Storyboard Illustrator

The Naked Gun 2½: The Smell of Fear (1991)

Directed by: David Zucker

Cinematography by: Robert M. Stevens

Edited by: Christopher Greenbury, James R. Symons

Lethal Weapon 2 | ShotOnWhat?

Storyboard Artist

Lethal Weapon 2 (1989)

Directed by: Richard Donner

Cinematography by: Stephen Goldblatt

Edited by: Stuart Baird

Dead Poets Society | ShotOnWhat?

Illustrator

Dead Poets Society (1989)

Directed by: Peter Weir

Cinematography by: John Seale

Edited by: William M. Anderson

Cameras: Panavision Cameras

Lenses: Panavision Lenses

National Lampoon's Christmas Vacation | ShotOnWhat?

Illustrator

National Lampoon's Christmas Vacation (1989)

Directed by: Jeremiah S. Chechik

Cinematography by: Thomas E. Ackerman

Edited by: Gerald B. Greenberg, Michael A. Stevenson

Rambo III | ShotOnWhat?

Storyboard Artist

Rambo III (1988)

Directed by: Peter MacDonald

Cinematography by: John Stanier

Edited by: O. Nicholas Brown, Andrew London, James R. Symons, Edward Warschilka

Jo Jo Dancer, Your Life Is Calling | ShotOnWhat?

Visual Effects Supervisor

Jo Jo Dancer, Your Life Is Calling (1986)

Directed by: Richard Pryor

Cinematography by: John A. Alonzo

Edited by: Donn Cambern

Cameras: Panavision Cameras

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