Digital Compositor: Milk Visual Effects
Come Away (2020)
Directed by: Brenda Chapman
Cinematography by: Jules O'Loughlin
Edited by: Dody Dorn
Digital Compositor: MPC
The Lion King (2019)
Directed by: Jon Favreau
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA 65 Camera
Digital Compositor: SSVFX
The Irishman (2019)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Digital Compositor: Framestore
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Digital Compositor: MPC
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Digital Compositor: MPC
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Digital Compositor: MPC
X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Digital Compositor: BlueBolt
The Man from U.N.C.L.E. (2015)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Digital Effects Artist: UPP
Red Tails (2012)
Directed by: Anthony Hemingway
Cinematography by: John B. Aronson
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera
Editing System: Lightworks Editing System
Digital Compositor
The Rite (2011)
Directed by: Mikael Håfström
Cinematography by: Ben Davis
Edited by: David Rosenbloom
Compositor: Digital Apes
'Going Postal' Episode #1.1 (2010)
Directed by: Jon Jones
Cinematography by: Gavin Finney
Edited by: Alex Mackie
Compositor: Digital Apes
'Going Postal' Episode #1.2 (2010)
Directed by: Jon Jones
Cinematography by: Gavin Finney
Edited by: Alex Mackie
Compositor: Digital Apes - 2 Episodes, 2010
Going Postal (2010)
Directed by: Jon Jones
Cinematography by: Gavin Finney
Edited by: Alex Mackie
Cameras: ARRIFLEX D-21 Camera
Rotoscope Artist: Cube Effects
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Digital Compositor
Halálkeringö (2010)
Directed by: Köves Krisztián Károly
Cinematography by: Balázs Dobóczi
Edited by: Ádám Fiers
Rotoscope Artist: Digital Apes
Invictus (2009)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Rotoscope Artist: Cube Effects
Baarìa (2009)
Directed by: Giuseppe Tornatore
Cinematography by: Enrico Lucidi
Edited by: Massimo Quaglia
Rotoscope Artist: Cube Effects
Cirque du Freak: The Vampire's Assistant (2009)
Directed by: Paul Weitz
Cinematography by: James M. Muro
Edited by: Leslie Jones
Rotoscope Artist: Cube Effects
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Rotoscope Artist: Cube Effects
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Rotoscope Artist: Cube Effects
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
