Orchestra Recorder / Scoring Mixer
Elemental (2023)
Directed by: Peter Sohn
Edited by: Stephen Schaffer
Scoring Mixer
If Beale Street Could Talk (2018)
Directed by: Barry Jenkins
Cinematography by: James Laxton
Cameras: ARRI ALEXA 65 Camera
Lenses: ARRI Rental Prime DNA Lenses
Score Mixer
Moonlight (2016)
Directed by: Barry Jenkins
Cinematography by: James Laxton
Cameras: ARRI ALEXA XT Plus Camera
Music Engineer
Passengers (2016)
Directed by: Morten Tyldum
Cinematography by: Rodrigo Prieto
Edited by: Maryann Brandon
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision Primo 70 Lenses
Music Scoring Mixer
Bridge of Spies (2015)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Score Mixer
The Big Short (2015)
Directed by: Adam McKay
Cinematography by: Barry Ackroyd
Edited by: Hank Corwin
Music Scoring Mixer
Get on Up (2014)
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Michael McCusker
Music Scoring Mixer
The Judge (2014)
Directed by: David Dobkin
Cinematography by: Janusz Kaminski
Edited by: Mark Livolsi
Score Mixer / Score Recordist
Saving Mr. Banks (2013)
Directed by: John Lee Hancock
Cinematography by: John Schwartzman
Edited by: Mark Livolsi
Music Scoring Mixer
Last Vegas (2013)
Directed by: Jon Turteltaub
Cinematography by: David Hennings
Edited by: David Rennie
Cameras: ARRI ALEXA Camera
Music Mixer
Side Effects (2013)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red Epic Camera
Additional Recording
Man of Steel (2013)
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Music Recordist / Music Scoring Mixer
The Last Stand (2013)
Directed by: Jee-woon Kim
Cinematography by: Ji-yong Kim
Edited by: Steven Kemper
Cameras: ARRI ALEXA Plus Camera
Score Mixer
Mud (2012)
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
Music Scoring Mixer
There Be Dragons (2011)
Directed by: Roland Joffé
Cinematography by: Gabriel Beristain
Edited by: Richard Nord
Music Scoring Mixer
The Help (2011)
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Hughes Winborne
Music Scoring Mixer
The Adjustment Bureau (2011)
Directed by: George Nolfi
Cinematography by: John Toll
Edited by: Jay Rabinowitz
Score Mixer: Tom Morello Music
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Music Scoring Mixer
Surrogates (2009)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Music Scoring Mixer
The Pink Panther 2 (2009)
Directed by: Harald Zwart
Cinematography by: Denis Crossan
Edited by: Julia Wong
Cameras: Moviecam Compact Camera
Music Scoring Mixer
Revolutionary Road (2008)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Music Scoring Mixer
WALL·E (2008)
Directed by: Andrew Stanton
Cinematography by: Martin Rosenberg
Edited by: Stephen Schaffer
Scoring Mixer
Towelhead (2007)
Directed by: Alan Ball
Cinematography by: Newton Thomas Sigel
Edited by: Andy Keir
Music Scoring Mixer
Little Children (2006)
Directed by: Todd Field
Cinematography by: Antonio Calvache
Edited by: Leo Trombetta
Music Scoring Mixer
The Good German (2006)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Music Scoring Mixer
Payback: Straight Up (2006)
Directed by: Brian Helgeland
Cinematography by: Ericson Core
Edited by: Kevin Stitt
Music Scoring Mixer
Cinderella Man (2005)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Music Scoring Mixer
Jarhead (2005)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Walter Murch
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Music Recordist / Music Scoring Mixer
Ladder 49 (2004)
Directed by: Jay Russell
Cinematography by: James L. Carter
Scoring Mixer
Mr 3000 (2004)
Directed by: Charles Stone III
Cinematography by: Shane Hurlbut
Edited by: Bill Pankow
Music Scoring Mixer
Lemony Snicket's A Series of Unfortunate Events (2004)
Directed by: Brad Silberling
Cinematography by: Emmanuel Lubezki
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Music Scoring Mixer, Sound Mixer
Kung Pow: Enter the Fist (2002)
Directed by: Steve Oedekerk
Cinematography by: John J. Connor
Edited by: Paul Marshal
Music Scoring Mixer
Road to Perdition (2002)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Lightworks Editing System
Music Scoring Mixer, Sound Mixer
The Majestic (2001)
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Jim Page
Music Scoring Mixer, Sound Mixer
The Ladies Man (2000)
Directed by: Reginald Hudlin
Cinematography by: Johnny E. Jensen
Edited by: Earl Watson
Music Scoring Mixer
Nothing to Lose (1997)
Directed by: Steve Oedekerk
Cinematography by: Donald E. Thorin
Edited by: Malcolm Campbell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Score Engineer
The Heavenly Kid (1985)
Directed by: Cary Medoway
Cinematography by: Steven Poster
Edited by: Christopher Greenbury
